21 10 375 http://othersinearlymodernitaly.artinterp.org/omeka/files/original/9748a611d2b83fceb1e6ce7a5f7a4f14.jpg 521d537ab3833f106c05ca434d9c07ab Still Image A static visual representation. Examples include paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type Text to images of textual materials. Original Format The type of object, such as painting, sculpture, paper, photo, and additional data oil on panel Physical Dimensions The actual physical size of the original image 93.7 x 76.4 cm Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Cosimo I as Orpheus Creator An entity primarily responsible for making the resource Agnolo di Cosimo, called Bronzino Rights Information about rights held in and over the resource Philadelphia: Philadelphia Museum of Art Format The file format, physical medium, or dimensions of the resource painting Type The nature or genre of the resource Still Image Date A point or period of time associated with an event in the lifecycle of the resource c.1537–39 Publisher An entity responsible for making the resource available Duke Cosimo I de' Medici Contributor An entity responsible for making contributions to the resource Dr. Adam Rudolphi animal(s) beards bisexual cisgender male central figure(s) Florence Florentine artist Florentine patron history—literary subject LGBTQ+ artist musical instrument(s) nudes nudes—male portrait(s) portrait(s)—male sexual orientation minorities Sexuality http://othersinearlymodernitaly.artinterp.org/omeka/files/original/42a6364ba5b6cee4c95f32a431580e29.png d2911c4ba7682a45b0e7e96fae69d85a Still Image A static visual representation. Examples include paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type Text to images of textual materials. Original Format The type of object, such as painting, sculpture, paper, photo, and additional data engraving Physical Dimensions The actual physical size of the original image 21.2 x 13.5 cm Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Apollo and Hyacinth Creator An entity primarily responsible for making the resource Jacopo Caraglio, after Piero Bonaccorsi, called Perino del Vaga Rights Information about rights held in and over the resource Amsterdam: Rijksmuseum Format The file format, physical medium, or dimensions of the resource work on paper Type The nature or genre of the resource Still Image Date A point or period of time associated with an event in the lifecycle of the resource c.1515–65 Language A language of the resource at the bottom of the sheet: Apollo di Hyacintho Nesun mincolpi se del mio donzello le guance io prezzo piu che gemme' oro da poi che mi fu amor si crudo, et fello per quella onde verdeggia il vago alloro pero son fatto a quel desio ribello et ardo sol per questo, et discoloro et si mi piace ognhor la nova salma chio le' concedo dogni honor la palma Contributor An entity responsible for making contributions to the resource Dr. Adam Rudolphi bisexual cisgender male central figure(s) figure(s) looking directly at the viewer Florence gay history—literary subject LGBTQ+ central figure(s) musical instrument(s) nudes nudes—male Parma putti sexual orientation minorities Sexuality http://othersinearlymodernitaly.artinterp.org/omeka/files/original/7b0904f875672381c3c4ab69f956db39.png eb4a2a5463965caaea53e63fc6a73c24 Still Image A static visual representation. Examples include paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type Text to images of textual materials. Original Format The type of object, such as painting, sculpture, paper, photo, and additional data pen and ink with wash Physical Dimensions The actual physical size of the original image 28.9 x 23.1 cm Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Apollo and Cyparissus or Hyacinth Creator An entity primarily responsible for making the resource Giulio Pippi de' Gianuzzi, called Giulio Romano Rights Information about rights held in and over the resource Stockholm: Nationalmuseum Format The file format, physical medium, or dimensions of the resource work on paper Type The nature or genre of the resource Still Image Date A point or period of time associated with an event in the lifecycle of the resource 1520s Contributor An entity responsible for making contributions to the resource Dr. Adam Rudolphi androgynous central figure(s) bisexual cisgender female onlooker(s) or peripheral figure(s) cisgender male central figure(s) gay history—literary subject landscape LGBTQ+ central figure(s) musical instrument(s) nudes nudes—male Roman artist Rome sexual orientation minorities Sexuality women and gender minorities http://othersinearlymodernitaly.artinterp.org/omeka/files/original/886bf3c787f03bed81b4754ac5729589.png ccd3b63b6cb7da2782f74b61577b79b5 Still Image A static visual representation. Examples include paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type Text to images of textual materials. Original Format The type of object, such as painting, sculpture, paper, photo, and additional data pen, bister, and wash in various colors (yellow, mustard yellow, red, gray, pale blue) and highlights