11 10 375 http://othersinearlymodernitaly.artinterp.org/omeka/files/original/59452532c052626e609ee8093832005f.jpg 81c5e1663a958b8760c1fd6955e5ff72 Still Image A static visual representation. Examples include paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type Text to images of textual materials. Original Format The type of object, such as painting, sculpture, paper, photo, and additional data oil on panel Physical Dimensions The actual physical size of the original image 146 × 116 cm Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Allegory with Venus and Cupid Creator An entity primarily responsible for making the resource Agnolo di Cosimo, called Bronzino Date A point or period of time associated with an event in the lifecycle of the resource c.1545 Rights Information about rights held in and over the resource London: National Gallery Format The file format, physical medium, or dimensions of the resource painting Type The nature or genre of the resource Still Image Contributor An entity responsible for making contributions to the resource Dr. Adam Rudolphi allegorical personification(s) animal(s) bisexual breasts cisgender female central figure(s) cisgender female onlooker(s) or peripheral figure(s) figure(s) seen from behind Florence Florentine artist fruit history—allegory history—literary subject jewelry LGBTQ+ artist nudes nudes—female nudes—male personification(s) portrait(s) portrait(s)—female sexual orientation minorities Sexuality still life winged figure(s) women and gender minorities http://othersinearlymodernitaly.artinterp.org/omeka/files/original/9403373b51275fea4216f146251106f5.jpg b2ec30f088e425a7a7ef6cb0e571f5dd Still Image A static visual representation. Examples include paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type Text to images of textual materials. Original Format The type of object, such as painting, sculpture, paper, photo, and additional data sgraffito pavement Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Libyan Sibyl Creator An entity primarily responsible for making the resource Guidoccio Cozzarelli Date A point or period of time associated with an event in the lifecycle of the resource 1483 Format The file format, physical medium, or dimensions of the resource decorative arts Type The nature or genre of the resource Still Image Source A related resource from which the described resource is derived Siena: Duomo di Santa Maria dell'Assunta Language A language of the resource On the placard below the figure: SIBYLLA LYBICA CVIVS MEMINIT EVRIPIDES On the book in the figure’s hand: COLAPHOS ACCIPIENS TACEBIT DABIT IN VERBERA INNOCENS DORSVM. On the placard to the right of the figure: INMANVS INIQVAS VENIET DABVNT DEO ALAPAS MANIBUS INCESTIS MISERABILIS ET IGNOMINIOSVS MISERABILIBVS SPEM PRAEBEBIT Contributor An entity responsible for making contributions to the resource Dr. Adam Rudolphi BIPOC book(s) central person(s) of color cisgender female central figure(s) history—literary subject intersectionality Race Siena Sienese artist Sienese installation/viewing context Sienese patron women and gender minorities women of color http://othersinearlymodernitaly.artinterp.org/omeka/files/original/415e52c2f1ac3fa48c862076f0218aaa.PNG 94017c51a8cea1c347bb93bca0edd164 http://othersinearlymodernitaly.artinterp.org/omeka/files/original/a73748eac9c1a4fad43bcd9da07b89b2.PNG d098088d8ae7f5e1bb1867880c0d67ee Still Image A static visual representation. Examples include paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type Text to images of textual materials. Original Format The type of object, such as painting, sculpture, paper, photo, and additional data oil on canvas Physical Dimensions The actual physical size of the original image 253 x 265 cm Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Abduction of Helen Creator An entity primarily responsible for making the resource Guido Reni Date A point or period of time associated with an event in the lifecycle of the resource c.1627–29 Rights Information about rights held in and over the resource Paris: Musée du Louvre Format The file format, physical medium, or dimensions of the resource painting Type The nature or genre of the resource Still Image Contributor An entity responsible for making contributions to the resource Dr. Adam Rudolphi African(s) animal(s) asexual Asian(s) BIPOC boat(s) or ship(s) bodies of water Bologna Bolognese artist cisgender female central