33 10 375 http://othersinearlymodernitaly.artinterp.org/omeka/files/original/eed76d61cea32500f25dc12488e1f9b5.jpg e789d44e47779e4a2726b240bdddcd41 Still Image A static visual representation. Examples include paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type Text to images of textual materials. Original Format The type of object, such as painting, sculpture, paper, photo, and additional data bronze Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Solomon and the Queen of Sheba Creator An entity primarily responsible for making the resource Lorenzo Ghiberti Source A related resource from which the described resource is derived Florence: Baptistery of San Giovanni Battista Date A point or period of time associated with an event in the lifecycle of the resource 1425–52 Format The file format, physical medium, or dimensions of the resource sculpture Contributor An entity responsible for making contributions to the resource Caroline Newhoff Rights Information about rights held in and over the resource Florence: Museo dell'Opera del Duomo Type The nature or genre of the resource still image animal(s) beards cisgender female central figure(s) cisgender female onlooker(s) or peripheral figure(s) cisgender male onlooker or peripheral figure(s) figure(s) seen from behind Florence Florentine artist Florentine installation/viewing context Gender history—Biblical subject history—Biblical subject—Old Testament intersectionality musical instrument(s) subject location(s) outside Italy http://othersinearlymodernitaly.artinterp.org/omeka/files/original/bf08777fab407ccdb78bca7e05a24465.jpg 8ecf50056e0275d1d7dd1d5a8f110aca http://othersinearlymodernitaly.artinterp.org/omeka/files/original/799a32b3494385f6f47bfcceeb19680e.jpg c7ea615ab212441ed264f0a3d448c02d http://othersinearlymodernitaly.artinterp.org/omeka/files/original/7d0218b223594984e37370703563b4dc.jpg acfd4d28873c41a05d6f6d00919f5c11 http://othersinearlymodernitaly.artinterp.org/omeka/files/original/48e6a93b276282c2ffa520a3f80f20b3.jpg 5700615345ff60e28f15b6c2093e98e7 http://othersinearlymodernitaly.artinterp.org/omeka/files/original/e5f4f3dcfd5d4661f2108d522c8b182b.jpg cb674b38ff8f0dd808bc6fb22b8acd04 http://othersinearlymodernitaly.artinterp.org/omeka/files/original/127197e4cf53c1c163ee842dac1664a6.jpg d469092ed8fddc58186a8f1d6c0ff816 http://othersinearlymodernitaly.artinterp.org/omeka/files/original/a3e3cd21ac94fd0c96ff3126e8ee1a45.jpg 86eb183a15367e56402ffff4e8f6f1f1 Still Image A static visual representation. Examples include paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type Text to images of textual materials. Original Format The type of object, such as painting, sculpture, paper, photo, and additional data tempera and gold leaf on wood Physical Dimensions The actual physical size of the original image 92.3 cm in diameter Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource The Meeting of Solomon and the Queen of Sheba Creator An entity primarily responsible for making the resource Francesco del Cossa Date A point or period of time associated with an event in the lifecycle of the resource 1470–73 Format The file format, physical medium, or dimensions of the resource painting Type The nature or genre of the resource still image Contributor An entity responsible for making contributions to the resource Caroline Newhoff Rights Information about rights held in and over the resource Houston: Museum of Fine Arts animal(s) beards cisgender female central figure(s) cisgender female onlooker(s) or peripheral figure(s) cisgender male central figure(s) cisgender male onlooker or peripheral figure(s) column(s) costume or fashion as a marker of racial or ethnic identity Ferrara Ferrarese artist figure(s) seen from behind Gender history—Biblical subject history—Biblical subject—Old Testament intersectionality jewelry putti subject location(s) outside Italy http://othersinearlymodernitaly.artinterp.org/omeka/files/original/bc3e8bc3ea5c87d09b94e8c689ce378c.jpeg bb4bd067679ee4751f9532720373bfb7 http://othersinearlymodernitaly.artinterp.org/omeka/files/original/adfed8e7e131594690b2317d2f1aa768.PNG dde7687cd539aeee5d0b3890a72cfdff http://othersinearlymodernitaly.artinterp.org/omeka/files/original/206ed98f8e4d617ea9ca952abc52ebec.PNG 15508a279826e79a43b0ae527af5bb55 Still Image A static visual representation. Examples include paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type Text to images of textual materials. Original Format The type of object, such as painting, sculpture, paper, photo, and additional data Tempera on wood, embossed with gilt ornament Physical Dimensions The actual physical size of the original image 52.7 x 178.1 cm Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Cassone panel with Solomon and the Queen of Sheba Creator An entity primarily responsible for making the resource Master of Lecceto Date A point or period of time associated with an event in the lifecycle of the resource 1450–75(?) Format The file format, physical medium, or dimensions of the resource painting Language A language of the