15 10 375 http://othersinearlymodernitaly.artinterp.org/omeka/files/original/bae676e0a30041222cbef60ee51768f8.png b06621497cb8f69849419cfd8bd3f1f4 http://othersinearlymodernitaly.artinterp.org/omeka/files/original/d04828323ac918783d7c4122522c56b0.png 0ab1f15fffa3b665edd7ddb85d351b1d http://othersinearlymodernitaly.artinterp.org/omeka/files/original/7dc1bd804e02cdd11437ab7310bfe3c8.png 667c7eb85ec20f18aae013ddd974fa82 http://othersinearlymodernitaly.artinterp.org/omeka/files/original/999bdfcf81602eb143ac482a1abc39b5.png b65e5f0a1550f4bb166c45133ce0edcc http://othersinearlymodernitaly.artinterp.org/omeka/files/original/ea4dfecdee853cea533341cd9a3611ba.png 773eca8503c43f3de3016233de33e1cb Still Image A static visual representation. Examples include paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type Text to images of textual materials. Original Format The type of object, such as painting, sculpture, paper, photo, and additional data fresco Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Crucifixion Creator An entity primarily responsible for making the resource Master of the Trecento Date A point or period of time associated with an event in the lifecycle of the resource c.1350 Format The file format, physical medium, or dimensions of the resource painting Type The nature or genre of the resource Still Image Source A related resource from which the described resource is derived Subiaco: Upper Church, Monastery of San Benedetto, called the Sanctuary of the Sacro Speco Contributor An entity responsible for making contributions to the resource Dr. Adam Rudolphi animal(s) Asian(s) beards BIPOC cisgender female onlooker(s) or peripheral figure(s) cisgender male onlooker or peripheral figure(s) costume or fashion as a marker of racial or ethnic identity figure(s) seen from behind flag(s) history—Biblical subject history—Biblical subject—New Testament locations outside Italy men of color Mongol(s)/Tatar(s) nudes nudes—male onlooker(s) or peripheral person(s) of color Race striped fabric subject location(s) outside Italy violence weapon(s) winged figure(s) women and gender minorities http://othersinearlymodernitaly.artinterp.org/omeka/files/original/6a3b09952e0de8f90b9272b81c5a6f3e.PNG f283d6eca1aa7f10c0e999f495ac54cb http://othersinearlymodernitaly.artinterp.org/omeka/files/original/94b558fa8df3f45fec6adf784ecf7dfb.PNG b03a7adfe17d99ba03cb9a91ced03978 http://othersinearlymodernitaly.artinterp.org/omeka/files/original/5bb439a3e5ae42e3dce5363dfb55393a.PNG 53619baf340d86a5e39b0e4604d22fb7 http://othersinearlymodernitaly.artinterp.org/omeka/files/original/76c413f491e811c8d5d987636b99629f.jpg 930e76049c6e8055cefc25a2d0eb3b3b Still Image A static visual representation. Examples include paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type Text to images of textual materials. Original Format The type of object, such as painting, sculpture, paper, photo, and additional data illuminated parchment manuscript, with a total of 26 portrait initials Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Graduals-Choirbook Creator An entity primarily responsible for making the resource Matteo de Milano; Master of the Graduals-Choirbook for Monastery of San Sisto in Piacenza Date A point or period of time associated with an event in the lifecycle of the resource 1495 Rights Information about rights held in and over the resource Boston: Public Library Format The file format, physical medium, or dimensions of the resource work on paper Type The nature or genre of the resource Still Image Source A related resource from which the described resource is derived Piacenza: Monastery of San Sisto Contributor An entity responsible for making contributions to the resource Dr. Adam Rudolphi African(s) BIPOC book(s) central person(s) of color men of color Milan onlooker(s) or peripheral person(s) of color portrait(s) portrait(s)—male Race http://othersinearlymodernitaly.artinterp.org/omeka/files/original/14186a7e9f053822c987af95223e1661.jpg 8975c9718a2090448b78c3881b9f6db4 http://othersinearlymodernitaly.artinterp.org/omeka/files/original/ad16ff63b3c26e7bdbc1df893250b284.jpg b7d95bc3853e72ca98374e82f662a552 http://othersinearlymodernitaly.artinterp.org/omeka/files/original/f61740657afe438241031441c144b3d9.jpg 3424b2c0f36e314e401b72c08f17d7b2 Still Image A static visual representation. Examples include paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type Text to images of textual materials. Original Format The type of object, such as painting, sculpture, paper, photo, and additional data oil on panel Physical Dimensions The actual physical size of the original image 70 x 123 cm Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Perseus Freeing Andromeda Creator An entity primarily responsible for making the resource Piero di Cosimo Date A point or period of time associated with an event in the lifecycle of the resource c.1510 Rights Information about rights held in and over the resource Florence: Galleria degli Uffizi Format The file format, physical medium, or dimensions of the resource painting Type The nature or genre of the resource Still Image Contributor An entity responsible for making contributions to the resource Dr. Adam Rudolphi African(s) beards BIPOC bodies of water breasts cisgender female central figure(s) cisgender female onlooker(s) or peripheral figure(s) cisgender male onlooker or peripheral figure(s) cityscape costume or fashion as a marker of racial or ethnic identity Ethiopian(s) Florence history—literary subject intersectionality jewelry landscape locations outside Italy men of color musical instrument(s) nudes nudes—female onlooker(s) or peripheral person(s) of color person of color—indeterminate gender plant(s) Race servant(s) or slave(s) weapon(s) women and gender minorities women of color http://othersinearlymodernitaly.artinterp.org/omeka/files/original/15cb7178eed0b61f61987fe96427305b.jpg 125b33546a22bb14c811cad831aee696 http://othersinearlymodernitaly.artinterp.org/omeka/files/original/8c6da3909073b209e1b3e4c37d7d91d6.JPG 97b1173a8758336ddffa60849db7281d Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource sub-Saharan African figure, sometimes called Morgiano http://othersinearlymodernitaly.artinterp.org/omeka/files/original/781dfa98c25ea0f7cc2a220fbff4c906.jpg a3a8f714bd199c19a7e8ee033e5e4524 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Figure sometimes called Alì http://othersinearlymodernitaly.artinterp.org/omeka/files/original/82d599f29629953c1dc9ce3a2af5b373.jpg e75524159bc4fe0866c3d47c0ba29f1c Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Figure sometimes called Alì http://othersinearlymodernitaly.artinterp.org/omeka/files/original/dfa311dc49cbd5c650845cc9c61f0115.jpg aba0c22b98c7b289c3a76f73d1426030 http://othersinearlymodernitaly.artinterp.org/omeka/files/original/bbb2bbf69bed6564bc50b4dd5018203e.jpg 7699efaf80875dae14c33c886ae16b57 Still Image A static visual representation. Examples include paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type Text to images of textual materials. Original Format The type of object, such as painting, sculpture, paper, photo, and additional data marble and bronze Physical Dimensions The actual physical size of the original image 1014 cm total height Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Monument to Ferdinando I de' Medici Creator An entity primarily responsible for making the resource Giovanni Bandini and Pietro Tacca Publisher An entity responsible for making the resource available Duke Cosimo II de' Medici Date A point or period of time associated with an event in the lifecycle of the resource marble elements c.1597–99 bronze elements c.1621–26 Format The file format, physical medium, or dimensions of the resource sculpture Type The nature or genre of the resource Still Image Source A related resource from which the described resource is derived Livorno: Piazza Micheli Contributor An entity responsible for making contributions to the resource Dr. Adam Rudolphi African(s) Asian(s) BIPOC Florence Florentine artist Florentine patron men of color Moor(s) nudes nudes—male onlooker(s) or peripheral person(s) of color Ottoman Turk(s) Race servant(s) or slave(s) http://othersinearlymodernitaly.artinterp.org/omeka/files/original/a82f0acef111d33a27bfade0c54a3deb.jpg eafba6cfe9a1c207bceb623081edbfd8 Still Image A static visual representation. Examples include paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type Text to images of textual materials. Original Format The type of object, such as painting, sculpture, paper, photo, and additional data tempera and oil on panel Physical Dimensions The actual physical size of the original image 83.8 x 176.8 cm Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Story