23 10 375 http://othersinearlymodernitaly.artinterp.org/omeka/files/original/67a79703f7a8c596a04b6b11e33d44aa.jpg 89e5d2f8a68e09d4b6cfc4ac744f0a29 Still Image A static visual representation. Examples include paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type Text to images of textual materials. Original Format The type of object, such as painting, sculpture, paper, photo, and additional data engraving Physical Dimensions The actual physical size of the original image 16.4 x 12.1 cm Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Soldier Fastening his Trousers Creator An entity primarily responsible for making the resource Agostino Veneziano, after Michelangelo Buonarroti Date A point or period of time associated with an event in the lifecycle of the resource c.1517 Rights Information about rights held in and over the resource London: British Museum, Department of Prints and Drawings Format The file format, physical medium, or dimensions of the resource work on paper Type The nature or genre of the resource Still Image Contributor An entity responsible for making contributions to the resource Dr. Adam Rudolphi figure(s) seen from behind Florence gay history—Early Modern secular subject LGBTQ+ artist sexual orientation minorities Sexuality Venetian artist Venice weapon(s) http://othersinearlymodernitaly.artinterp.org/omeka/files/original/2a043bf0ae1b3220021650bc3b5042ba.png 6ec868cd0891155207534b807aa091b3 http://othersinearlymodernitaly.artinterp.org/omeka/files/original/a6b2158e1d3e79d94123b982250ddc3b.png e33fc5dfab98e99ccc3c89837f37eb03 http://othersinearlymodernitaly.artinterp.org/omeka/files/original/8a2f7f38b098bd1dbca08b7c050af29b.png 0fbabc9fb0046b319f05e61d23c541d5 http://othersinearlymodernitaly.artinterp.org/omeka/files/original/0a56278902832483dadebd83c5f31591.png 2a72eb7f740d200ff093876516874eee http://othersinearlymodernitaly.artinterp.org/omeka/files/original/9651bcda0282f23875d0e61e19896d79.png f65abe3949ec9201ab441f4e06809c97 Still Image A static visual representation. Examples include paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type Text to images of textual materials. Original Format The type of object, such as painting, sculpture, paper, photo, and additional data tempera on canvas Physical Dimensions The actual physical size of the original image 160 × 192 cm Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Minerva Expelling the Vices from the Garden of Virtue Creator An entity primarily responsible for making the resource Andrea Mantegna Publisher An entity responsible for making the resource available Isabella d'Este Date A point or period of time associated with an event in the lifecycle of the resource 1502 Rights Information about rights held in and over the resource Paris: Musée du Louvre Format The file format, physical medium, or dimensions of the resource painting Type The nature or genre of the resource Still Image Source A related resource from which the described resource is derived Mantua: Palazzo Ducale, Studiolo di Isabella d'Este Contributor An entity responsible for making contributions to the resource Dr. Adam Rudolphi allegorical personification(s) bodies of water breasts cisgender female central figure(s) cisgender female onlooker(s) or peripheral figure(s) female patronage Ferrara fruit Gender history—allegory intersex jewelry landscape Mantua Mantuan installation/viewing context nudes nudes—female nudes—male Padua Paduan artist personification(s) plant(s) putti violence weapon(s) winged figure(s) women and gender minorities http://othersinearlymodernitaly.artinterp.org/omeka/files/original/b4a7165e97fe60b53a82678248609940.PNG b8ac23b89e0e5fba765d8a77ea2d6cae Still Image A static visual representation. Examples include paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type Text to images of textual materials. Original Format The type of object, such as painting, sculpture, paper, photo, and additional data fresco, detached and mounted on canvas Physical Dimensions The actual physical size of the original image 125.5 x 152 cm Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Penelope with the Suitors Creator An entity primarily responsible for making the resource Bernardo di Betto, called Pinturicchio Date A point or period of time associated with an event in the lifecycle of the resource c.1509 Rights Information about rights held in and over the resource London: National Gallery Format The file format, physical medium, or dimensions of the resource painting Type The nature or genre of the resource Still Image Publisher An entity responsible for making the resource available Pandolfo Petrucci Source A related resource from which the described resource is derived Siena: Palazzo del Magnifico, Camera Bella Contributor An entity responsible for making contributions to the resource Dr. Adam Rudolphi animal(s) beards BIPOC boat(s) or ship(s) bodies of water cisgender female central figure(s) cisgender female onlooker(s) or peripheral figure(s) cisgender male onlooker or peripheral figure(s) cityscape flag(s) Gender history—literary subject intersectionality jewelry landscape locations outside Italy men of color onlooker(s) or peripheral person(s) of color Siena Sienese installation/viewing context