in purpurin, on white paper Physical Dimensions The actual physical size of the original image 28 x 17.8 cm Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Sketch for the costume of an Indian soldier, for the Guerra d'Amore Creator An entity primarily responsible for making the resource Giulio Parigi Date A point or period of time associated with an event in the lifecycle of the resource 1616 Rights Information about rights held in and over the resource Florence: Biblioteca Marucelliana Format The file format, physical medium, or dimensions of the resource work on paper Type The nature or genre of the resource Still Image Contributor An entity responsible for making contributions to the resource Dr. Adam Rudolphi BIPOC central person(s) of color cisgender male central figure(s) costume or fashion as a marker of racial or ethnic identity Florence indigenous American(s) men of color Race weapon(s) http://othersinearlymodernitaly.artinterp.org/omeka/files/original/2481317511491a39929af8988cba91ce.png aeebf1a1fb7f148a5e793585d00e445b Still Image A static visual representation. Examples include paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type Text to images of textual materials. Original Format The type of object, such as painting, sculpture, paper, photo, and additional data fresco Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource The Birth of the Virgin Creator An entity primarily responsible for making the resource Giovanni Antonio Bazzi, called Sodoma Date A point or period of time associated with an event in the lifecycle of the resource before 1503 Format The file format, physical medium, or dimensions of the resource painting Type The nature or genre of the resource Still Image Source A related resource from which the described resource is derived Subiaco: Convento di San Francesco Contributor An entity responsible for making contributions to the resource Dr. Adam Rudolphi African(s) animal(s) BIPOC bisexual cisgender female central figure(s) cisgender female onlooker(s) or peripheral figure(s) column(s) fruit gay genre subject or scene history—Biblical subject history—Biblical subject—apocryphal homosocial behavior intersectionality LGBTQ+ artist locations outside Italy onlooker(s) or peripheral person(s) of color Race servant(s) or slave(s) sexual orientation minorities Siena subject location(s) outside Italy tent(s) women and gender minorities women of color http://othersinearlymodernitaly.artinterp.org/omeka/files/original/dec38eacc646b5337ff7413187590fee.jpg 661096375c089518ad5a7f16b4b98bf9 Still Image A static visual representation. Examples include paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type Text to images of textual materials. Original Format The type of object, such as painting, sculpture, paper, photo, and additional data oil on canvas Physical Dimensions The actual physical size of the original image 112 × 88 cm Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Fabrizio Salvaressa Creator An entity primarily responsible for making the resource Tiziano Vecellio, called Titian Date A point or period of time associated with an event in the lifecycle of the resource 1558 Rights Information about rights held in and over the resource Vienna: Kunsthistorisches Museum Format The file format, physical medium, or dimensions of the resource painting Type The nature or genre of the resource Still Image Language A language of the resource On the placard at upper left: MDLVIII • FABRICIVS SALVARESIVS ANNV ACENS L TITIANI OPVS Contributor An entity responsible for making contributions to the resource Dr. Adam Rudolphi African(s) beards BIPOC central person(s) of color cisgender male central figure(s) men of color onlooker(s) or peripheral person(s) of color portrait(s) portrait(s)—male Race servant(s) or slave(s) striped fabric Venice http://othersinearlymodernitaly.artinterp.org/omeka/files/original/7bbc85cff82111aca28d61afe2ffc955.png bf5747bd838ed7250a7f96bc86bfd773 Still Image A static visual representation. Examples include paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type Text to images of textual materials. Original Format The type of object, such as painting, sculpture, paper, photo, and additional data fresco Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Hermathena Creator An entity primarily responsible for making the resource Federico Zuccaro Date A point or period of time associated with an event in the lifecycle of the resource 1566–69 Format The file format, physical medium, or dimensions of the resource painting Type The nature or genre of the resource Still Image Source A related resource from which the described resource is derived Caprarola: Villa Farnese, Gabinetto dell'Ermatena Publisher An entity responsible for making the resource available Cardinal Alessandro Farnese Contributor An entity responsible for making contributions to the resource Dr. Adam Rudolphi allegorical personification(s) androgynous central figure(s) animal(s) cisgender female central figure(s) figure(s) looking directly at the viewer Gender