25 10 375 http://othersinearlymodernitaly.artinterp.org/omeka/files/original/a9abfcf2d2a8244669384ef7b5eaad6b.png ea22b53dd198829eee28647217a9ebd3 Still Image A static visual representation. Examples include paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type Text to images of textual materials. Original Format The type of object, such as painting, sculpture, paper, photo, and additional data Etching and engraving Physical Dimensions The actual physical size of the original image 27.5 × 19.7 cm Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Don Antonio Manuele de Funta, Ambassador of the King of the Kongo to the Pope Creator An entity primarily responsible for making the resource Raffaello Schiaminossi, attributed Date A point or period of time associated with an event in the lifecycle of the resource 1608 Rights Information about rights held in and over the resource Baltimore: Baltimore Museum of Art Format The file format, physical medium, or dimensions of the resource work on paper Type The nature or genre of the resource Still Image Language A language of the resource around the oval portrait, beginning at 6 o'clock: D. ANTONIVS EMANVEL MARCHIO DE WNTH ORATOR REGIS GONGI AD SVMMV PONT In the long passage beneath the print: Questo Ambasciatore arrivo' in Roma mercordi 2 Gennaro 1608 incontrato da molti Prelati e Nobilta fu' alloggiato nel Palazzo Apostolico dove per essere infermo di ordine di Sua S[anti]ta' gli furono somministrate le cose necessarie a la sua cura fu visitato da N. S. sendoglisi gravato il male havuto la S[an]ta Benedictione de sua Beatitudine a 5 di detto alle 7 hore di notte passo a meglior vita et il giorno della Epifania alle 23 hore co Regia Pompa fu portrato a sepellire a S Maria Maggiore, havendolo sua S[anti]ta fatto accompagnare dalla sua guardia svizzera dal R[oma]no Patriarca Biondo da Vescovi assistenti di Cappella Pro / honorarij Apostolici et dalla sssa famiglia et officiali Palatini a cavallo con habito purpureo et a 24 detto con magnificenza Regia gli furono fatto l'esequie. Questo Ambasciata e stata la prima mandata dal Re di Congo alla Sede Ap[ostoli]ca send questo Re D Alvaro il 4 Re Christian. Congo e uno Regno nelle ultime parti del Africa ricchissimo d'avvorio ma poverissimo di metalli si che in luogo di moneta si spendono gusci di lumachelle. Questo Regno p essere in Ethiopia perdute h Popoli neri come era questo Ambasciatore vi si usa di andar nudo con una semplice coperta tessuta di fronde di palma se bene in Roma e venuto nel habito che qui si vede. Contributor An entity responsible for making contributions to the resource Dr. Adam Rudolphi African(s) allegorical personification(s) ambassador(s) or envoy(s) animal(s) beards BIPOC central person(s) of color cisgender female onlooker(s) or peripheral figure(s) cityscape history—Early Modern secular subject men of color portrait(s) portrait(s)—male Race Rome Rome in art Sub-Saharan African(s) weapon(s) women and gender minorities http://othersinearlymodernitaly.artinterp.org/omeka/files/original/668c720ee54f8cb1878ee2c1ca19302f.png 94a259c9b142eeed8329e6a6f40d7196 http://othersinearlymodernitaly.artinterp.org/omeka/files/original/00c48f62187d6cf63d63b5941ca34ae4.png c9fc221256bc075ba9e7b54ea9a08590 Still Image A static visual representation. Examples include paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type Text to images of textual materials. Original Format The type of object, such as painting, sculpture, paper, photo, and additional data fresco Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Chamber of the Cupid Frieze Creator An entity primarily responsible for making the resource Giulio Pippi de' Gianuzzi, called Giulio Romano or Giovanni Nani, called Giovanni da Udine Publisher An entity responsible for making the resource available Cardinal Giulio de' Medici, later Pope Clement VII Date A point or period of time associated with an event in the lifecycle of the resource 1521–26 Format The file format, physical medium, or dimensions of the resource painting Type The nature or genre of the resource Still Image Source A related resource from which the described resource is derived Rome: Villa Madama Contributor An entity responsible for making contributions to the resource Dr. Adam Rudolphi African(s) animal(s) BIPOC Florence Florentine patron fruit nudes nudes—male onlooker(s) or peripheral person(s) of color plant(s) putti Race Roman artist Roman installation/viewing context Rome winged figure(s) http://othersinearlymodernitaly.artinterp.org/omeka/files/original/aa6944a20ee1d251eab67ee3ca483407.jpg 4a5be0d0652c3560d75c792f6b47bbb0 