2 10 375 http://othersinearlymodernitaly.artinterp.org/omeka/files/original/8807657c1e0e9d61d5fbc23eee44d8d2.jpg 54efb3a167fc6cd88bace3fc5ae1b773 http://othersinearlymodernitaly.artinterp.org/omeka/files/original/a567dafb5929039050ecfc7bb4f6add1.png 45d920a544ea6e4b98651135e441c23b Still Image A static visual representation. Examples include paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type Text to images of textual materials. Original Format The type of object, such as painting, sculpture, paper, photo, and additional data pen and brown ink on paper Physical Dimensions The actual physical size of the original image 21 x 29 cm Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Allegory of Pleasure and Pain Creator An entity primarily responsible for making the resource Leonardo da Vinci Date A point or period of time associated with an event in the lifecycle of the resource c.1490–94 Format The file format, physical medium, or dimensions of the resource work on paper Type The nature or genre of the resource Still Image Rights Information about rights held in and over the resource Oxford: Christ Church Picture Gallery Contributor An entity responsible for making contributions to the resource Dr. Adam Rudolphi allegorical personification(s) beards Florence gay history—allegory LGBTQ+ artist LGBTQ+ central figure(s) nudes nudes—male personification(s) portrait(s) portrait(s)—male self-portraiture sexual orientation minorities Sexuality shared body http://othersinearlymodernitaly.artinterp.org/omeka/files/original/7f9b5dbc028a7d070bdfb75aefa7f38f.jpg de4cc28d4fb2b6f151793661a585e61f Still Image A static visual representation. Examples include paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type Text to images of textual materials. Original Format The type of object, such as painting, sculpture, paper, photo, and additional data tempera and oil on panel Physical Dimensions The actual physical size of the original image 146.4 x 96.5 cm Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Presentation of the Virgin Creator An entity primarily responsible for making the resource Bartolomeo di Giovanni Corradini, called Fra Carnevale Date A point or period of time associated with an event in the lifecycle of the resource 1467 Rights Information about rights held in and over the resource Boston: Museum of Fine Arts Format The file format, physical medium, or dimensions of the resource painting Type The nature or genre of the resource Still Image Source A related resource from which the described resource is derived Urbino: Santa Maria della Bella Contributor An entity responsible for making contributions to the resource Dr. Adam Rudolphi animal(s) beards cisgender female central figure(s) cisgender female onlooker(s) or peripheral figure(s) cityscape column(s) figure(s) seen from behind gay genre subject or scene history—Biblical subject history—Biblical subject—apocryphal LGBTQ+ central figure(s) LGBTQ+ onlooker or peripheral figure(s) locations outside Italy nudes nudes—male sexual orientation minorities Sexuality subject location(s) outside Italy Urbinate installation/viewing context Urbino women and gender minorities http://othersinearlymodernitaly.artinterp.org/omeka/files/original/0a55ca105909b46cf6b146fff803cc84.PNG 3366c23b270e676ff21e6787eba24306 http://othersinearlymodernitaly.artinterp.org/omeka/files/original/198c9db8f7d0c98be27e7bf023a5e28b.jpg 5f4ffd055a5e4b4a32e6b2542c2b3361 Still Image A static visual representation. Examples include paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type Text to images of textual materials. Original Format The type of object, such as painting, sculpture, paper, photo, and additional data fresco Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Beheading of Niccolò di Tuldo Creator An entity primarily responsible for making the resource Giovanni Antonio Bazzi, called Sodoma Date A point or period of time associated with an event in the lifecycle of the resource 1526 Format The file format, physical medium, or dimensions of the resource painting Type The nature or genre of the resource Still Image Source A related resource from which the described resource is derived Siena: San Domenico, Cappella di Santa Caterina di Siena Contributor An entity responsible for making contributions to the resource Dr. Adam Rudolphi animal(s) beards BIPOC bisexual cisgender female onlooker(s) or peripheral figure(s) cisgender male central figure(s) cisgender male onlooker or peripheral figure(s) cityscape costume or fashion as a marker of racial or ethnic identity figure(s) seen from behind flag(s) fruit gay history—Early Modern religious subject intersectionality landscape LGBTQ+ artist men of color nudes nudes—male onlooker(s) or peripheral person(s) of color putti sexual orientation minorities Sexuality Siena Sienese installation/viewing context violence weapon(s) winged figure(s) women and gender minorities http://othersinearlymodernitaly.artinterp.org/omeka/files/original/73f0ad3e7cff73c73beb57b3f2f6ec0b.jpg 9f22106f6f39f7015d353de77add43a1 http://othersinearlymodernitaly.artinterp.org/omeka/files/original/7aab56f5812ddd3197eca5aef17d1c09.jpg 76470411fc5c5f036f8af33a77f3b26c Still Image A static visual representation. Examples include paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type Text to images of textual materials. Original Format The type of object, such as painting, sculpture, paper, photo, and additional data oil on panel Physical Dimensions The actual physical size of the original image 426 x 263 cm Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Deposition from the Cross Creator An entity primarily responsible for making the resource Giovanni Antonio Bazzi, called Sodoma Date A point or period of time associated with an event in the lifecycle of the resource 1510–13 Rights Information about rights held in and over the resource Siena: Pinacoteca Nazionale Format The file format, physical medium, or dimensions of the resource painting Type The nature or genre of the resource Still Image Publisher An entity responsible for making the resource available Cinuzzi family Source A related resource from which the described resource is derived Siena: San Francesco Contributor An entity responsible for making contributions to the resource Dr. Adam Rudolphi beards bisexual bodies of water cisgender female onlooker(s) or peripheral figure(s) cisgender male central figure(s) coat(s) of arms costume or fashion as a marker of racial or ethnic identity figure(s) seen from behind gay history—Biblical subject history—Biblical subject—New Testament landscape LGBTQ+ artist locations outside Italy nudes nudes—male sexual orientation minorities Sexuality Siena Sienese installation/viewing context subject location(s) outside Italy violence weapon(s) women and gender minorities http://othersinearlymodernitaly.artinterp.org/omeka/files/original/0f58fd14818bb7a2e304beedd8411109.JPG baa2caaa94a90a3bac70a5eaf466cf7e http://othersinearlymodernitaly.artinterp.org/omeka/files/original/bf52a1cfc4e6e2c03ee965671ea4d40b.JPG 1910d483a82397fe1a26670e045831c1 Still Image A static visual representation. Examples include paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type Text to images of textual materials. Original Format The type of object, such as painting, sculpture, paper, photo, and additional data detached fresco Physical Dimensions The actual physical size of the original image 220 x 570 cm Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Last Supper Creator An entity primarily responsible for making the resource Giovanni Antonio Bazzi, called Sodoma Date A point or period of time associated with an event in the lifecycle of the resource c.1515–16 Format The file format, physical medium, or dimensions of the resource painting Type The nature or genre of the resource Still Image Source A related resource from which the described resource is derived Florence: San Bartolomeo a Monteoliveto Contributor An entity responsible for making contributions to the resource Dr. Adam Rudolphi bisexual Florence Florentine installation/viewing context gay history—Biblical subject history—Biblical subject—New Testament homosocial behavior LGBTQ+ artist LGBTQ+ central figure(s) locations outside Italy portrait(s) portrait(s)—male self-portraiture sexual orientation minorities Sexuality Siena subject location(s) outside Italy http://othersinearlymodernitaly.artinterp.org/omeka/files/original/7ba7b3fab0f5d1d048046715bc2f007e.jpg 4a0101dcc54efdbefd13e93b83ca66bf Still Image A static visual representation. Examples include paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type Text to images of textual materials. Original Format The type of object, such as painting, sculpture, paper, photo, and additional data oil on canvas Physical Dimensions The actual physical size of the original image 206 x 154 cm Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Saint Sebastian Creator An entity primarily responsible for making the resource Giovanni Antonio Bazzi, called Sodoma Date A point or period of time associated with an event in the lifecycle of the resource 1525 Rights Information about rights held in and over the resource Florence: Galleria Palatina, Palazzo Pitti Format The file format, physical medium, or dimensions of the resource painting Type The nature or genre of the resource Still Image Publisher An entity responsible for making the resource available Confraternity of San Sebastiano in Camollia Contributor An entity responsible for making contributions to the resource Dr. Adam Rudolphi animal(s) bisexual bodies of water cisgender male central figure(s) gay history—Early Christian religious subject landscape LGBTQ+ artist nudes nudes—male plant(s) sexual orientation minorities Sexuality Siena violence winged figure(s) http://othersinearlymodernitaly.artinterp.org/omeka/files/original/2d5bc9f16f12bb22b6c24848b7e1d5a9.jpg feecfc7468c7d2d7f8d64b129d3bb908 http://othersinearlymodernitaly.artinterp.org/omeka/files/original/44f90cfd2d2680758cfeb7fa1e610468.jpg d20665f49a9a63bec2b97e873caa7dc6 http://othersinearlymodernitaly.artinterp.org/omeka/files/original/75787a442feaddebe54771578ed80241.jpg 75f970971b71ae7d1c50aeab2070181c Still Image A static visual representation. Examples include paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type Text to images of textual materials. Original Format The type of object, such as painting, sculpture, paper, photo, and additional data