34 10 375 http://othersinearlymodernitaly.artinterp.org/omeka/files/original/b0436e231b675d0457b71493c9d1b9c6.png c1924753c83d4283bce23945a6bf5747 Still Image A static visual representation. Examples include paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type Text to images of textual materials. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource The Favorite of the Turkish Sultan Creator An entity primarily responsible for making the resource Cesare Vecellio and Christoph Krieger (Cristoforo Guerra) Date A point or period of time associated with an event in the lifecycle of the resource 1590 Format The file format, physical medium, or dimensions of the resource work on paper Type The nature or genre of the resource still image Contributor An entity responsible for making contributions to the resource Nicole Hudler cisgender female central figure(s) costume or fashion as a marker of racial or ethnic identity Gender jewelry non-Italian artist working in Italy Ottoman Turk(s) servant(s) or slave(s) Venetian artist Venice women and gender minorities women of color http://othersinearlymodernitaly.artinterp.org/omeka/files/original/afebe404e3625377ac9868e50a34c820.png 0f85ed8ef577ad03ae746281e3220bfa http://othersinearlymodernitaly.artinterp.org/omeka/files/original/9d1b39bb156b0b4a606b69c15eaecebd.png baf6bed8fa94f161e2d6eb258a190d89 Still Image A static visual representation. Examples include paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type Text to images of textual materials. Original Format The type of object, such as painting, sculpture, paper, photo, and additional data marble Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Alessandro de' Medici Creator An entity primarily responsible for making the resource Bartolomeo Brandini, called Baccio Bandinelli Rights Information about rights held in and over the resource Florence: Palazzo Vecchio, Sala dell'Udienza Format The file format, physical medium, or dimensions of the resource sculpture Type The nature or genre of the resource still image Date A point or period of time associated with an event in the lifecycle of the resource 1540–60 Contributor An entity responsible for making contributions to the resource Dr. Adam Rudolphi African(s) beards BIPOC central person(s) of color cisgender male central figure(s) men of color mixed ancestry portrait(s) portrait(s)—male Race http://othersinearlymodernitaly.artinterp.org/omeka/files/original/925f9403884d6b894576aff4c67b1898.png daadfe077d3087e174023101ba1bacf7 Still Image A static visual representation. Examples include paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type Text to images of textual materials. Original Format The type of object, such as painting, sculpture, paper, photo, and additional data distemper on linen Physical Dimensions The actual physical size of the original image 48.6 × 65.6 cm Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Adoration of the Magi Creator An entity primarily responsible for making the resource Andrea Mantegna Date A point or period of time associated with an event in the lifecycle of the resource c.1495–1505 Rights Information about rights held in and over the resource Los Angeles: J. Paul Getty Museum Format The file format, physical medium, or dimensions of the resource painting Type The nature or genre of the resource still image Contributor An entity responsible for making contributions to the resource Dr. Adam Rudolphi African(s) beards BIPOC cisgender female central figure(s) cisgender male central figure(s) cisgender male onlooker or peripheral figure(s) history—Biblical subject history—Biblical subject—New Testament jewelry men of color onlooker(s) or peripheral person(s) of color Paduan artist Race subject location(s) outside Italy women and gender minorities http://othersinearlymodernitaly.artinterp.org/omeka/files/original/965b09bd23a75eacba7cae021e4c4ebd.png 2c36707edd208c410b0aaec07f7be954 http://othersinearlymodernitaly.artinterp.org/omeka/files/original/1b81a062b2150124f1f66fb0aa1f9cd2.png f71b2a35d33cb50378b5aed2fe711cde http://othersinearlymodernitaly.artinterp.org/omeka/files/original/124a4b4be96f001392922cd67dad2e5c.jpg db4ccc4fa3da613a1f2e7d80d4b2147f Still Image A static visual representation. Examples include paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type Text to images of textual materials. Original Format The type of object, such as painting, sculpture, paper, photo, and additional data bronze Physical Dimensions The actual physical size of the original image 60 cm tall Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Ganymede Creator An entity primarily responsible for making the resource Maestro del Ganimede (Niccolò di Raffaello di Niccolò dei Pericoli, called Tribolo? Bartolomeo Ammannati?) Date A point