http://othersinearlymodernitaly.artinterp.org/omeka/files/original/139280f736f98ce0e7e6ee956117c103.jpg 64cadd4ffa877cccae9c2684b048d384 http://othersinearlymodernitaly.artinterp.org/omeka/files/original/d985f2be4629c8326b9dadf85a95d61c.jpg eebfbf189a7dff32c1efe3a6ba2a7945 http://othersinearlymodernitaly.artinterp.org/omeka/files/original/9650afe8f2f6fa35ffd51f0f28f117e5.png c2aec1f140e2b5dbe3418c29c1b0cea8 http://othersinearlymodernitaly.artinterp.org/omeka/files/original/e3b7560e7a59c583d17068e7bb24ee41.jpg 960679b650fa958972b5531971da5e91 http://othersinearlymodernitaly.artinterp.org/omeka/files/original/87995d9545de3b008b26c1a167dab1d8.png bd940cc8532d19f20aed9253c62582db http://othersinearlymodernitaly.artinterp.org/omeka/files/original/b07d14d763ad1e81a0ad98459a31b970.jpg 06a934b491ca747ca63d11246e742236 http://othersinearlymodernitaly.artinterp.org/omeka/files/original/36b60983b86a6113d21eecd3399e362a.jpg 0bc8d9c30abd438480b89751bf0d859c Still Image A static visual representation. Examples include paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type Text to images of textual materials. Original Format The type of object, such as painting, sculpture, paper, photo, and additional data fresco Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Wedding Feast of Cupid and Psyche Creator An entity primarily responsible for making the resource Giulio Pippi de' Gianuzzi, called Giulio Romano and assistants Publisher An entity responsible for making the resource available Federico II Gonzaga Date A point or period of time associated with an event in the lifecycle of the resource 1527–30 Format The file format, physical medium, or dimensions of the resource painting Type The nature or genre of the resource Still Image Source A related resource from which the described resource is derived Mantua: Palazzo del Te, Sala di Psiche Contributor An entity responsible for making contributions to the resource Dr. Adam Rudolphi African(s) animal(s) beards BIPOC bisexual bodies of water book(s) breasts cisgender female central figure(s) cisgender female onlooker(s) or peripheral figure(s) cisgender male onlooker or peripheral figure(s) figure(s) seen from behind history—literary subject intersectionality jewelry landscape LGBTQ+ central figure(s) locations outside Italy Mantua Mantuan installation/viewing context Mantuan patron men of color musical instrument(s) mythological creature(s) nudes nudes—female nudes—male onlooker(s) or peripheral person(s) of color plant(s) putti Race Roman artist Rome sexual orientation minorities winged figure(s) women and gender minorities http://othersinearlymodernitaly.artinterp.org/omeka/files/original/6026750738eea673e4810e258c7c6ce7.jpg 754dbdeff275c9f09d2e23c8584b670d http://othersinearlymodernitaly.artinterp.org/omeka/files/original/2e1e33be3b16d8039d92da38d19949a8.png 6d641b380b0f21fbb2664ba14b3dc419 Still Image A static visual representation. Examples include paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type Text to images of textual materials. Original Format The type of object, such as painting, sculpture, paper, photo, and additional data Wool, silk, silver, and gold thread Physical Dimensions The actual physical size of the original image 34.1 x 10.7 cm Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Putti at Play Creator An entity primarily responsible for making the resource Nicholas Karcher?, after designs by Giulio Pippi de' Gianuzzi, called Giulio Romano Date A point or period of time associated with an event in the lifecycle of the resource c.1540 Rights Information about rights held in and over the resource Milan: Museo Poldi Pezzoli Format The file format, physical medium, or dimensions of the resource decorative arts Type The nature or genre of the resource Still Image Contributor An entity responsible for making contributions to the resource Dr. Adam Rudolphi African(s) animal(s) BIPOC cityscape figure(s) seen from behind fruit history—literary subject landscape locations outside Italy Milan musical instrument(s) nudes nudes—male onlooker(s) or peripheral person(s) of color plant(s) putti Race Roman artist Rome winged figure(s) http://othersinearlymodernitaly.artinterp.org/omeka/files/original/a2e1c3f468143c7e26913e4c81254a72.png d56cd16ec30710b1bdf82adbb77e588d http://othersinearlymodernitaly.artinterp.org/omeka/files/original/c4cdee1042ba1e351c9a62c9f0b1743d.jpg dd099b3dd03c95064dc92f0074c298a2 http://othersinearlymodernitaly.artinterp.org/omeka/files/original/661338d07a464ce077ce378bb882011c.jpg b76d4bfe74c6111865478a2107d359cc Still Image A static visual representation. Examples include paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type Text to images of textual