14 10 375 http://othersinearlymodernitaly.artinterp.org/omeka/files/original/a2e1c3f468143c7e26913e4c81254a72.png d56cd16ec30710b1bdf82adbb77e588d http://othersinearlymodernitaly.artinterp.org/omeka/files/original/c4cdee1042ba1e351c9a62c9f0b1743d.jpg dd099b3dd03c95064dc92f0074c298a2 http://othersinearlymodernitaly.artinterp.org/omeka/files/original/661338d07a464ce077ce378bb882011c.jpg b76d4bfe74c6111865478a2107d359cc Still Image A static visual representation. Examples include paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type Text to images of textual materials. Original Format The type of object, such as painting, sculpture, paper, photo, and additional data fresco Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Artemis of Ephesus Creator An entity primarily responsible for making the resource Giovanni Maria Falconetto Publisher An entity responsible for making the resource available Gonzaga family Date A point or period of time associated with an event in the lifecycle of the resource c.1530s Format The file format, physical medium, or dimensions of the resource painting Type The nature or genre of the resource Still Image Source A related resource from which the described resource is derived Mantua: Palazzo d'Arco, Hall of the Zodiac Contributor An entity responsible for making contributions to the resource Dr. Adam Rudolphi African(s) animal(s) BIPOC breasts central person(s) of color cisgender female central figure(s) cisgender male onlooker or peripheral figure(s) genre subject or scene history—allegory intersectionality landscape Mantua Mantuan installation/viewing context Mantuan patron musical instrument(s) nudes nudes—male plant(s) putti Race Rome women and gender minorities women of color http://othersinearlymodernitaly.artinterp.org/omeka/files/original/6026750738eea673e4810e258c7c6ce7.jpg 754dbdeff275c9f09d2e23c8584b670d http://othersinearlymodernitaly.artinterp.org/omeka/files/original/2e1e33be3b16d8039d92da38d19949a8.png 6d641b380b0f21fbb2664ba14b3dc419 Still Image A static visual representation. Examples include paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type Text to images of textual materials. Original Format The type of object, such as painting, sculpture, paper, photo, and additional data Wool, silk, silver, and gold thread Physical Dimensions The actual physical size of the original image 34.1 x 10.7 cm Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Putti at Play Creator An entity primarily responsible for making the resource Nicholas Karcher?, after designs by Giulio Pippi de' Gianuzzi, called Giulio Romano Date A point or period of time associated with an event in the lifecycle of the resource c.1540 Rights Information about rights held in and over the resource Milan: Museo Poldi Pezzoli Format The file format, physical medium, or dimensions of the resource decorative arts Type The nature or genre of the resource Still Image Contributor An entity responsible for making contributions to the resource Dr. Adam Rudolphi African(s) animal(s) BIPOC cityscape figure(s) seen from behind fruit history—literary subject landscape locations outside Italy Milan musical instrument(s) nudes nudes—male onlooker(s) or peripheral person(s) of color plant(s) putti Race Roman artist Rome winged figure(s) http://othersinearlymodernitaly.artinterp.org/omeka/files/original/aa6944a20ee1d251eab67ee3ca483407.jpg 4a5be0d0652c3560d75c792f6b47bbb0 http://othersinearlymodernitaly.artinterp.org/omeka/files/original/139280f736f98ce0e7e6ee956117c103.jpg 64cadd4ffa877cccae9c2684b048d384 http://othersinearlymodernitaly.artinterp.org/omeka/files/original/d985f2be4629c8326b9dadf85a95d61c.jpg eebfbf189a7dff32c1efe3a6ba2a7945 http://othersinearlymodernitaly.artinterp.org/omeka/files/original/9650afe8f2f6fa35ffd51f0f28f117e5.png c2aec1f140e2b5dbe3418c29c1b0cea8 http://othersinearlymodernitaly.artinterp.org/omeka/files/original/e3b7560e7a59c583d17068e7bb24ee41.jpg 960679b650fa958972b5531971da5e91 http://othersinearlymodernitaly.artinterp.org/omeka/files/original/87995d9545de3b008b26c1a167dab1d8.png bd940cc8532d19f20aed9253c62582db http://othersinearlymodernitaly.artinterp.org/omeka/files/original/b07d14d763ad1e81a0ad98459a31b970.jpg 06a934b491ca747ca63d11246e742236 http://othersinearlymodernitaly.artinterp.org/omeka/files/original/36b60983b86a6113d21eecd3399e362a.jpg 0bc8d9c30abd438480b89751bf0d859c Still