22 10 375 http://othersinearlymodernitaly.artinterp.org/omeka/files/original/29e60467dd9fcc4083ddb05516cc7aaf.png 71f1c9e65d3dd938716e40f139578537 Still Image A static visual representation. Examples include paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type Text to images of textual materials. Original Format The type of object, such as painting, sculpture, paper, photo, and additional data maiolica Physical Dimensions The actual physical size of the original image 23.3 cm diameter Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Testa di Cazzi Creator An entity primarily responsible for making the resource Francesco "Urbini" Date A point or period of time associated with an event in the lifecycle of the resource 1536 Rights Information about rights held in and over the resource Oxford: Ashmolean Museum Format The file format, physical medium, or dimensions of the resource decorative arts Type The nature or genre of the resource Still Image Language A language of the resource On the banderole, in reverse: OGNI HOMO ME GUARDA COME FOSSE UNA TESTA DE CAZI Contributor An entity responsible for making contributions to the resource Dr. Adam Rudolphi jewelry Sexuality still life http://othersinearlymodernitaly.artinterp.org/omeka/files/original/ed3bf25b0354a0e4341d54c02068e6c3.jpg 11337a37e5afeb680445e3f8e765f631 http://othersinearlymodernitaly.artinterp.org/omeka/files/original/ef93593d873b047ae66f4032ce5736f5.png 77d1ef1d58e43915874849f78ea10025 Still Image A static visual representation. Examples include paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type Text to images of textual materials. Original Format The type of object, such as painting, sculpture, paper, photo, and additional data oil on panel Physical Dimensions The actual physical size of the original image 133 x 140 cm Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Paolo Capranica Creator An entity primarily responsible for making the resource Alessandro Allori Date A point or period of time associated with an event in the lifecycle of the resource after 1560 Rights Information about rights held in and over the resource Oxford: Ashmolean Museum Format The file format, physical medium, or dimensions of the resource painting Type The nature or genre of the resource Still Image Contributor An entity responsible for making contributions to the resource Dr. Adam Rudolphi cisgender female onlooker(s) or peripheral figure(s) cisgender male onlooker or peripheral figure(s) figure(s) seen from behind Florence Florentine artist landscape LGBTQ+ onlooker or peripheral figure(s) musical instrument(s) nudes nudes—male personification(s) portrait(s) portrait(s)—male sexual orientation minorities Sexuality http://othersinearlymodernitaly.artinterp.org/omeka/files/original/a5658d04b3a7896a2518f3f3487472c7.png 85e1799e25f71925f7fd5fd8106020af http://othersinearlymodernitaly.artinterp.org/omeka/files/original/50a8494f8117e5c0b93df4a438c64244.jpg 7f7fe05ec663e34d23f4d1232a330599 Still Image A static visual representation. Examples include paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type Text to images of textual materials. Original Format The type of object, such as painting, sculpture, paper, photo, and additional data sardonyx and gold Physical Dimensions The actual physical size of the original image 1.6 x 1.1 cm overall Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Cameo with Bust of an African Boy Creator An entity primarily responsible for making the resource Anonymous Venetian artist Date A point or period of time associated with an event in the lifecycle of the resource c.1590 Rights Information about rights held in and over the resource New York: Metropolitan Museum of Art Format The file format, physical medium, or dimensions of the resource decorative arts Type The nature or genre of the resource Still Image Contributor An entity responsible for making contributions to the resource Dr. Adam Rudolphi African(s) BIPOC central person(s) of color costume or fashion as a marker of racial or ethnic identity men of color Race Venice http://othersinearlymodernitaly.artinterp.org/omeka/files/original/b8cc852db615253387e6499224f3a792.jpg 5cf800218c23b3cc669487743ccfdc16 Still Image A static visual representation. Examples include paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type Text to images of textual materials. Original Format The type of object, such as painting, sculpture, paper, photo, and additional data oil on canvas Physical Dimensions The actual physical size of the original image 227 x 176 cm Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Timoclea Tosses Alexander the Great's Captain into the Well Creator An entity primarily responsible for making the resource Elisabetta