16 10 375 http://othersinearlymodernitaly.artinterp.org/omeka/files/original/9a59fa29869926c044a3d0df3d36b34f.png 7bb71b6cd80fa8c782258cbd455b7009 Still Image A static visual representation. Examples include paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type Text to images of textual materials. Physical Dimensions The actual physical size of the original image 38.8 × 25.8 cm Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Judith and her servant, Abra Creator An entity primarily responsible for making the resource Andrea Mantegna Date A point or period of time associated with an event in the lifecycle of the resource 1491 Rights Information about rights held in and over the resource Florence: Galleria degli Uffizi Format The file format, physical medium, or dimensions of the resource work on paper Type The nature or genre of the resource Still Image Contributor An entity responsible for making contributions to the resource Dr. Adam Rudolphi African(s) BIPOC central person(s) of color cisgender female central figure(s) costume or fashion as a marker of racial or ethnic identity figure(s) seen from behind history—Biblical subject history—Biblical subject—Old Testament intersectionality jewelry locations outside Italy Mantua Padua Paduan artist Race servant(s) or slave(s) subject location(s) outside Italy weapon(s) women and gender minorities women of color http://othersinearlymodernitaly.artinterp.org/omeka/files/original/80d6d81ccbcbcaed861f175080d48a50.png 8d556767acbe17aaa3c0be2cfe0cf9e4 Still Image A static visual representation. Examples include paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type Text to images of textual materials. Original Format The type of object, such as painting, sculpture, paper, photo, and additional data oil on canvas Physical Dimensions The actual physical size of the original image 48.1 x 36.7 cm Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Judith and her servant, Abra Creator An entity primarily responsible for making the resource Andrea Mantegna Date A point or period of time associated with an event in the lifecycle of the resource c.1495–1500 Rights Information about rights held in and over the resource Dublin: National Gallery of Ireland Format The file format, physical medium, or dimensions of the resource painting Type The nature or genre of the resource Still Image Contributor An entity responsible for making contributions to the resource Dr. Adam Rudolphi African(s) BIPOC central person(s) of color cisgender female central figure(s) flag(s) history—Biblical subject history—Biblical subject—Old Testament intersectionality locations outside Italy Mantua Padua Paduan artist Race servant(s) or slave(s) subject location(s) outside Italy tent(s) weapon(s) women and gender minorities women of color http://othersinearlymodernitaly.artinterp.org/omeka/files/original/b4a7165e97fe60b53a82678248609940.PNG b8ac23b89e0e5fba765d8a77ea2d6cae Still Image A static visual representation. Examples include paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type Text to images of textual materials. Original Format The type of object, such as painting, sculpture, paper, photo, and additional data fresco, detached and mounted on canvas Physical Dimensions The actual physical size of the original image 125.5 x 152 cm Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Penelope with the Suitors Creator An entity primarily responsible for making the resource Bernardo di Betto, called Pinturicchio Date A point or period of time associated with an event in the lifecycle of the resource c.1509 Rights Information about rights held in and over the resource London: National Gallery Format The file format, physical medium, or dimensions of the resource painting Type The nature or genre of the resource Still Image Publisher An entity responsible for making the resource available Pandolfo Petrucci Source A related resource from which the described resource is derived Siena: Palazzo del Magnifico, Camera Bella Contributor An entity responsible for making contributions to the resource Dr. Adam Rudolphi animal(s) beards BIPOC boat(s) or ship(s) bodies of water cisgender female central figure(s) cisgender female onlooker(s) or peripheral figure(s) cisgender male onlooker or peripheral figure(s) cityscape flag(s) Gender history—literary subject intersectionality jewelry landscape locations outside Italy men of color onlooker(s) or peripheral person(s) of color Siena Sienese installation/viewing context Sienese patron weapon(s) women and gender minorities http://othersinearlymodernitaly.artinterp.org/omeka/files/original/2a043bf0ae1b3220021650bc3b5042ba.png 6ec868cd0891155207534b807aa091b3 http://othersinearlymodernitaly.artinterp.org/omeka/files/original/a6b2158e1d3e79d94123b982250ddc3b.png e33fc5dfab98e99ccc3c89837f37eb03 http://othersinearlymodernitaly.artinterp.org/omeka/files/original/8a2f7f38b098bd1dbca08b7c050af29b.png 0fbabc9fb0046b319f05e61d23c541d5 http://othersinearlymodernitaly.artinterp.org/omeka/files/original/0a56278902832483dadebd83c5f31591.png 2a72eb7f740d200ff093876516874eee http://othersinearlymodernitaly.artinterp.org/omeka/files/original/9651bcda0282f23875d0e61e19896d79.png