materials. Original Format The type of object, such as painting, sculpture, paper, photo, and additional data fresco Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Artemis of Ephesus Creator An entity primarily responsible for making the resource Giovanni Maria Falconetto Publisher An entity responsible for making the resource available Gonzaga family Date A point or period of time associated with an event in the lifecycle of the resource c.1530s Format The file format, physical medium, or dimensions of the resource painting Type The nature or genre of the resource Still Image Source A related resource from which the described resource is derived Mantua: Palazzo d'Arco, Hall of the Zodiac Contributor An entity responsible for making contributions to the resource Dr. Adam Rudolphi African(s) animal(s) BIPOC breasts central person(s) of color cisgender female central figure(s) cisgender male onlooker or peripheral figure(s) genre subject or scene history—allegory intersectionality landscape Mantua Mantuan installation/viewing context Mantuan patron musical instrument(s) nudes nudes—male plant(s) putti Race Rome women and gender minorities women of color http://othersinearlymodernitaly.artinterp.org/omeka/files/original/084bdc38a8ce2f2ecfba6bda87f22139.png d9e3ed000da7c4cc79deda93bea09f84 http://othersinearlymodernitaly.artinterp.org/omeka/files/original/88a1fcb3021107a40c78fd0c2656bec7.png 7bf5cc90055ffd2d965fe2b41329eae7 Still Image A static visual representation. Examples include paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type Text to images of textual materials. Original Format The type of object, such as painting, sculpture, paper, photo, and additional data bronze Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Youth with Arms Positioned to Hold Musical Instrument Creator An entity primarily responsible for making the resource Jean Boulogne, called Giovanni da Bologna Date A point or period of time associated with an event in the lifecycle of the resource c.1580s Rights Information about rights held in and over the resource Paris: Bibliotheque Nationale, Cabinet des Medailles Format The file format, physical medium, or dimensions of the resource sculpture Type The nature or genre of the resource Still Image Contributor An entity responsible for making contributions to the resource Dr. Adam Rudolphi African(s) BIPOC central person(s) of color genre subject or scene men of color non-Italian artist working in Italy nudes nudes—male Race servant(s) or slave(s) http://othersinearlymodernitaly.artinterp.org/omeka/files/original/d85d3728ce538e25a98d3e3248c5af42.jpg ed4ff1158321f246874309f3de5992a0 http://othersinearlymodernitaly.artinterp.org/omeka/files/original/657a14f598f86aa33be3f8d21f4a90c4.jpg 91516d64a549bd46f6e3bbaae76ef49c Still Image A static visual representation. Examples include paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type Text to images of textual materials. Original Format The type of object, such as painting, sculpture, paper, photo, and additional data fresco Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Wedding of Alexander and Roxanna Creator An entity primarily responsible for making the resource Giovanni Antonio Bazzi, called Sodoma Publisher An entity responsible for making the resource available Agostino Chigi Date A point or period of time associated with an event in the lifecycle of the resource c.1517 Format The file format, physical medium, or dimensions of the resource painting Type The nature or genre of the resource Still Image Source A related resource from which the described resource is derived Rome: Villa Farnesina Contributor An entity responsible for making contributions to the resource Dr. Adam Rudolphi African(s) animal(s) BIPOC bisexual bodies of water breasts cisgender female central figure(s) cisgender female onlooker(s) or peripheral figure(s) cisgender male onlooker or peripheral figure(s) column(s) figure(s) seen from behind gay history—ancient secular subject history—literary subject intersectionality landscape LGBTQ+ artist LGBTQ+ central figure(s) LGBTQ+ onlooker or peripheral figure(s) locations outside Italy nudes nudes—female onlooker(s) or peripheral person(s) of color person of color—indeterminate gender plant(s) putti Roman installation/viewing context Rome servant(s) or slave(s) sexual orientation minorities Sexuality Siena Sienese patron Sub-Saharan African(s) winged figure(s) women and gender minorities women of color http://othersinearlymodernitaly.artinterp.org/omeka/files/original/9c5a45ed8a5c9bb42e534dacffe3f056.jpg 98e817062f89d6ac5d24036e069cd4a3 