figure(s) cisgender female onlooker(s) or peripheral figure(s) cisgender male onlooker or peripheral figure(s) costume or fashion as a marker of racial or ethnic identity eunuch(s) or castrato/i figure(s) looking directly at the viewer history—literary subject intersectionality jewelry landscape LGBTQ+ artist locations outside Italy men of color nudes nudes—male onlooker(s) or peripheral person(s) of color putti Race sexual orientation minorities transgender weapon(s) winged figure(s) women and gender minorities http://othersinearlymodernitaly.artinterp.org/omeka/files/original/8ae568e501752fa69e4e5ed7cd5c964b.png 3dfbfb378222e8a9beaf3416700b0f68 Still Image A static visual representation. Examples include paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type Text to images of textual materials. Original Format The type of object, such as painting, sculpture, paper, photo, and additional data tempera on paper Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Barbary Moor with a Giraffe Creator An entity primarily responsible for making the resource Jacopo Ligozzi Date A point or period of time associated with an event in the lifecycle of the resource c.1580s Rights Information about rights held in and over the resource Florence: Galleria degli Uffizi Format The file format, physical medium, or dimensions of the resource work on paper Type The nature or genre of the resource Still Image Language A language of the resource at upper left: Moro di Barbaria between the figure and the animal: Giraffe Contributor An entity responsible for making contributions to the resource Dr. Adam Rudolphi African(s) animal(s) BIPOC central person(s) of color cisgender male central figure(s) costume or fashion as a marker of racial or ethnic identity Florence men of color Moor(s) Race weapon(s) http://othersinearlymodernitaly.artinterp.org/omeka/files/original/0eacd4cb31dd46ba5e28ab1ebe0ea3df.jpg 4d522cdc48d2558a030a9083051cdf89 Still Image A static visual representation. Examples include paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type Text to images of textual materials. Original Format The type of object, such as painting, sculpture, paper, photo, and additional data oil on canvas Physical Dimensions The actual physical size of the original image 550 x 520 cm Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Moses Striking the Rock Creator An entity primarily responsible for making the resource Jacopo Robusti, called Tintoretto Date A point or period of time associated with an event in the lifecycle of the resource 1575–77 Format The file format, physical medium, or dimensions of the resource painting Type The nature or genre of the resource Still Image Source A related resource from which the described resource is derived Venice: Scuola Grande di San Rocco Contributor An entity responsible for making contributions to the resource Dr. Adam Rudolphi African(s) animal(s) beards BIPOC cisgender female onlooker(s) or peripheral figure(s) cisgender male central figure(s) cisgender male onlooker or peripheral figure(s) figure(s) seen from behind history—Biblical subject history—Biblical subject—Old Testament landscape locations outside Italy men of color onlooker(s) or peripheral person(s) of color person of color—indeterminate gender plant(s) Race subject location(s) outside Italy Venetian installation/viewing context Venice women and gender minorities http://othersinearlymodernitaly.artinterp.org/omeka/files/original/7461b149db65fa212eb9cc815aa106e3.jpg 3122e2bc8a099e602471d6769b67c9fd Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Obverse: Saint Peter Enthroned with Cardinal Giacomo Gaetano Stefaneschi, and Saints James, Paul, John the Evangelist, and Andrew, other saints, and angels http://othersinearlymodernitaly.artinterp.org/omeka/files/original/4f3b3e2a0e0e4f4cfe6d540adfd0fd8a.jpg 9db5b03e7c7215070d0572efa768e745 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Reverse: Enthroned Christ with Cardinal Giacomo Gaetano Stefaneschi and angels; The Crucifixion of Saint Peter; The Beheading of Saint Paul; with the Virgin and Child Enthroned with Saints in the predella http://othersinearlymodernitaly.artinterp.org/omeka/files/original/93d6e56c01460aa8fc0f2c56dc54690d.jpg bda4c1ec76afc40db20eb1c23885cd45 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Crucifixion of Saint Peter http://othersinearlymodernitaly.artinterp.org/omeka/files/original/9e67270ba288d0301288f958c02c0991.jpg 