http://othersinearlymodernitaly.artinterp.org/omeka/files/original/543984c7d18bad44affd77cca112bc9f.jpg 9fb250835436596d2cc5223138faf63d http://othersinearlymodernitaly.artinterp.org/omeka/files/original/b70782661457730cbd2f1c5b7c83a1bc.jpg 9d07041bd1e0ad8383e98d591f523297 http://othersinearlymodernitaly.artinterp.org/omeka/files/original/8c6db0d698063f18f393a9eebbf4372a.jpg 8403ac6983c432498bcd20c14df2a351 Still Image A static visual representation. Examples include paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type Text to images of textual materials. Original Format The type of object, such as painting, sculpture, paper, photo, and additional data fresco Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Benedict Sends Away the Harlots Creator An entity primarily responsible for making the resource Giovanni Antonio Bazzi, called Sodoma Date A point or period of time associated with an event in the lifecycle of the resource 1505–08 Format The file format, physical medium, or dimensions of the resource painting Type The nature or genre of the resource Still Image Source A related resource from which the described resource is derived Asciano: Abbazia of Monteoliveto Maggiore Language A language of the resource on the descriptive table beneath the fresco: COME FLORENZO MANDA MALE FEMMINE AL MONASTERO Contributor An entity responsible for making contributions to the resource Dr. Adam Rudolphi animal(s) beards bisexual boat(s) or ship(s) bodies of water book(s) cisgender female onlooker(s) or peripheral figure(s) cisgender male onlooker or peripheral figure(s) figure(s) looking directly at the viewer fruit gay Gender history—medieval religious subject jewelry landscape LGBTQ+ artist sexual orientation minorities Siena women and gender minorities women of color