http://othersinearlymodernitaly.artinterp.org/omeka/files/original/1083d50970b22e8a0ce7eac571b35faf.jpg c9fe70303cabcaba192e3cc000607a1b http://othersinearlymodernitaly.artinterp.org/omeka/files/original/8ed392de12886be2adbabb3bde4b0a4e.png e39a1bb2157544cd35fff5a0ee3fe8dc http://othersinearlymodernitaly.artinterp.org/omeka/files/original/e4bcd6b8d07d43f0f3d65f8b7e153edd.jpg 2b6b8cb51c7815a1f8d3d426143043be http://othersinearlymodernitaly.artinterp.org/omeka/files/original/ea60c8d96495340856d5718ed6cac187.png cdd7f4f17299a2f340b35c50c1f4edb0 Still Image A static visual representation. Examples include paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type Text to images of textual materials. Original Format The type of object, such as painting, sculpture, paper, photo, and additional data fresco Physical Dimensions The actual physical size of the original image 13.7 × 12 m Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource The Last Judgment Creator An entity primarily responsible for making the resource Michelangelo Buonarroti Publisher An entity responsible for making the resource available Pope Paul III Farnese Date A point or period of time associated with an event in the lifecycle of the resource 1536–1541 Format The file format, physical medium, or dimensions of the resource painting Type The nature or genre of the resource Still Image Source A related resource from which the described resource is derived Vatican City: Apostolic Palace, Sistine Chapel Contributor An entity responsible for making contributions to the resource Dr. Adam Rudolphi African(s) beards BIPOC boat(s) or ship(s) bodies of water breasts cisgender female central figure(s) cisgender female onlooker(s) or peripheral figure(s) cisgender male central figure(s) cisgender male onlooker or peripheral figure(s) column(s) figure(s) looking directly at the viewer figure(s) seen from behind Florence gay history—Biblical subject history—Biblical subject—New Testament intersectionality LGBTQ+ artist LGBTQ+ onlooker or peripheral figure(s) locations outside Italy men of color musical instrument(s) nudes nudes—male onlooker(s) or peripheral person(s) of color person of color—indeterminate gender portrait(s) portrait(s)—male Race Roman installation/viewing context Rome self-portraiture sexual orientation minorities subject location(s) outside Italy violence violence—torture weapon(s) women and gender minorities