or period of time associated with an event in the lifecycle of the resource c.1560 Rights Information about rights held in and over the resource Florence: Museo Nazionale del Bargello Format The file format, physical medium, or dimensions of the resource sculpture Type The nature or genre of the resource still image Contributor An entity responsible for making contributions to the resource Dr. Adam Rudolphi cisgender male central figure(s) Florence Florentine artist gay history—literary subject LGBTQ+ central figure(s) sexual orientation minorities Sexuality http://othersinearlymodernitaly.artinterp.org/omeka/files/original/0218ff61f42ed69249253b98dc2740cb.jpg f4e27cff4cb8a0be9b43d3a131662e10 http://othersinearlymodernitaly.artinterp.org/omeka/files/original/865e067e69e010f350f2b34ff93fe2cb.jpg 25a923648c93f592fc0695adb9a3a4d0 http://othersinearlymodernitaly.artinterp.org/omeka/files/original/ad78c09eaacd93c98808fe2c2bdb4ba6.jpg 359c8a487a63a3e330cdffb9936390fb http://othersinearlymodernitaly.artinterp.org/omeka/files/original/0fb09ad99797d7086ec8f3a57a0d95b2.jpg b669403271e03fe87295f04f8b0baef5 Still Image A static visual representation. Examples include paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type Text to images of textual materials. Original Format The type of object, such as painting, sculpture, paper, photo, and additional data bronze Physical Dimensions The actual physical size of the original image 320 cm Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Perseus Creator An entity primarily responsible for making the resource Benvenuto Cellini Source A related resource from which the described resource is derived Florence: Loggia dei Lanzi Publisher An entity responsible for making the resource available Duke Cosimo I de' Medici Date A point or period of time associated with an event in the lifecycle of the resource 1545–54 Format The file format, physical medium, or dimensions of the resource sculpture Type The nature or genre of the resource still image Language A language of the resource on the "sash" worn by Perseus, beginning on his chest: BENVENVTVS CELLINVS CIVIS FLORENT FACIEBAT MDLIV Contributor An entity responsible for making contributions to the resource Dr. Adam Rudolphi bisexual cisgender female onlooker(s) or peripheral figure(s) cisgender male central figure(s) Florence Florentine artist Florentine installation/viewing context Florentine patron history—literary subject LGBTQ+ artist sexual orientation minorities Sexuality violence weapon(s) women and gender minorities http://othersinearlymodernitaly.artinterp.org/omeka/files/original/8590ebb5c6823190e6bac89c325cedfc.jpg bed808ea71a4672d558dfe199a5e47a4 Still Image A static visual representation. Examples include paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type Text to images of textual materials. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Moor of High Standing Creator An entity primarily responsible for making the resource Cesare Vecellio and Christoph Krieger (Cristoforo Guerra) Date A point or period of time associated with an event in the lifecycle of the resource 1590 Format The file format, physical medium, or dimensions of the resource work on paper Type The nature or genre of the resource still image Contributor An entity responsible for making contributions to the resource Dr. Adam Rudolphi African(s) BIPOC central person(s) of color cisgender male central figure(s) costume or fashion as a marker of racial or ethnic identity men of color Moor(s) non-Italian artist working in Italy Race striped fabric Venetian artist Venice weapon(s) http://othersinearlymodernitaly.artinterp.org/omeka/files/original/83b20028d7a0bf0cbe49ac7f12613298.jpg 808ca9b0f3a079847277073b54760c17 http://othersinearlymodernitaly.artinterp.org/omeka/files/original/366ce30672b0552a905f69de4dc8334e.jpg 04db546f4fad7601eba311a307ddb4ab http://othersinearlymodernitaly.artinterp.org/omeka/files/original/42ad2634b8150417cebb9a16c8343cb5.png 9d863b1ae2ca34910b317679189d2821 Still Image A static visual representation. Examples include paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type Text to images of textual materials. Original Format The type of object, such as painting, sculpture, paper, photo, and additional data fresco Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Battle of Lepanto Creator An entity primarily responsible for making the resource Giorgio Vasari Source A related resource from which the described resource is derived Vatican City: Apostolic Palace, Sala Regia Publisher An entity responsible for making the resource available Pope Pius V Ghislieri Date A point or period of time associated with an event in the lifecycle of the resource 1572 Format The file format, physical medium, or dimensions of the resource