of Lucretia Creator An entity primarily responsible for making the resource Alessandro di Mariano di Vanni Filipepi, called Sandro Botticelli Date A point or period of time associated with an event in the lifecycle of the resource c.1500 Rights Information about rights held in and over the resource Boston: Isabella Stewart Gardner Museum Format The file format, physical medium, or dimensions of the resource painting Type The nature or genre of the resource Still Image Contributor An entity responsible for making contributions to the resource Dr. Adam Rudolphi Publisher An entity responsible for making the resource available Vespucci family African(s) BIPOC cisgender female central figure(s) cisgender male onlooker or peripheral figure(s) cityscape column(s) figure(s) seen from behind Florence gay Gender history—ancient secular subject intersectionality LGBTQ+ artist men of color musical instrument(s) onlooker(s) or peripheral person(s) of color sexual orientation minorities violence violence—battle scene(s) weapon(s) women and gender minorities http://othersinearlymodernitaly.artinterp.org/omeka/files/original/e27ddb0dfc3be27800538612d639a07a.jpg ae9ffe1c19a26c19fbaae058442fdd61 Still Image A static visual representation. Examples include paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type Text to images of textual materials. Original Format The type of object, such as painting, sculpture, paper, photo, and additional data oil on panel transferred to hardboard Physical Dimensions The actual physical size of the original image 134.7 x 101 x 3.5 cm Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource A Humanist Creator An entity primarily responsible for making the resource Sebastiano Luciani, called Sebastiano del Piombo Date A point or period of time associated with an event in the lifecycle of the resource c.1520 Rights Information about rights held in and over the resource Washington, DC: National Gallery of Art Format The file format, physical medium, or dimensions of the resource painting Type The nature or genre of the resource Still Image Contributor An entity responsible for making contributions to the resource Dr. Adam Rudolphi African(s) beards BIPOC book(s) central person(s) of color figure(s) looking directly at the viewer men of color Moor(s) patron of color portrait(s) portrait(s)—male Race Rome Venetian artist Venice http://othersinearlymodernitaly.artinterp.org/omeka/files/original/96f8dd1379adc77e92ff8c5708e288ff.PNG a5ee89f882072c71a1fe0710a6ccfbac Still Image A static visual representation. Examples include paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type Text to images of textual materials. Original Format The type of object, such as painting, sculpture, paper, photo, and additional data oil on canvas Physical Dimensions The actual physical size of the original image 184.5 x 202.2 cm Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Diana and Actaeon Creator An entity primarily responsible for making the resource Tiziano Vecellio, called Titian Date A point or period of time associated with an event in the lifecycle of the resource 1556–59 Rights Information about rights held in and over the resource London: National Gallery Format The file format, physical medium, or dimensions of the resource painting Type The nature or genre of the resource Still Image Publisher An entity responsible for making the resource available Philip II of Spain Contributor An entity responsible for making contributions to the resource Dr. Adam Rudolphi African(s) BIPOC bodies of water breasts cisgender female central figure(s) cisgender female onlooker(s) or peripheral figure(s) costume or fashion as a marker of racial or ethnic identity figure(s) seen from behind history—ancient mythological subject history—literary subject jewelry landscape locations outside Italy non-Italian installation/viewing context non-Italian patronage nudes nudes—female onlooker(s) or peripheral person(s) of color plant(s) Race servant(s) or slave(s) striped fabric Venetian artist Venice weapon(s) women and gender minorities women of color http://othersinearlymodernitaly.artinterp.org/omeka/files/original/baf3b3ba38c9dea7e439ece40b08aa7e.jpg a0582aeb77e5ec75ebaa9098dcfef8f7 Still Image A static visual representation. Examples include paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type