Image A static visual representation. Examples include paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type Text to images of textual materials. Original Format The type of object, such as painting, sculpture, paper, photo, and additional data fresco Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Wedding Feast of Cupid and Psyche Creator An entity primarily responsible for making the resource Giulio Pippi de' Gianuzzi, called Giulio Romano and assistants Publisher An entity responsible for making the resource available Federico II Gonzaga Date A point or period of time associated with an event in the lifecycle of the resource 1527–30 Format The file format, physical medium, or dimensions of the resource painting Type The nature or genre of the resource Still Image Source A related resource from which the described resource is derived Mantua: Palazzo del Te, Sala di Psiche Contributor An entity responsible for making contributions to the resource Dr. Adam Rudolphi African(s) animal(s) beards BIPOC bisexual bodies of water book(s) breasts cisgender female central figure(s) cisgender female onlooker(s) or peripheral figure(s) cisgender male onlooker or peripheral figure(s) figure(s) seen from behind history—literary subject intersectionality jewelry landscape LGBTQ+ central figure(s) locations outside Italy Mantua Mantuan installation/viewing context Mantuan patron men of color musical instrument(s) mythological creature(s) nudes nudes—female nudes—male onlooker(s) or peripheral person(s) of color plant(s) putti Race Roman artist Rome sexual orientation minorities winged figure(s) women and gender minorities http://othersinearlymodernitaly.artinterp.org/omeka/files/original/668c720ee54f8cb1878ee2c1ca19302f.png 94a259c9b142eeed8329e6a6f40d7196 http://othersinearlymodernitaly.artinterp.org/omeka/files/original/00c48f62187d6cf63d63b5941ca34ae4.png c9fc221256bc075ba9e7b54ea9a08590 Still Image A static visual representation. Examples include paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type Text to images of textual materials. Original Format The type of object, such as painting, sculpture, paper, photo, and additional data fresco Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Chamber of the Cupid Frieze Creator An entity primarily responsible for making the resource Giulio Pippi de' Gianuzzi, called Giulio Romano or Giovanni Nani, called Giovanni da Udine Publisher An entity responsible for making the resource available Cardinal Giulio de' Medici, later Pope Clement VII Date A point or period of time associated with an event in the lifecycle of the resource 1521–26 Format The file format, physical medium, or dimensions of the resource painting Type The nature or genre of the resource Still Image Source A related resource from which the described resource is derived Rome: Villa Madama Contributor An entity responsible for making contributions to the resource Dr. Adam Rudolphi African(s) animal(s) BIPOC Florence Florentine patron fruit nudes nudes—male onlooker(s) or peripheral person(s) of color plant(s) putti Race Roman artist Roman installation/viewing context Rome winged figure(s) http://othersinearlymodernitaly.artinterp.org/omeka/files/original/a9abfcf2d2a8244669384ef7b5eaad6b.png ea22b53dd198829eee28647217a9ebd3 Still Image A static visual representation. Examples include paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type Text to images of textual materials. Original Format The type of object, such as painting, sculpture, paper, photo, and additional data Etching and engraving Physical Dimensions The actual physical size of the original image 27.5 × 19.7 cm Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Don Antonio Manuele de Funta, Ambassador of the King of the Kongo to the Pope Creator An entity primarily responsible for making the resource Raffaello Schiaminossi, attributed Date A point or period of time associated with an event in the lifecycle of the resource 1608 Rights Information about rights held in and over the resource Baltimore: Baltimore Museum of Art Format The file format, physical medium, or dimensions of the resource work on paper Type The nature or genre of the resource Still Image Language A language of the resource around the oval portrait, beginning at 6 o'clock: D. ANTONIVS EMANVEL MARCHIO DE WNTH ORATOR REGIS GONGI AD SVMMV PONT In the long passage beneath