painting Type The nature or genre of the resource still image Contributor An entity responsible for making contributions to the resource Dr. Adam Rudolphi allegorical personification(s) beards boat(s) or ship(s) bodies of water cisgender male onlooker or peripheral figure(s) flag(s) history—Early Modern secular subject Milan Milanese patron Ottoman Turk(s) personification(s) putti Race Roman installation/viewing context Rome violence violence—battle scene(s) weapon(s) winged figure(s) http://othersinearlymodernitaly.artinterp.org/omeka/files/original/24b84cd51f68d39cfbf165a9f8d10c57.jpg 7fdbb343986e099358a63a0d5cf3d87c Still Image A static visual representation. Examples include paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type Text to images of textual materials. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Defense of Piombino Creator An entity primarily responsible for making the resource Giorgio Vasari Source A related resource from which the described resource is derived Florence: Palazzo Vecchio, Salone dei Cinquecento Publisher An entity responsible for making the resource available Duke Cosimo I de' Medici Date A point or period of time associated with an event in the lifecycle of the resource 1563–65 Format The file format, physical medium, or dimensions of the resource painting Type The nature or genre of the resource still image Contributor An entity responsible for making contributions to the resource Dr. Adam Rudolphi Language A language of the resource In the framing elements beneath the picture: PVBLlCl HOSTES TERRA ARCENTVR beards boat(s) or ship(s) bodies of water cisgender male central figure(s) cisgender male onlooker or peripheral figure(s) figure(s) seen from behind flag(s) Florence Florentine installation/viewing context Florentine patron history—Early Modern secular subject Ottoman Turk(s) Race striped fabric violence violence—battle scene(s) weapon(s) http://othersinearlymodernitaly.artinterp.org/omeka/files/original/4ae4a681128f330bf5e13a10cbb833bc.jpg 09cc66d6eaa889a9f8056410cc6eca0d Still Image A static visual representation. Examples include paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type Text to images of textual materials. Original Format The type of object, such as painting, sculpture, paper, photo, and additional data fresco Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Confrontation of the Christian and Turkish Fleets in the Gulf of Lepanto Creator An entity primarily responsible for making the resource Giorgio Vasari Source A related resource from which the described resource is derived Vatican City: Apostolic Palace, Sala Regia Publisher An entity responsible for making the resource available Pope Pius V Ghislieri Date A point or period of time associated with an event in the lifecycle of the resource 1572–73 Format The file format, physical medium, or dimensions of the resource painting Type The nature or genre of the resource still image Contributor An entity responsible for making contributions to the resource Dr. Adam Rudolphi allegorical personification(s) animal(s) boat(s) or ship(s) bodies of water book(s) cisgender male onlooker or peripheral figure(s) flag(s) history—Early Modern secular subject Milan Milanese patron Ottoman Turk(s) personification(s) putti Race Roman installation/viewing context Rome violence violence—battle scene(s) weapon(s) winged figure(s) http://othersinearlymodernitaly.artinterp.org/omeka/files/original/d191a574577e090103216cee0e85af2b.jpg 11a2869ba61325574aef8832dfae1363 Still Image A static visual representation. Examples include paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type Text to images of textual materials. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Triumph after the Victory over Pisa Creator An entity primarily responsible for making the resource Giorgio Vasari Source A related resource from which the described resource is derived Florence: Palazzo Vecchio, Salone dei Cinquecento Publisher An entity responsible for making the resource available Duke Cosimo I de' Medici Date A point or period of time associated with an event in the lifecycle of the resource 1563–65 Format The file format, physical medium, or dimensions of the resource painting Type The nature or genre of the resource still image Contributor An entity responsible for making contributions to the resource Dr. Adam Rudolphi allegorical personification(s) animal(s) bodies of water cisgender male central figure(s) cisgender male onlooker or peripheral figure(s) cityscape column(s) figure(s) seen from behind Florence Florence in art Florentine installation/viewing context Florentine patron fruit history—Early Modern secular subject musical instrument(s) Ottoman Turk(s) personification(s) plant(s) Race violence weapon(s) winged figure(s)