2d98dbbc7d650dd027ebc56a748fb3c4 http://othersinearlymodernitaly.artinterp.org/omeka/files/original/2b4c0c88fffdf492f283de7c5265f0cf.jpeg 8f6e8212bdc1da454d05666593dd086d http://othersinearlymodernitaly.artinterp.org/omeka/files/original/735b1a66251d2b0a0eb2f8c5e2554105.jpeg 3be322b541fb1ad7e2464b8a0f0c4b57 http://othersinearlymodernitaly.artinterp.org/omeka/files/original/78a695795532b2a0d67d729c1abab83d.jpg 8b47b2a59631839aaa9cf1ec5140e94f Still Image A static visual representation. Examples include paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type Text to images of textual materials. Original Format The type of object, such as painting, sculpture, paper, photo, and additional data tempera on panel Physical Dimensions The actual physical size of the original image 220 x 245 cm Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Stefaneschi Triptych Creator An entity primarily responsible for making the resource Giotto di Bondone Date A point or period of time associated with an event in the lifecycle of the resource c.1330 Rights Information about rights held in and over the resource Vatican City: Pinacoteca Vaticana Format The file format, physical medium, or dimensions of the resource painting Type The nature or genre of the resource Still Image Source A related resource from which the described resource is derived Rome: Old Saint Peter's Publisher An entity responsible for making the resource available Cardinal Giacomo Gaetani Stefaneschi Contributor An entity responsible for making contributions to the resource Dr. Adam Rudolphi animal(s) Asian(s) beards BIPOC book(s) cisgender male central figure(s) costume or fashion as a marker of racial or ethnic identity figure(s) seen from behind flag(s) Florence Florentine artist history—Biblical subject history—Biblical subject—apocryphal men of color meta-images Mongol(s)/Tatar(s) onlooker(s) or peripheral person(s) of color Race Roman installation/viewing context Rome subject location(s) outside Italy violence winged figure(s) http://othersinearlymodernitaly.artinterp.org/omeka/files/original/08a8f9e77682febf7d328f51f60f2388.jpg 117e92e7bb09dd2355fae3054ffddbfc http://othersinearlymodernitaly.artinterp.org/omeka/files/original/cff0f0146837a985ca2294349038d8be.jpg b55b5295ba888a7b8e1323f33b743bdb Still Image A static visual representation. Examples include paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type Text to images of textual materials. Original Format The type of object, such as painting, sculpture, paper, photo, and additional data fresco Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Mocking of Christ Creator An entity primarily responsible for making the resource Giotto di Bondone Date A point or period of time associated with an event in the lifecycle of the resource c.1305 Format The file format, physical medium, or dimensions of the resource painting Type The nature or genre of the resource Still Image Publisher An entity responsible for making the resource available Enrico Scrovegni Source A related resource from which the described resource is derived Padua: Cappella degli Scrovegni, also known as the Arena Chapel Contributor An entity responsible for making contributions to the resource Dr. Adam Rudolphi African(s) beards BIPOC cisgender male central figure(s) cisgender male onlooker or peripheral figure(s) column(s) figure(s) seen from behind Florence Florentine artist history—Biblical subject history—Biblical subject—New Testament locations outside Italy men of color Padua Paduan installation/viewing context Paduan patron Race striped fabric subject location(s) outside Italy violence violence—torture weapon(s) http://othersinearlymodernitaly.artinterp.org/omeka/files/original/0b106290fccddec999a77618ec7b14b0.jpg 09ac938312f256d1853ce213806a4706 Still Image A static visual representation. Examples include paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type Text to images of textual materials. Original Format The type of object, such as painting, sculpture, paper, photo, and additional data fresco Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Lorenzo the Magnificent receives ambassadors of the major world powers Creator An entity primarily responsible for making the resource Giorgio Vasari Date A point or period of time associated with an event in the lifecycle of the resource c.1556–58 Format The file format, physical medium, or dimensions of the