the print: Questo Ambasciatore arrivo' in Roma mercordi 2 Gennaro 1608 incontrato da molti Prelati e Nobilta fu' alloggiato nel Palazzo Apostolico dove per essere infermo di ordine di Sua S[anti]ta' gli furono somministrate le cose necessarie a la sua cura fu visitato da N. S. sendoglisi gravato il male havuto la S[an]ta Benedictione de sua Beatitudine a 5 di detto alle 7 hore di notte passo a meglior vita et il giorno della Epifania alle 23 hore co Regia Pompa fu portrato a sepellire a S Maria Maggiore, havendolo sua S[anti]ta fatto accompagnare dalla sua guardia svizzera dal R[oma]no Patriarca Biondo da Vescovi assistenti di Cappella Pro / honorarij Apostolici et dalla sssa famiglia et officiali Palatini a cavallo con habito purpureo et a 24 detto con magnificenza Regia gli furono fatto l'esequie. Questo Ambasciata e stata la prima mandata dal Re di Congo alla Sede Ap[ostoli]ca send questo Re D Alvaro il 4 Re Christian. Congo e uno Regno nelle ultime parti del Africa ricchissimo d'avvorio ma poverissimo di metalli si che in luogo di moneta si spendono gusci di lumachelle. Questo Regno p essere in Ethiopia perdute h Popoli neri come era questo Ambasciatore vi si usa di andar nudo con una semplice coperta tessuta di fronde di palma se bene in Roma e venuto nel habito che qui si vede. Contributor An entity responsible for making contributions to the resource Dr. Adam Rudolphi African(s) allegorical personification(s) ambassador(s) or envoy(s) animal(s) beards BIPOC central person(s) of color cisgender female onlooker(s) or peripheral figure(s) cityscape history—Early Modern secular subject men of color portrait(s) portrait(s)—male Race Rome Rome in art Sub-Saharan African(s) weapon(s) women and gender minorities http://othersinearlymodernitaly.artinterp.org/omeka/files/original/a8a8452058ce32661d40b60f0e6a6dcc.jpg 582d367cac8b4cdce87723691068a023 Still Image A static visual representation. Examples include paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type Text to images of textual materials. Original Format The type of object, such as painting, sculpture, paper, photo, and additional data engraving Physical Dimensions The actual physical size of the original image 19.6 x 15.2 cm Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Prester John, King of Ethiopia Creator An entity primarily responsible for making the resource Luca Ciamberlano Date A point or period of time associated with an event in the lifecycle of the resource 1599 Rights Information about rights held in and over the resource London: British Museum Format The file format, physical medium, or dimensions of the resource work on paper Type The nature or genre of the resource Still Image Language A language of the resource at bottom center: IL PRETE IANNI RE D'ETHIOPIA at bottom left: Rome Kal. Mar 1599 at bottom right:Ioannis Orla formis Contributor An entity responsible for making contributions to the resource Dr. Adam Rudolphi African(s) beards BIPOC central person(s) of color coat(s) of arms costume or fashion as a marker of racial or ethnic identity Ethiopian(s) jewelry men of color Race Urbino http://othersinearlymodernitaly.artinterp.org/omeka/files/original/f86b440db231e80a70c048d2ffc863ba.jpg 7635af6dbca55c60987f33e13569029c Still Image A static visual representation. Examples include paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type Text to images of textual materials. Original Format The type of object, such as painting, sculpture, paper, photo, and additional data oil on canvas Physical Dimensions The actual physical size of the original image 102 × 64 cm Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Isabella d'Este Creator An entity primarily responsible for making the resource Tiziano Vecellio, called Titian Publisher An entity responsible for making the resource available Isabella d'Este Date A point or period of time associated with an event in the lifecycle of the resource c.1534–36 Rights Information about rights held in and over the resource Vienna: Kunsthistorisches Museum Format The file format, physical medium, or dimensions of the resource painting Type The nature or genre of the resource Still Image Contributor An entity responsible for making contributions to the resource Dr. Adam Rudolphi cisgender female central figure(s) female patronage Ferrara figure(s) looking directly at the viewer Gender jewelry