fresco Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Saint Benedict Repairs the Wooden Wheat Winnow and Visitors Marvel at the Miraculously Repaired Object on Display Creator An entity primarily responsible for making the resource Giovanni Antonio Bazzi, called Sodoma Date A point or period of time associated with an event in the lifecycle of the resource 1505–08 Format The file format, physical medium, or dimensions of the resource painting Type The nature or genre of the resource Still Image Source A related resource from which the described resource is derived Asciano: Abbazia of Monteoliveto Maggiore Language A language of the resource below the image: COME BENEDETTO RISALDA LO CAPISTERO CH'ERA ROTTO Contributor An entity responsible for making contributions to the resource Dr. Adam Rudolphi animal(s) bisexual bodies of water cisgender female onlooker(s) or peripheral figure(s) cisgender male central figure(s) column(s) gay history—medieval religious subject landscape LGBTQ+ artist LGBTQ+ central figure(s) portrait(s) portrait(s)—male self-portraiture sexual orientation minorities Sexuality Siena women and gender minorities women of color http://othersinearlymodernitaly.artinterp.org/omeka/files/original/8f0e0f9a02d1c583cf056384050625ee.jpg fab2e88b4adedea610787f9d2dabeec7 Still Image A static visual representation. Examples include paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type Text to images of textual materials. Original Format The type of object, such as painting, sculpture, paper, photo, and additional data red chalk, pen and brown ink Physical Dimensions The actual physical size of the original image 28.8 x 21.3 cm Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Two Male Figures Embracing Creator An entity primarily responsible for making the resource Giovanni Catesi Date A point or period of time associated with an event in the lifecycle of the resource c. 1590–1600 Rights Information about rights held in and over the resource Florence: Galleria degli Uffizi Format The file format, physical medium, or dimensions of the resource work on paper Type The nature or genre of the resource Still Image Contributor An entity responsible for making contributions to the resource Dr. Adam Rudolphi cisgender male central figure(s) gay LGBTQ+ central figure(s) nudes nudes—male Pisa Pisan artist sexual orientation minorities Sexuality http://othersinearlymodernitaly.artinterp.org/omeka/files/original/600d84fa80f14c6c4eff1d4a7b45440a.jpg ea22c4937b1c998a907da545d55a307e Still Image A static visual representation. Examples include paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type Text to images of textual materials. Original Format The type of object, such as painting, sculpture, paper, photo, and additional data oil on panel Physical Dimensions The actual physical size of the original image 135.5 cm x 65 cm Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Cupid Carving His Bow Creator An entity primarily responsible for making the resource Girolamo Francesco Maria Mazzola, called Parmigianino Date A point or period of time associated with an event in the lifecycle of the resource c.1533–35 Rights Information about rights held in and over the resource Vienna: Kunsthistorisches Museum Format The file format, physical medium, or dimensions of the resource painting Type The nature or genre of the resource Still Image Publisher An entity responsible for making the resource available Francesco Baiardo Contributor An entity responsible for making contributions to the resource Dr. Adam Rudolphi androgynous central figure(s) bisexual book(s) cisgender male central figure(s) figure(s) looking directly at the viewer figure(s) seen from behind history—literary subject LGBTQ+ artist nudes nudes—male Parma Parmesan artist Parmesan patron putti sexual orientation minorities Sexuality violence weapon(s) winged figure(s) http://othersinearlymodernitaly.artinterp.org/omeka/files/original/05aec8ac4c0be7c5c49be7a1ff0cce68.jpg 8985b455e9e8e9e066e21a1c70b89f28 Still Image A static visual representation. Examples include paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type Text to images of textual materials. Original Format The type of object, such as painting, sculpture, paper, photo, and additional data oil on canvas Physical Dimensions The actual physical size of the original image 206 x 297 cm Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Atalanta and Hippomenes Creator An entity primarily responsible for making the resource Guido Reni Date A point or period of time associated with an event in the lifecycle of the resource c.1618 Rights Information about rights held in and over the resource Madrid: Museo del Prado Format The file format, physical medium, or dimensions of the resource painting Type The nature or genre of the resource Still Image Contributor An entity responsible for making contributions to the resource Dr. Adam Rudolphi asexual Bologna Bolognese artist breasts cisgender female central figure(s) cisgender male central figure(s) eunuch(s) or castrato/i fruit gay Gender history—literary subject intersectionality landscape LGBTQ+ artist nudes nudes—female nudes—male sexual orientation minorities Sexuality transgender women and gender minorities