Sirani Publisher An entity responsible for making the resource available Andrea Cattalani Date A point or period of time associated with an event in the lifecycle of the resource 1659 Rights Information about rights held in and over the resource Naples: Museo di Capodimonte Format The file format, physical medium, or dimensions of the resource painting Type The nature or genre of the resource Still Image Language A language of the resource on the side of the well: ELISAB.TA SIRANI. F. 1659 Contributor An entity responsible for making contributions to the resource Dr. Adam Rudolphi Bologna Bolognese artist cisgender female central figure(s) Gender history—literary subject jewelry nudes violence woman artist women and gender minorities http://othersinearlymodernitaly.artinterp.org/omeka/files/original/1f7468b01b71336185d0705cd6703d84.png dca9be57da269006091b44fca0959d6e Still Image A static visual representation. Examples include paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type Text to images of textual materials. Original Format The type of object, such as painting, sculpture, paper, photo, and additional data carved agate in an enameled gold setting Physical Dimensions The actual physical size of the original image 5.7 × 4.3 cm Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Cameo with a Mulatto Woman Creator An entity primarily responsible for making the resource Giovanni Ambrogio Miseroni Date A point or period of time associated with an event in the lifecycle of the resource c.1560s Rights Information about rights held in and over the resource Vienna: Kunsthistorisches Museum, Sammlung für Plastik und Kunstgewerbe Format The file format, physical medium, or dimensions of the resource decorative arts Type The nature or genre of the resource Still Image Contributor An entity responsible for making contributions to the resource Dr. Adam Rudolphi African(s) BIPOC central person(s) of color cisgender female central figure(s) costume or fashion as a marker of racial or ethnic identity intersectionality Milan mixed ancestry Race women and gender minorities women of color http://othersinearlymodernitaly.artinterp.org/omeka/files/original/dc41ef37584386ba6caadec715b308c5.JPG 5b3116577ad8093887cfbdc161967e85 http://othersinearlymodernitaly.artinterp.org/omeka/files/original/9a3c4c8e053e3d348f9a25736de136b4.JPG 14cd1caba4bbcf2a9823e4bf4e1d2e23 Still Image A static visual representation. Examples include paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type Text to images of textual materials. Original Format The type of object, such as painting, sculpture, paper, photo, and additional data fresco Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Benedict's Abandonment of the Roman School Creator An entity primarily responsible for making the resource Giovanni Antonio Bazzi, called Sodoma Date A point or period of time associated with an event in the lifecycle of the resource 1505–08 Format The file format, physical medium, or dimensions of the resource painting Type The nature or genre of the resource Still Image Source A related resource from which the described resource is derived Asciano: Abbazia of Monteoliveto Maggiore Contributor An entity responsible for making contributions to the resource Dr. Adam Rudolphi beards BIPOC bisexual book(s) cisgender male onlooker or peripheral figure(s) costume or fashion as a marker of racial or ethnic identity figure(s) looking directly at the viewer gay history—medieval religious subject intersectionality LGBTQ+ artist men of color onlooker(s) or peripheral person(s) of color Race Rome sexual orientation minorities Siena winged figure(s) http://othersinearlymodernitaly.artinterp.org/omeka/files/original/ee03fac19463353f5801256fb530c9ae.PNG dbd84d9965c5ee705fd0104434ad01e8 Still Image A static visual representation. Examples include paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type Text to images of textual materials. Original Format The type of object, such as painting, sculpture, paper, photo, and additional data marble Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Antonio Manuel, Marquis of Ne-Vunda Creator An entity primarily responsible for making the resource Francesco Caporale Date A point or period of time associated with an event in the lifecycle of the resource 1629 Format The file format, physical medium, or dimensions of the resource sculpture Type The nature or genre of the resource Still Image Source A related resource from which the described resource is derived Rome: Santa Maria Maggiore, Baptistery Contributor An entity responsible for making contributions to the resource Dr. Adam Rudolphi African(s) ambassador(s) or envoy(s) BIPOC central person(s) of color costume or fashion as a marker of racial