http://othersinearlymodernitaly.artinterp.org/omeka/files/original/2d5bc9f16f12bb22b6c24848b7e1d5a9.jpg feecfc7468c7d2d7f8d64b129d3bb908 http://othersinearlymodernitaly.artinterp.org/omeka/files/original/44f90cfd2d2680758cfeb7fa1e610468.jpg d20665f49a9a63bec2b97e873caa7dc6 http://othersinearlymodernitaly.artinterp.org/omeka/files/original/75787a442feaddebe54771578ed80241.jpg 75f970971b71ae7d1c50aeab2070181c Still Image A static visual representation. Examples include paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type Text to images of textual materials. Original Format The type of object, such as painting, sculpture, paper, photo, and additional data fresco Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Saint Benedict Repairs the Wooden Wheat Winnow and Visitors Marvel at the Miraculously Repaired Object on Display Creator An entity primarily responsible for making the resource Giovanni Antonio Bazzi, called Sodoma Date A point or period of time associated with an event in the lifecycle of the resource 1505–08 Format The file format, physical medium, or dimensions of the resource painting Type The nature or genre of the resource Still Image Source A related resource from which the described resource is derived Asciano: Abbazia of Monteoliveto Maggiore Language A language of the resource below the image: COME BENEDETTO RISALDA LO CAPISTERO CH'ERA ROTTO Contributor An entity responsible for making contributions to the resource Dr. Adam Rudolphi animal(s) bisexual bodies of water cisgender female onlooker(s) or peripheral figure(s) cisgender male central figure(s) column(s) gay history—medieval religious subject landscape LGBTQ+ artist LGBTQ+ central figure(s) portrait(s) portrait(s)—male self-portraiture sexual orientation minorities Sexuality Siena women and gender minorities women of color