resource Inscribed (base): [QV]ESTA SIE LASTORIA QVANDO LAREINA SABA ANDO AVDIRE LASAPIENTIA DELRE [S]ALAMONE INGIERVSALEM (This is the story of when the Queen of Sheba went to hear the wisdom of Solomon in Jerusalem) Type The nature or genre of the resource still image Contributor An entity responsible for making contributions to the resource Caroline Newhoff Rights Information about rights held in and over the resource New York: Metropolitan Museum of Art African(s) animal(s) beards BIPOC bodies of water cisgender female central figure(s) cisgender female onlooker(s) or peripheral figure(s) cisgender male onlooker or peripheral figure(s) cityscape coat(s) of arms column(s) Gender history—Biblical subject history—Biblical subject—Old Testament intersectionality landscape men of color musical instrument(s) person of color—indeterminate gender Siena subject location(s) outside Italy http://othersinearlymodernitaly.artinterp.org/omeka/files/original/6025a69429bf1e0189e8fbda45fca819.PNG 64512a8fd37f9d3b6895e4ed23dd76f8 Still Image A static visual representation. Examples include paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type Text to images of textual materials. Original Format The type of object, such as painting, sculpture, paper, photo, and additional data oil on panel Physical Dimensions The actual physical size of the original image 58.5 x 46.8 cm Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource A Young Girl with a Book (Giulia de' Medici?) Creator An entity primarily responsible for making the resource Agnolo di Cosimo, called Bronzino Date A point or period of time associated with an event in the lifecycle of the resource c.1548–50 Rights Information about rights held in and over the resource Florence: Galleria degli Uffizi Format The file format, physical medium, or dimensions of the resource painting Type The nature or genre of the resource still image Contributor An entity responsible for making contributions to the resource Dr. Adam Rudolphi African(s) book(s) cisgender female central figure(s) Florence Florentine artist jewelry mixed ancestry portrait(s) portrait(s)—female Race women and gender minorities http://othersinearlymodernitaly.artinterp.org/omeka/files/original/fb0c71153fffdf310d28668d75beb669.jpg 2c2a5d85fc6a9af829347df8a53ec5d7 Still Image A static visual representation. Examples include paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type Text to images of textual materials. Original Format The type of object, such as painting, sculpture, paper, photo, and additional data oil on panel Physical Dimensions The actual physical size of the original image 135 x 231 cm Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Venus, Cupid, and a Satyr Creator An entity primarily responsible for making the resource Agnolo di Cosimo, called Bronzino Publisher An entity responsible for making the resource available Alamanno Salviati Date A point or period of time associated with an event in the lifecycle of the resource c.1553–55 Format The file format, physical medium, or dimensions of the resource painting Type The nature or genre of the resource still image Language A language of the resource in the lower left corner: A·BRONZ·FIOR·F· Contributor An entity responsible for making contributions to the resource Dr. Adam Rudolphi Rights Information about rights held in and over the resource Rome: Galleria Colonna breasts cisgender female central figure(s) figure(s) seen from behind Florence Florentine artist Gender history—literary subject musical instrument(s) nudes nudes—female nudes—male plant(s) winged figure(s) women and gender minorities http://othersinearlymodernitaly.artinterp.org/omeka/files/original/bca45d593f4167306a9e2b9b017fdef7.png cc6880b0296f7688c65e99dc56eb51d7 http://othersinearlymodernitaly.artinterp.org/omeka/files/original/f6bfbfdc75b2b5a7e80bb52bafe3dc7d.jpg e505349f5b6c932625fd9ff78c87c0b6 Still Image A static visual representation. Examples include paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type Text to images of textual materials. Original Format The type of object, such as painting, sculpture, paper, photo, and additional data manuscript illumination Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Sultan Murad II, from Historia Turcorum Creator An entity primarily responsible for making the resource Francesco da Castello, attributed Date A point or period of time associated with an event in the lifecycle of the resource c.1500–03 Rights Information about rights held in and over the resource Nuremburg: Stadtbibliothek Ms. Solg. 31, 2, fol. 12 Format The file format, physical medium, or dimensions of the resource work on paper Type The nature or genre of the resource still image Contributor An entity responsible for making contributions to the resource Nicole Hudler beards BIPOC central person(s) of color cisgender female onlooker(s) or peripheral figure(s) cisgender male central figure(s) costume or fashion as a marker of racial or ethnic identity intersectionality men of color nudes nudes—female Ottoman