Browse Items (11 total)

Tags: ambassador(s) or envoy(s), Asian(s), BIPOC, central person(s) of color, cisgender male central figure(s), cisgender male onlooker or peripheral figure(s), costume or fashion as a marker of racial or ethnic identity, figure(s) looking directly at the viewer, history—Early Modern secular subject, men of color, onlooker(s) or peripheral person(s) of color, Parma, Persian(s), portrait(s), portrait(s)—male, Race, Roman installation/viewing context, Rome, Venice

Tags: African(s), ambassador(s) or envoy(s), BIPOC, central person(s) of color, cisgender male central figure(s), history—Early Modern secular subject, men of color, Parma, portrait(s), portrait(s)—male, Race, Roman installation/viewing context, Rome, Sub-Saharan African(s), Venice, weapon(s)

Tags: ambassador(s) or envoy(s), Asian(s), beards, BIPOC, central person(s) of color, cisgender male central figure(s), costume or fashion as a marker of racial or ethnic identity, history—Early Modern secular subject, men of color, Parma, Persian(s), portrait(s), portrait(s)—male, Race, Roman installation/viewing context, Rome, Venice

Tags: ambassador(s) or envoy(s), Asian(s), beards, BIPOC, central person(s) of color, cisgender male central figure(s), costume or fashion as a marker of racial or ethnic identity, figure(s) looking directly at the viewer, history—Early Modern secular subject, Japanese, men of color, onlooker(s) or peripheral person(s) of color, Parma, portrait(s), portrait(s)—male, Race, Roman installation/viewing context, Rome, Venice

Tags: bisexual, cisgender female central figure(s), cisgender female onlooker(s) or peripheral figure(s), cisgender male central figure(s), history—literary subject, LGBTQ+ central figure(s), nudes, nudes—male, Parma, Parmesan artist, sexual orientation minorities, Sexuality, violence, women and gender minorities

Tags: beards, bisexual, cisgender male central figure(s), history—literary subject, LGBTQ+ central figure(s), musical instrument(s), mythological creature(s), nudes, Parma, Parmesan artist, sexual orientation minorities, Sexuality

Tags: animal(s), beards, bisexual, breasts, cisgender female central figure(s), cisgender female onlooker(s) or peripheral figure(s), cisgender male central figure(s), female patronage, fruit, gay, history—literary subject, intersectionality, lesbian(s), LGBTQ+ artist, LGBTQ+ onlooker or peripheral figure(s), musical instrument(s), nudes, nudes—female, nudes—male, Parma, Parmesan artist, putti, sexual orientation minorities, Sexuality, violence, weapon(s), winged figure(s), women and gender minorities

Tags: cisgender female central figure(s), cisgender female onlooker(s) or peripheral figure(s), column(s), Gender, history—Biblical subject, history—Biblical subject—New Testament, history—Early Christian religious subject, jewelry, nudes, nudes—male, Parma, Parmesan artist, Parmesan patron, subject location(s) outside Italy, women and gender minorities

Tags: bisexual, cisgender male central figure(s), figure(s) looking directly at the viewer, Florence, gay, history—literary subject, LGBTQ+ central figure(s), musical instrument(s), nudes, nudes—male, Parma, putti, sexual orientation minorities, Sexuality

Tags: African(s), ambassador(s) or envoy(s), beards, BIPOC, central person(s) of color, cisgender male central figure(s), costume or fashion as a marker of racial or ethnic identity, Ethiopian(s), history—Early Modern secular subject, men of color, Parma, Race, Roman installation/viewing context, Rome, Venice