Sienese patron weapon(s) women and gender minorities http://othersinearlymodernitaly.artinterp.org/omeka/files/original/80d6d81ccbcbcaed861f175080d48a50.png 8d556767acbe17aaa3c0be2cfe0cf9e4 Still Image A static visual representation. Examples include paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type Text to images of textual materials. Original Format The type of object, such as painting, sculpture, paper, photo, and additional data oil on canvas Physical Dimensions The actual physical size of the original image 48.1 x 36.7 cm Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Judith and her servant, Abra Creator An entity primarily responsible for making the resource Andrea Mantegna Date A point or period of time associated with an event in the lifecycle of the resource c.1495–1500 Rights Information about rights held in and over the resource Dublin: National Gallery of Ireland Format The file format, physical medium, or dimensions of the resource painting Type The nature or genre of the resource Still Image Contributor An entity responsible for making contributions to the resource Dr. Adam Rudolphi African(s) BIPOC central person(s) of color cisgender female central figure(s) flag(s) history—Biblical subject history—Biblical subject—Old Testament intersectionality locations outside Italy Mantua Padua Paduan artist Race servant(s) or slave(s) subject location(s) outside Italy tent(s) weapon(s) women and gender minorities women of color http://othersinearlymodernitaly.artinterp.org/omeka/files/original/9a59fa29869926c044a3d0df3d36b34f.png 7bb71b6cd80fa8c782258cbd455b7009 Still Image A static visual representation. Examples include paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type Text to images of textual materials. Physical Dimensions The actual physical size of the original image 38.8 × 25.8 cm Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Judith and her servant, Abra Creator An entity primarily responsible for making the resource Andrea Mantegna Date A point or period of time associated with an event in the lifecycle of the resource 1491 Rights Information about rights held in and over the resource Florence: Galleria degli Uffizi Format The file format, physical medium, or dimensions of the resource work on paper Type The nature or genre of the resource Still Image Contributor An entity responsible for making contributions to the resource Dr. Adam Rudolphi African(s) BIPOC central person(s) of color cisgender female central figure(s) costume or fashion as a marker of racial or ethnic identity figure(s) seen from behind history—Biblical subject history—Biblical subject—Old Testament intersectionality jewelry locations outside Italy Mantua Padua Paduan artist Race servant(s) or slave(s) subject location(s) outside Italy weapon(s) women and gender minorities women of color http://othersinearlymodernitaly.artinterp.org/omeka/files/original/d58ab6b9136bceb0d2c611869308dbf4.PNG e072f8bf43ed169ced3b34cb039dbe83 http://othersinearlymodernitaly.artinterp.org/omeka/files/original/f841afe6062422a28c1a2cc5a5a626c5.PNG 6cbe0296d52ae6d99a3bb570de9cb179 http://othersinearlymodernitaly.artinterp.org/omeka/files/original/c92893e1c4620fd4b3c0cf8f75ab1598.jpg 530b5baf5b0eebaa4a3ff2f5689cccd3 Still Image A static visual representation. Examples include paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type Text to images of textual materials. Original Format The type of object, such as painting, sculpture, paper, photo, and additional data oil on panel Physical Dimensions The actual physical size of the original image 75.6 × 63.8 cm Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Hunting on the Lagoon Creator An entity primarily responsible for making the resource Vittore Carpaccio Date A point or period of time associated with an event in the lifecycle of the resource 1490 Rights Information about rights held in and over the resource Malibu: J. Paul Getty Museum Format The file format, physical medium, or dimensions of the resource painting Type The nature or genre of the resource Still Image Contributor An entity responsible for making contributions to the resource Dr. Adam Rudolphi African(s) animal(s) BIPOC boat(s) or ship(s) bodies of water cisgender male onlooker or peripheral figure(s) costume or fashion as a marker of racial or ethnic identity figure(s) seen from behind genre subject or scene landscape men of color onlooker(s) or peripheral person(s) of color plant(s) Race servant(s) or slave(s) Venice weapon(s) http://othersinearlymodernitaly.artinterp.org/omeka/files/original/01ba74823ac735d8bfb4fac2e7bcd13b.jpg 9a0078fec4a40fe3d9055f87f7c623f7 Still Image A static visual representation. Examples include paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type Text to images of textual materials. Original Format The type of object, such as painting, sculpture, paper, photo, and additional data oil on canvas Physical Dimensions The actual physical size of the original image 488 × 269 cm Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Madonna of the Pesaro Family Creator An entity primarily responsible for making the resource Tiziano Vecellio, called Titian Date A point or period of time associated with an event in the lifecycle of the