or ethnic identity figure(s) looking directly at the viewer men of color portrait(s) portrait(s)—male Race Roman installation/viewing context Rome Sub-Saharan African(s) weapon(s) http://othersinearlymodernitaly.artinterp.org/omeka/files/original/0f183ed1307c0f60b19c83d3ce1f113e.png ae9aab094c7e8a0ae3a786a1b5e24da0 Still Image A static visual representation. Examples include paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type Text to images of textual materials. Original Format The type of object, such as painting, sculpture, paper, photo, and additional data fresco Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Susanna and the Elders Creator An entity primarily responsible for making the resource Bernardo di Betto, called Pinturicchio Date A point or period of time associated with an event in the lifecycle of the resource 1494? Format The file format, physical medium, or dimensions of the resource painting Type The nature or genre of the resource Still Image Source A related resource from which the described resource is derived Vatican City: Apostolic Palace, Borgia Apartments, Sala dei Santi Contributor An entity responsible for making contributions to the resource Dr. Adam Rudolphi animal(s) beards cisgender female central figure(s) cisgender female onlooker(s) or peripheral figure(s) cisgender male onlooker or peripheral figure(s) cityscape flag(s) Gender history—Biblical subject history—Biblical subject—Old Testament jewelry landscape locations outside Italy nudes nudes—male plant(s) Roman installation/viewing context Rome subject location(s) outside Italy violence weapon(s) women and gender minorities http://othersinearlymodernitaly.artinterp.org/omeka/files/original/5fb40cd9ba666a4a78e885022199bb9d.jpg bccd0147e9484b86947ea92b4356b54e Still Image A static visual representation. Examples include paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type Text to images of textual materials. Original Format The type of object, such as painting, sculpture, paper, photo, and additional data oil on panel Physical Dimensions The actual physical size of the original image 54 x 40 cm Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Lady with the Ermine Creator An entity primarily responsible for making the resource Leonardo da Vinci Date A point or period of time associated with an event in the lifecycle of the resource 1489–90 Rights Information about rights held in and over the resource Kraków: Muzeum Narodowe Format The file format, physical medium, or dimensions of the resource painting Type The nature or genre of the resource Still Image Publisher An entity responsible for making the resource available Ludovico Sforza, called Ludovico il Moro Contributor An entity responsible for making contributions to the resource Dr. Adam Rudolphi cisgender female central figure(s) Florence gay Gender jewelry LGBTQ+ artist Milan portrait(s) portrait(s)—female sexual orientation minorities women and gender minorities http://othersinearlymodernitaly.artinterp.org/omeka/files/original/543984c7d18bad44affd77cca112bc9f.jpg 9fb250835436596d2cc5223138faf63d http://othersinearlymodernitaly.artinterp.org/omeka/files/original/b70782661457730cbd2f1c5b7c83a1bc.jpg 9d07041bd1e0ad8383e98d591f523297 http://othersinearlymodernitaly.artinterp.org/omeka/files/original/8c6db0d698063f18f393a9eebbf4372a.jpg 8403ac6983c432498bcd20c14df2a351 Still Image A static visual representation. Examples include paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type Text to images of textual materials. Original Format The type of object, such as painting, sculpture, paper, photo, and additional data fresco Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Benedict Sends Away the Harlots Creator An entity primarily responsible for making the resource Giovanni Antonio Bazzi, called Sodoma Date A point or period of time associated with an event in the lifecycle of the resource 1505–08 Format The file format, physical medium, or dimensions of the resource painting Type The nature or genre of the resource Still Image Source A related resource from which the described resource is derived Asciano: Abbazia of Monteoliveto Maggiore Language A language of the resource on the descriptive table beneath the fresco: COME FLORENZO MANDA MALE FEMMINE AL MONASTERO Contributor An entity responsible for making contributions to the resource Dr. Adam Rudolphi animal(s) beards bisexual boat(s) or ship(s) bodies of water book(s) cisgender female onlooker(s) or peripheral figure(s) cisgender male onlooker or peripheral figure(s) figure(s) looking directly at the viewer fruit gay Gender history—medieval religious subject jewelry landscape LGBTQ+ artist sexual orientation minorities Siena women and gender minorities women of color