history—allegory landscape plant(s) shared body Urbino women and gender minorities http://othersinearlymodernitaly.artinterp.org/omeka/files/original/eafb7cf802d726e809b9a0151f387b63.jpeg e936e97ff0074dca07d696d7f9638e0a http://othersinearlymodernitaly.artinterp.org/omeka/files/original/d2b563b34ea5d6791862f72771f2a57b.PNG 29f03be68558b019f6fd0cfc4f463f6c http://othersinearlymodernitaly.artinterp.org/omeka/files/original/0f1481ea184d4c2fd139bcdeab32e2ca.jpg fa962532851f42c5c07c0a67a35b141e Still Image A static visual representation. Examples include paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type Text to images of textual materials. Original Format The type of object, such as painting, sculpture, paper, photo, and additional data fresco Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource The Disputation of Saint Catherine of Alexandria Creator An entity primarily responsible for making the resource Bernardo di Betto, called Pinturicchio Date A point or period of time associated with an event in the lifecycle of the resource c.1494 Format The file format, physical medium, or dimensions of the resource painting Type The nature or genre of the resource Still Image Source A related resource from which the described resource is derived Vatican City: Apostolic Palace, Borgia Apartments, Sala dei Santi Language A language of the resource at the top center of the triumphal arch: PACIS CVLTORI Contributor An entity responsible for making contributions to the resource Dr. Adam Rudolphi animal(s) beards BIPOC book(s) central person(s) of color cisgender female central figure(s) cisgender male central figure(s) cisgender male onlooker or peripheral figure(s) column(s) costume or fashion as a marker of racial or ethnic identity figure(s) looking directly at the viewer figure(s) seen from behind Gender history—Early Christian religious subject intersectionality jewelry landscape men of color onlooker(s) or peripheral person(s) of color Ottoman Turk(s) plant(s) portrait(s) portrait(s)—female portrait(s)—male Roman installation/viewing context Rome weapon(s) women and gender minorities http://othersinearlymodernitaly.artinterp.org/omeka/files/original/85980522059a196387f3270aa019d32e.PNG f4faa854013b5b88594ef622fcbeaf95 Still Image A static visual representation. Examples include paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type Text to images of textual materials. Original Format The type of object, such as painting, sculpture, paper, photo, and additional data oil on panel Physical Dimensions The actual physical size of the original image 59 x 45 cm Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Djem, called Zizimo Creator An entity primarily responsible for making the resource Cristofano dell'Altissimo Date A point or period of time associated with an event in the lifecycle of the resource c.1580 Rights Information about rights held in and over the resource Florence: Galleria degli Uffizi Format The file format, physical medium, or dimensions of the resource painting Type The nature or genre of the resource Still Image Language A language of the resource Across the top: GEMME•OTHOMANUS•IMP•FR Publisher An entity responsible for making the resource available Duke Cosimo I de' Medici Contributor An entity responsible for making contributions to the resource Dr. Adam Rudolphi Asian(s) beards BIPOC central person(s) of color cisgender male central figure(s) costume or fashion as a marker of racial or ethnic identity Florence Florentine installation/viewing context Florentine patron men of color Ottoman Turk(s) portrait(s) portrait(s)—male Race http://othersinearlymodernitaly.artinterp.org/omeka/files/original/4ae1aee55536ef617fd53ce3543dfeab.PNG 53ce305677f792bdb4205c7c67b99734 Still Image A static visual representation. Examples include paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type Text to images of textual materials. Original Format The type of object, such as painting, sculpture, paper, photo, and additional data oil on copper Physical Dimensions The actual physical size of the original image 51.2 x 70.7 cm Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource The Oath of Semiramis Creator An entity primarily responsible for making the resource Pietro Berretini, called Pietro da Cortona Date A point or period of time associated with an event in the lifecycle of the resource early 1620s Rights Information about rights held in and over the resource Oxford: Ashmolean Museum Format The file format, physical medium, or dimensions of the resource painting Type The nature or genre of the resource Still Image Contributor An entity responsible for making contributions to the resource Dr. Adam Rudolphi beards cisgender female central figure(s) cisgender female onlooker(s) or peripheral figure(s) cisgender male central figure(s) cisgender male onlooker or peripheral figure(s) costume or fashion as a marker of racial or ethnic identity figure(s) seen from behind Gender history—literary subject landscape servant(s) or slave(s) weapon(s) women and gender minorities