Text to images of textual materials. Original Format The type of object, such as painting, sculpture, paper, photo, and additional data oil on canvas Physical Dimensions The actual physical size of the original image 113 × 95.3 cm Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Judith with the Head of Holofernes Creator An entity primarily responsible for making the resource Tiziano Vecellio, called Titian Date A point or period of time associated with an event in the lifecycle of the resource c.1570 Rights Information about rights held in and over the resource Detroit: Institute of Arts Format The file format, physical medium, or dimensions of the resource painting Type The nature or genre of the resource Still Image Contributor An entity responsible for making contributions to the resource Dr. Adam Rudolphi African(s) BIPOC cisgender female central figure(s) history—Biblical subject history—Biblical subject—Old Testament intersectionality jewelry locations outside Italy onlooker(s) or peripheral person(s) of color Race servant(s) or slave(s) subject location(s) outside Italy Venice weapon(s) women and gender minorities women of color http://othersinearlymodernitaly.artinterp.org/omeka/files/original/01ba74823ac735d8bfb4fac2e7bcd13b.jpg 9a0078fec4a40fe3d9055f87f7c623f7 Still Image A static visual representation. Examples include paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type Text to images of textual materials. Original Format The type of object, such as painting, sculpture, paper, photo, and additional data oil on canvas Physical Dimensions The actual physical size of the original image 488 × 269 cm Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Madonna of the Pesaro Family Creator An entity primarily responsible for making the resource Tiziano Vecellio, called Titian Date A point or period of time associated with an event in the lifecycle of the resource 1519–26 Format The file format, physical medium, or dimensions of the resource painting Type The nature or genre of the resource Still Image Source A related resource from which the described resource is derived Venice: Santa Maria Gloriosa dei Frari Contributor An entity responsible for making contributions to the resource Dr. Adam Rudolphi beards BIPOC book(s) cisgender female central figure(s) cisgender male onlooker or peripheral figure(s) coat(s) of arms column(s) costume or fashion as a marker of racial or ethnic identity figure(s) seen from behind flag(s) men of color nudes nudes—male onlooker(s) or peripheral person(s) of color Ottoman Turk(s) portrait(s) portrait(s)—male putti Race Venetian installation/viewing context Venice winged figure(s) women and gender minorities http://othersinearlymodernitaly.artinterp.org/omeka/files/original/d58ab6b9136bceb0d2c611869308dbf4.PNG e072f8bf43ed169ced3b34cb039dbe83 http://othersinearlymodernitaly.artinterp.org/omeka/files/original/f841afe6062422a28c1a2cc5a5a626c5.PNG 6cbe0296d52ae6d99a3bb570de9cb179 http://othersinearlymodernitaly.artinterp.org/omeka/files/original/c92893e1c4620fd4b3c0cf8f75ab1598.jpg 530b5baf5b0eebaa4a3ff2f5689cccd3 Still Image A static visual representation. Examples include paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type Text to images of textual materials. Original Format The type of object, such as painting, sculpture, paper, photo, and additional data oil on panel Physical Dimensions The actual physical size of the original image 75.6 × 63.8 cm Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Hunting on the Lagoon Creator An entity primarily responsible for making the resource Vittore Carpaccio Date A point or period of time associated with an event in the lifecycle of the resource 1490 Rights Information about rights held in and over the resource Malibu: J. Paul Getty Museum Format The file format, physical medium, or dimensions of the resource painting Type The nature or genre of the resource Still Image Contributor An entity responsible for making contributions to the resource Dr. Adam Rudolphi African(s) animal(s) BIPOC boat(s) or ship(s) bodies of water cisgender male onlooker or peripheral figure(s) costume or fashion as a marker of racial or ethnic identity figure(s) seen from behind genre subject or scene landscape men of color onlooker(s) or peripheral person(s) of color plant(s) Race servant(s) or slave(s) Venice weapon(s)