resource 1519–26 Format The file format, physical medium, or dimensions of the resource painting Type The nature or genre of the resource Still Image Source A related resource from which the described resource is derived Venice: Santa Maria Gloriosa dei Frari Contributor An entity responsible for making contributions to the resource Dr. Adam Rudolphi beards BIPOC book(s) cisgender female central figure(s) cisgender male onlooker or peripheral figure(s) coat(s) of arms column(s) costume or fashion as a marker of racial or ethnic identity figure(s) seen from behind flag(s) men of color nudes nudes—male onlooker(s) or peripheral person(s) of color Ottoman Turk(s) portrait(s) portrait(s)—male putti Race Venetian installation/viewing context Venice winged figure(s) women and gender minorities http://othersinearlymodernitaly.artinterp.org/omeka/files/original/baf3b3ba38c9dea7e439ece40b08aa7e.jpg a0582aeb77e5ec75ebaa9098dcfef8f7 Still Image A static visual representation. Examples include paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type Text to images of textual materials. Original Format The type of object, such as painting, sculpture, paper, photo, and additional data oil on canvas Physical Dimensions The actual physical size of the original image 113 × 95.3 cm Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Judith with the Head of Holofernes Creator An entity primarily responsible for making the resource Tiziano Vecellio, called Titian Date A point or period of time associated with an event in the lifecycle of the resource c.1570 Rights Information about rights held in and over the resource Detroit: Institute of Arts Format The file format, physical medium, or dimensions of the resource painting Type The nature or genre of the resource Still Image Contributor An entity responsible for making contributions to the resource Dr. Adam Rudolphi African(s) BIPOC cisgender female central figure(s) history—Biblical subject history—Biblical subject—Old Testament intersectionality jewelry locations outside Italy onlooker(s) or peripheral person(s) of color Race servant(s) or slave(s) subject location(s) outside Italy Venice weapon(s) women and gender minorities women of color http://othersinearlymodernitaly.artinterp.org/omeka/files/original/96f8dd1379adc77e92ff8c5708e288ff.PNG a5ee89f882072c71a1fe0710a6ccfbac Still Image A static visual representation. Examples include paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type Text to images of textual materials. Original Format The type of object, such as painting, sculpture, paper, photo, and additional data oil on canvas Physical Dimensions The actual physical size of the original image 184.5 x 202.2 cm Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Diana and Actaeon Creator An entity primarily responsible for making the resource Tiziano Vecellio, called Titian Date A point or period of time associated with an event in the lifecycle of the resource 1556–59 Rights Information about rights held in and over the resource London: National Gallery Format The file format, physical medium, or dimensions of the resource painting Type The nature or genre of the resource Still Image Publisher An entity responsible for making the resource available Philip II of Spain Contributor An entity responsible for making contributions to the resource Dr. Adam Rudolphi African(s) BIPOC bodies of water breasts cisgender female central figure(s) cisgender female onlooker(s) or peripheral figure(s) costume or fashion as a marker of racial or ethnic identity figure(s) seen from behind history—ancient mythological subject history—literary subject jewelry landscape locations outside Italy non-Italian installation/viewing context non-Italian patronage nudes nudes—female onlooker(s) or peripheral person(s) of color plant(s) Race servant(s) or slave(s) striped fabric Venetian artist Venice weapon(s) women and gender minorities women of color http://othersinearlymodernitaly.artinterp.org/omeka/files/original/e27ddb0dfc3be27800538612d639a07a.jpg ae9ffe1c19a26c19fbaae058442fdd61 Still Image A static visual representation. Examples include paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type Text to images of textual materials. Original Format The type of object, such as painting, sculpture, paper, photo, and additional data oil on panel transferred to hardboard Physical Dimensions The actual physical size of the original image 134.7 x 101 x 3.5 cm Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource A Humanist Creator An entity primarily responsible for making the resource Sebastiano Luciani, called Sebastiano del Piombo Date A point or period of time associated with an event in the lifecycle of the resource c.1520 Rights Information about rights held in and over the resource Washington, DC: National Gallery of Art Format The file format, physical medium, or dimensions of the resource painting Type The nature or genre of the resource Still Image Contributor An entity responsible for making contributions to the resource Dr. Adam Rudolphi African(s) beards BIPOC book(s) central person(s) of color figure(s) looking directly at the viewer men of color Moor(s) patron of color portrait(s) portrait(s)—male Race Rome Venetian artist Venice