Browse Items (80 total)

Tags: African(s), ambassador(s) or envoy(s), BIPOC, central person(s) of color, history—Early Modern secular subject, onlooker(s) or peripheral person(s) of color, portrait(s), portrait(s)—male, Race, Roman installation/viewing context, Roman patron, Rome, Sub-Saharan African(s)

Tags: allegorical personification(s), animal(s), boat(s) or ship(s), bodies of water, book(s), cisgender male onlooker or peripheral figure(s), flag(s), history—Early Modern secular subject, Milan, Milanese patron, Ottoman Turk(s), personification(s), putti, Race, Roman installation/viewing context, Rome, violence, violence—battle scene(s), weapon(s), winged figure(s)

Tags: allegorical personification(s), beards, boat(s) or ship(s), bodies of water, cisgender male onlooker or peripheral figure(s), flag(s), history—Early Modern secular subject, Milan, Milanese patron, Ottoman Turk(s), personification(s), putti, Race, Roman installation/viewing context, Rome, violence, violence—battle scene(s), weapon(s), winged figure(s)

Tags: bodies of water, Bologna, cisgender female central figure(s), Gender, history—literary subject, landscape, mythological creature(s), plant(s), Roman installation/viewing context, Rome, women and gender minorities

Tags: cisgender male central figure(s), Florence, gay, history—literary subject, LGBTQ+ central figure(s), Roman installation/viewing context, Rome, sexual orientation minorities, Sexuality, Venetian patron, Venice, violence

Tags: African(s), ambassador(s) or envoy(s), beards, BIPOC, central person(s) of color, cisgender male central figure(s), cisgender male onlooker or peripheral figure(s), cityscape, costume or fashion as a marker of racial or ethnic identity, Egyptian(s)/Mamluk(s), Ethiopian(s), Florence, Florentine artist, history—Early Modern religious subject, men of color, onlooker(s) or peripheral person(s) of color, Race, Roman installation/viewing context, Rome, Rome in art, Venetian patron, Venice

Tags: ambassador(s) or envoy(s), Asian(s), BIPOC, central person(s) of color, cisgender male central figure(s), cisgender male onlooker or peripheral figure(s), costume or fashion as a marker of racial or ethnic identity, figure(s) looking directly at the viewer, history—Early Modern secular subject, men of color, onlooker(s) or peripheral person(s) of color, Parma, Persian(s), portrait(s), portrait(s)—male, Race, Roman installation/viewing context, Rome, Venice

Tags: African(s), ambassador(s) or envoy(s), BIPOC, central person(s) of color, cisgender male central figure(s), history—Early Modern secular subject, men of color, Parma, portrait(s), portrait(s)—male, Race, Roman installation/viewing context, Rome, Sub-Saharan African(s), Venice, weapon(s)

Tags: ambassador(s) or envoy(s), Asian(s), beards, BIPOC, central person(s) of color, cisgender male central figure(s), costume or fashion as a marker of racial or ethnic identity, history—Early Modern secular subject, men of color, Parma, Persian(s), portrait(s), portrait(s)—male, Race, Roman installation/viewing context, Rome, Venice

Tags: ambassador(s) or envoy(s), Asian(s), beards, BIPOC, central person(s) of color, cisgender male central figure(s), costume or fashion as a marker of racial or ethnic identity, figure(s) looking directly at the viewer, history—Early Modern secular subject, Japanese, men of color, onlooker(s) or peripheral person(s) of color, Parma, portrait(s), portrait(s)—male, Race, Roman installation/viewing context, Rome, Venice