f65abe3949ec9201ab441f4e06809c97 Still Image A static visual representation. Examples include paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type Text to images of textual materials. Original Format The type of object, such as painting, sculpture, paper, photo, and additional data tempera on canvas Physical Dimensions The actual physical size of the original image 160 × 192 cm Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Minerva Expelling the Vices from the Garden of Virtue Creator An entity primarily responsible for making the resource Andrea Mantegna Publisher An entity responsible for making the resource available Isabella d'Este Date A point or period of time associated with an event in the lifecycle of the resource 1502 Rights Information about rights held in and over the resource Paris: Musée du Louvre Format The file format, physical medium, or dimensions of the resource painting Type The nature or genre of the resource Still Image Source A related resource from which the described resource is derived Mantua: Palazzo Ducale, Studiolo di Isabella d'Este Contributor An entity responsible for making contributions to the resource Dr. Adam Rudolphi allegorical personification(s) bodies of water breasts cisgender female central figure(s) cisgender female onlooker(s) or peripheral figure(s) female patronage Ferrara fruit Gender history—allegory intersex jewelry landscape Mantua Mantuan installation/viewing context nudes nudes—female nudes—male Padua Paduan artist personification(s) plant(s) putti violence weapon(s) winged figure(s) women and gender minorities http://othersinearlymodernitaly.artinterp.org/omeka/files/original/67a79703f7a8c596a04b6b11e33d44aa.jpg 89e5d2f8a68e09d4b6cfc4ac744f0a29 Still Image A static visual representation. Examples include paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type Text to images of textual materials. Original Format The type of object, such as painting, sculpture, paper, photo, and additional data engraving Physical Dimensions The actual physical size of the original image 16.4 x 12.1 cm Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Soldier Fastening his Trousers Creator An entity primarily responsible for making the resource Agostino Veneziano, after Michelangelo Buonarroti Date A point or period of time associated with an event in the lifecycle of the resource c.1517 Rights Information about rights held in and over the resource London: British Museum, Department of Prints and Drawings Format The file format, physical medium, or dimensions of the resource work on paper Type The nature or genre of the resource Still Image Contributor An entity responsible for making contributions to the resource Dr. Adam Rudolphi figure(s) seen from behind Florence gay history—Early Modern secular subject LGBTQ+ artist sexual orientation minorities Sexuality Venetian artist Venice weapon(s) http://othersinearlymodernitaly.artinterp.org/omeka/files/original/543984c7d18bad44affd77cca112bc9f.jpg 9fb250835436596d2cc5223138faf63d http://othersinearlymodernitaly.artinterp.org/omeka/files/original/b70782661457730cbd2f1c5b7c83a1bc.jpg 9d07041bd1e0ad8383e98d591f523297 http://othersinearlymodernitaly.artinterp.org/omeka/files/original/8c6db0d698063f18f393a9eebbf4372a.jpg 8403ac6983c432498bcd20c14df2a351 Still Image A static visual representation. Examples include paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type Text to images of textual materials. Original Format The type of object, such as painting, sculpture, paper, photo, and additional data fresco Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Benedict Sends Away the Harlots Creator An entity primarily responsible for making the resource Giovanni Antonio Bazzi, called Sodoma Date A point or period of time associated with an event in the lifecycle of the resource 1505–08 Format The file format, physical medium, or dimensions of the resource painting Type The nature or genre of the resource Still Image Source A related resource from which the described resource is derived Asciano: Abbazia of Monteoliveto Maggiore Language A language of the resource on the descriptive table beneath the fresco: COME FLORENZO MANDA MALE FEMMINE AL MONASTERO Contributor An entity responsible for making contributions to the resource Dr. Adam Rudolphi animal(s) beards bisexual boat(s) or ship(s) bodies of water book(s) cisgender female onlooker(s) or peripheral figure(s) cisgender male onlooker or peripheral figure(s) figure(s) looking directly at the viewer fruit gay Gender history—medieval religious subject jewelry landscape LGBTQ+ artist sexual orientation minorities Siena women and gender minorities women of color http://othersinearlymodernitaly.artinterp.org/omeka/files/original/5fb40cd9ba666a4a78e885022199bb9d.jpg bccd0147e9484b86947ea92b4356b54e Still Image A static visual representation. Examples include paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type Text to images of textual materials. Original Format The type of object, such as painting, sculpture, paper, photo, and additional data oil on panel Physical Dimensions The actual physical