Turk(s) Race servant(s) or slave(s) women and gender minorities http://othersinearlymodernitaly.artinterp.org/omeka/files/original/c7c2e33bfe0c0935761bbbf1b2b15da5.jpg 63dbb21dbca11dfb8f6955f6f811a422 Still Image A static visual representation. Examples include paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type Text to images of textual materials. Original Format The type of object, such as painting, sculpture, paper, photo, and additional data woodcut Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Roxelana Creator An entity primarily responsible for making the resource Anonymous artist Publisher An entity responsible for making the resource available Matteo Pagani Date A point or period of time associated with an event in the lifecycle of the resource 1540–50 Rights Information about rights held in and over the resource London: British Museum Format The file format, physical medium, or dimensions of the resource work on paper Contributor An entity responsible for making contributions to the resource Nicole Hudler Type The nature or genre of the resource still image Language A language of the resource Below the portrait within the oval: La piu bella e piu favorita donna del gran turco ditta La Rossa At the base of the print, between the grotesque masks: In Venetia per Mathio Pagan in Fre zaria tien per insegna la Fede cisgender female central figure(s) Gender jewelry portrait(s) portrait(s)—female winged figure(s) women and gender minorities http://othersinearlymodernitaly.artinterp.org/omeka/files/original/6df188f439a16591809e456f6b0b757f.jpg d4187e8c5f9453041d9d84b4f11775ba Still Image A static visual representation. Examples include paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type Text to images of textual materials. Original Format The type of object, such as painting, sculpture, paper, photo, and additional data woodcut Physical Dimensions The actual physical size of the original image 25.8 x 11.7 cm Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Suleyman I (the Magnificent), Great Sultan of the Ottoman Empire Creator An entity primarily responsible for making the resource Agostino Veneziano Date A point or period of time associated with an event in the lifecycle of the resource c. 1535 Rights Information about rights held in and over the resource London: British Museum Format The file format, physical medium, or dimensions of the resource work on paper Type The nature or genre of the resource Still Image Contributor An entity responsible for making contributions to the resource Dr. Adam Rudolphi Asian(s) beards BIPOC central person(s) of color cisgender male central figure(s) men of color Ottoman Turk(s) Race http://othersinearlymodernitaly.artinterp.org/omeka/files/original/cb6c1404a53645a7c20f870485fd7262.PNG efb05548444647b07dd3db40392b3fc3 Still Image A static visual representation. Examples include paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type Text to images of textual materials. Original Format The type of object, such as painting, sculpture, paper, photo, and additional data engraving Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Il Gran Turco Creator An entity primarily responsible for making the resource Master of the Vienna Passion, attributed Date A point or period of time associated with an event in the lifecycle of the resource c.1470 Rights Information about rights held in and over the resource Berlin: Staatliche Museen zu Berlin, Kupferstichkabinett Type The nature or genre of the resource Still Image Format The file format, physical medium, or dimensions of the resource work on paper Contributor An entity responsible for making contributions to the resource Dr. Adam Rudolphi Asian(s) beards BIPOC central person(s) of color cisgender male central figure(s) men of color Ottoman Turk(s) Race http://othersinearlymodernitaly.artinterp.org/omeka/files/original/e997d96f0827f438debe604e706de7d3.jpg c7d70b78378c12234f4841af2dc38035 Still Image A static visual representation. Examples include paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type Text to images of textual materials. Original Format The type of object, such as painting, sculpture, paper, photo, and additional data oil on panel Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource A Woman, known as La Sultana Rossa Creator An entity primarily responsible for making the resource Tiziano Vecellio, called Titian, workshop Date A point or period of time associated with an event in the lifecycle of the resource 1550s Rights Information about rights held in and over the resource Sarasota: John and Marble Ringling Museum of Art Format The file format, physical medium, or dimensions of the resource painting Type The nature or genre of the resource still image Contributor An entity responsible for making contributions to the resource Nicole Hudler cisgender female central figure(s) costume or fashion as a marker of racial or ethnic identity Gender intersectionality jewelry Ottoman Turk(s) portrait(s) portrait(s)—female Venice women and gender minorities