Mantua portrait(s) portrait(s)—female Venice women and gender minorities http://othersinearlymodernitaly.artinterp.org/omeka/files/original/57920d7d74fdd21bcc7195a9c09473a2.png 0ff3c0cfe8dfc01332ce5c7a05f7cc4f Still Image A static visual representation. Examples include paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type Text to images of textual materials. Original Format The type of object, such as painting, sculpture, paper, photo, and additional data Black, red, and white chalk, yellow pastel (?), over leadpoint, on paper prepared with bone-color dry pigment, outlines pricked for transfer Physical Dimensions The actual physical size of the original image 61 x 46.5 cm Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Isabella d'Este Creator An entity primarily responsible for making the resource Leonardo da Vinci Publisher An entity responsible for making the resource available Isabella d'Este Date A point or period of time associated with an event in the lifecycle of the resource 1499–1500 Rights Information about rights held in and over the resource Paris: Musée du Louvre Format The file format, physical medium, or dimensions of the resource work on paper Type The nature or genre of the resource Still Image Contributor An entity responsible for making contributions to the resource Dr. Adam Rudolphi cisgender female central figure(s) female patronage Ferrara Florence gay Gender LGBTQ+ artist Mantua portrait(s) portrait(s)—female sexual orientation minorities striped fabric women and gender minorities http://othersinearlymodernitaly.artinterp.org/omeka/files/original/4cc86dd7d9fbd0ad7094df0c49c94cab.jpg 150d30790278bcb617bbb68788d00161 Still Image A static visual representation. Examples include paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type Text to images of textual materials. Original Format The type of object, such as painting, sculpture, paper, photo, and additional data oil on canvas Physical Dimensions The actual physical size of the original image 119 × 165 cm Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Venus of Urbino Creator An entity primarily responsible for making the resource Tiziano Vecellio, called Titian Publisher An entity responsible for making the resource available Ippolito de' Medici Guidobaldo II della Rovere, duke of Urbino Date A point or period of time associated with an event in the lifecycle of the resource 1534 Rights Information about rights held in and over the resource Florence: Galleria degli Uffizi Format The file format, physical medium, or dimensions of the resource painting Type The nature or genre of the resource Still Image Contributor An entity responsible for making contributions to the resource Dr. Adam Rudolphi animal(s) breasts cisgender female central figure(s) cisgender female onlooker(s) or peripheral figure(s) column(s) figure(s) looking directly at the viewer figure(s) seen from behind Gender history—literary subject jewelry nudes nudes—female plant(s) servant(s) or slave(s) Urbino Venice women and gender minorities http://othersinearlymodernitaly.artinterp.org/omeka/files/original/8f8bd950540cfbffc499a69f62b47b4a.jpg b3845288a7d928dd1e7b2503dbbca757 Still Image A static visual representation. Examples include paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type Text to images of textual materials. Original Format The type of object, such as painting, sculpture, paper, photo, and additional data oil on canvas Physical Dimensions The actual physical size of the original image 108 x 175 cm Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Sleeping Venus Creator An entity primarily responsible for making the resource Giorgio Barbarelli da Castelfranco, called Giorgione and Tiziano Vecellio, called Titian Publisher An entity responsible for making the resource available Girolamo Marcello? Date A point or period of time associated with an event in the lifecycle of the resource c.1510 Rights Information about rights held in and over the resource Dresden: Gemaldegalerie Format The file format, physical medium, or dimensions of the resource painting Type The nature or genre of the resource Still Image Contributor An entity responsible for making contributions to the resource Dr. Adam Rudolphi breasts cisgender female central figure(s) Gender history—literary subject landscape nudes nudes—female plant(s) Venice women and gender minorities