size of the original image 54 x 40 cm Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Lady with the Ermine Creator An entity primarily responsible for making the resource Leonardo da Vinci Date A point or period of time associated with an event in the lifecycle of the resource 1489–90 Rights Information about rights held in and over the resource Kraków: Muzeum Narodowe Format The file format, physical medium, or dimensions of the resource painting Type The nature or genre of the resource Still Image Publisher An entity responsible for making the resource available Ludovico Sforza, called Ludovico il Moro Contributor An entity responsible for making contributions to the resource Dr. Adam Rudolphi cisgender female central figure(s) Florence gay Gender jewelry LGBTQ+ artist Milan portrait(s) portrait(s)—female sexual orientation minorities women and gender minorities http://othersinearlymodernitaly.artinterp.org/omeka/files/original/0f183ed1307c0f60b19c83d3ce1f113e.png ae9aab094c7e8a0ae3a786a1b5e24da0 Still Image A static visual representation. Examples include paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type Text to images of textual materials. Original Format The type of object, such as painting, sculpture, paper, photo, and additional data fresco Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Susanna and the Elders Creator An entity primarily responsible for making the resource Bernardo di Betto, called Pinturicchio Date A point or period of time associated with an event in the lifecycle of the resource 1494? Format The file format, physical medium, or dimensions of the resource painting Type The nature or genre of the resource Still Image Source A related resource from which the described resource is derived Vatican City: Apostolic Palace, Borgia Apartments, Sala dei Santi Contributor An entity responsible for making contributions to the resource Dr. Adam Rudolphi animal(s) beards cisgender female central figure(s) cisgender female onlooker(s) or peripheral figure(s) cisgender male onlooker or peripheral figure(s) cityscape flag(s) Gender history—Biblical subject history—Biblical subject—Old Testament jewelry landscape locations outside Italy nudes nudes—male plant(s) Roman installation/viewing context Rome subject location(s) outside Italy violence weapon(s) women and gender minorities http://othersinearlymodernitaly.artinterp.org/omeka/files/original/ee03fac19463353f5801256fb530c9ae.PNG dbd84d9965c5ee705fd0104434ad01e8 Still Image A static visual representation. Examples include paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type Text to images of textual materials. Original Format The type of object, such as painting, sculpture, paper, photo, and additional data marble Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Antonio Manuel, Marquis of Ne-Vunda Creator An entity primarily responsible for making the resource Francesco Caporale Date A point or period of time associated with an event in the lifecycle of the resource 1629 Format The file format, physical medium, or dimensions of the resource sculpture Type The nature or genre of the resource Still Image Source A related resource from which the described resource is derived Rome: Santa Maria Maggiore, Baptistery Contributor An entity responsible for making contributions to the resource Dr. Adam Rudolphi African(s) ambassador(s) or envoy(s) BIPOC central person(s) of color costume or fashion as a marker of racial or ethnic identity figure(s) looking directly at the viewer men of color portrait(s) portrait(s)—male Race Roman installation/viewing context Rome Sub-Saharan African(s) weapon(s) http://othersinearlymodernitaly.artinterp.org/omeka/files/original/dc41ef37584386ba6caadec715b308c5.JPG 5b3116577ad8093887cfbdc161967e85 http://othersinearlymodernitaly.artinterp.org/omeka/files/original/9a3c4c8e053e3d348f9a25736de136b4.JPG 14cd1caba4bbcf2a9823e4bf4e1d2e23 Still Image A static visual representation. Examples include paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type Text to images of textual materials. Original Format The type of object, such as painting, sculpture, paper, photo, and additional data fresco Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Benedict's Abandonment of the Roman School Creator An entity primarily responsible for making the resource Giovanni Antonio Bazzi, called Sodoma Date A point or period of time associated with an event in the lifecycle of the resource 1505–08 Format The file format, physical medium, or dimensions of the resource painting Type The nature or genre of the resource Still Image Source A related resource from which the described resource is derived Asciano: Abbazia of Monteoliveto Maggiore Contributor An entity responsible for making contributions to the resource Dr. Adam Rudolphi beards BIPOC bisexual book(s) cisgender male onlooker or peripheral figure(s) costume or fashion as a marker of racial or ethnic identity figure(s) looking directly at the viewer gay history—medieval religious subject intersectionality LGBTQ+ artist men of color onlooker(s) or peripheral person(s) of color Race Rome sexual orientation minorities Siena winged figure(s)