resource painting Type The nature or genre of the resource Still Image Source A related resource from which the described resource is derived Florence: Palazzo Vecchio, Sala di Lorenzo il Magnifico Publisher An entity responsible for making the resource available Duke Cosimo I de' Medici Contributor An entity responsible for making contributions to the resource Dr. Adam Rudolphi African(s) allegorical personification(s) ambassador(s) or envoy(s) animal(s) beards BIPOC cisgender female onlooker(s) or peripheral figure(s) cisgender male onlooker or peripheral figure(s) costume or fashion as a marker of racial or ethnic identity figure(s) seen from behind flag(s) Florence Florentine installation/viewing context Florentine patron history—allegory men of color onlooker(s) or peripheral person(s) of color personification(s) portrait(s) portrait(s)—male Race servant(s) or slave(s) weapon(s) women and gender minorities http://othersinearlymodernitaly.artinterp.org/omeka/files/original/f70c4f8b89c932598da7a87d08ad3e29.jpg 285311bf25a10befa88e2a5bdb94ead7 http://othersinearlymodernitaly.artinterp.org/omeka/files/original/e9a470381c68f29bfadb125639b002c9.PNG d7c1df6978c42c4831042c545aaeafaa Still Image A static visual representation. Examples include paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type Text to images of textual materials. Original Format The type of object, such as painting, sculpture, paper, photo, and additional data fresco Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource The Battle of the Horatii and Curiatii Creator An entity primarily responsible for making the resource Giuseppe Cesari, called the Cavalier d'Arpino Publisher An entity responsible for making the resource available Conservatori of Rome Date A point or period of time associated with an event in the lifecycle of the resource 1612–13 Format The file format, physical medium, or dimensions of the resource painting Type The nature or genre of the resource Still Image Source A related resource from which the described resource is derived Rome: Musei Capitolini, Palazzo dei Conservatori, Sala degli Orazi e Curiazi Contributor An entity responsible for making contributions to the resource Dr. Adam Rudolphi African(s) animal(s) Asian(s) BIPOC cisgender female onlooker(s) or peripheral figure(s) costume or fashion as a marker of racial or ethnic identity fruit history—ancient secular subject intersectionality landscape men of color onlooker(s) or peripheral person(s) of color person of color—indeterminate gender plant(s) Race Roman installation/viewing context Rome servant(s) or slave(s) violence violence—battle scene(s) weapon(s) women and gender minorities women of color http://othersinearlymodernitaly.artinterp.org/omeka/files/original/e7f6be426ecc8dbf6ab24153d2b931c7.jpg 76b0c316ccbb7d7413f8dd0bcfe9f973 Still Image A static visual representation. Examples include paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type Text to images of textual materials. Original Format The type of object, such as painting, sculpture, paper, photo, and additional data fresco Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Pope Clement VII crowns Charles V Holy Roman Emperor in San Petronio in Bologna Creator An entity primarily responsible for making the resource Giorgio Vasari and Jan van der Straet, called Stradano Publisher An entity responsible for making the resource available Duke Cosimo I de' Medici Date A point or period of time associated with an event in the lifecycle of the resource c.1556–62 Format The file format, physical medium, or dimensions of the resource painting Type The nature or genre of the resource Still Image Source A related resource from which the described resource is derived Florence: Palazzo Vecchio, Sala di Clemente VII Contributor An entity responsible for making contributions to the resource Dr. Adam Rudolphi African(s) allegorical personification(s) androgynous onlooker(s) or peripheral figure(s) animal(s) beards BIPOC Bologna cisgender male onlooker or peripheral figure(s) column(s) figure(s) looking directly at the viewer figure(s) seen from behind flag(s) Florence Florentine installation/viewing context Florentine patron history—Early Modern secular subject jewelry men of color mixed ancestry musical instrument(s) non-Italian artist working in Italy onlooker(s) or peripheral person(s) of color personification(s) portrait(s) portrait(s)—male Race weapon(s)