http://othersinearlymodernitaly.artinterp.org/omeka/files/original/1e6d24bf70419c1afb220d1e2dffa09e.jpg 60958978ffefdbe6b5d41fcb4637666c Still Image A static visual representation. Examples include paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type Text to images of textual materials. Original Format The type of object, such as painting, sculpture, paper, photo, and additional data oil on panel Physical Dimensions The actual physical size of the original image 36.5 x 62 cm Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Road to Calvary Creator An entity primarily responsible for making the resource Giovanni Antonio Bazzi, called Sodoma Date A point or period of time associated with an event in the lifecycle of the resource c.1510 Rights Information about rights held in and over the resource Budapest: Szépművészeti Múzeum Format The file format, physical medium, or dimensions of the resource painting Type The nature or genre of the resource Still Image Contributor An entity responsible for making contributions to the resource Dr. Adam Rudolphi African(s) beards BIPOC bisexual cisgender male onlooker or peripheral figure(s) gay history—Biblical subject history—Biblical subject—New Testament intersectionality LGBTQ+ artist locations outside Italy men of color onlooker(s) or peripheral person(s) of color plant(s) Race sexual orientation minorities Siena subject location(s) outside Italy violence weapon(s) http://othersinearlymodernitaly.artinterp.org/omeka/files/original/ff2695aed5f64a6ec26982533d0811fd.jpg 31cdbc0c1770c39afe77d83b920cfa76 http://othersinearlymodernitaly.artinterp.org/omeka/files/original/4723eac900c0dd6e8ca2eda023f6c7bf.JPG cd861555f4c716e35157be79a5d3387b Still Image A static visual representation. Examples include paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type Text to images of textual materials. Original Format The type of object, such as painting, sculpture, paper, photo, and additional data fresco Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Benedict Receives Maurus and Placidus Creator An entity primarily responsible for making the resource Giovanni Antonio Bazzi, called Sodoma Date A point or period of time associated with an event in the lifecycle of the resource 1505–08 Format The file format, physical medium, or dimensions of the resource painting Type The nature or genre of the resource Still Image Source A related resource from which the described resource is derived Asciano: Abbazia of Monteoliveto Maggiore Contributor An entity responsible for making contributions to the resource Dr. Adam Rudolphi African(s) animal(s) beards BIPOC bisexual bodies of water cisgender male onlooker or peripheral figure(s) cityscape column(s) costume or fashion as a marker of racial or ethnic identity figure(s) seen from behind gay history—medieval religious subject intersectionality LGBTQ+ artist men of color plant(s) Race sexual orientation minorities Siena striped fabric weapon(s) http://othersinearlymodernitaly.artinterp.org/omeka/files/original/a6a0aef035658d80521be4d26f1b2a33.jpg 5cb5f30dd32c8fc366ab78510fd6916a http://othersinearlymodernitaly.artinterp.org/omeka/files/original/fcf8a4d38cdc8ef722f1ce27fb855d0c.jpg 740560b1235faa7835f560cf6e3d6732 http://othersinearlymodernitaly.artinterp.org/omeka/files/original/4f5ce9144991153e261ac8c87fbde87f.JPG ef03de4a41134f4c90936a802f490f73 Still Image A static visual representation. Examples include paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type Text to images of textual materials. Original Format The type of object, such as painting, sculpture, paper, photo, and additional data fresco Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Benedict Foretells the Destruction of Montecassino Creator An entity primarily responsible for making the resource Giovanni Antonio Bazzi, called Sodoma Date A point or period of time associated with an event in the lifecycle of the resource 1505–08 Format The file format, physical medium, or dimensions of the resource painting Type The nature or genre of the resource Still Image Source A related resource from which the described resource is derived Asciano: Abbazia of Monteoliveto Maggiore Contributor An entity responsible for making contributions to the resource Dr. Adam Rudolphi African(s) animal(s) beards BIPOC bisexual boat(s) or ship(s) bodies of water cisgender male onlooker or peripheral figure(s) column(s) costume or fashion as a marker of racial or ethnic identity figure(s) seen from behind flag(s) gay history—medieval religious subject intersectionality landscape LGBTQ+ artist men of color plant(s) Race sexual orientation minorities Siena striped fabric tent(s) violence violence—battle scene(s) weapon(s)