Wedding Feast of Cupid and Psyche

African(s), animal(s), beards, BIPOC, bisexual, bodies of water, book(s), breasts, cisgender female central figure(s), cisgender female onlooker(s) or peripheral figure(s), cisgender male onlooker or peripheral figure(s), figure(s) seen from behind, history—literary subject, intersectionality, jewelry, landscape, LGBTQ+ central figure(s), locations outside Italy, Mantua, Mantuan installation/viewing context, Mantuan patron, men of color, musical instrument(s), mythological creature(s), nudes, nudes—female, nudes—male, onlooker(s) or peripheral person(s) of color, plant(s), putti, Race, Roman artist, Rome, sexual orientation minorities, winged figure(s), women and gender minorities

Giulio Pippi de' Gianuzzi, called Giulio Romano and assistants, “Wedding Feast of Cupid and Psyche,” Race, Sexuality, and Gender in Early Modern Italian Art, accessed February 22, 2025, http://othersinearlymodernitaly.artinterp.org/omeka/items/show/166.

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