Browse Items (30 total)

Tags: cisgender male central figure(s), column(s), Gender, portrait(s), portrait(s)—male, weapon(s), woman artist, women and gender minorities

Tags: allegorical personification(s), animal(s), bodies of water, cisgender male central figure(s), cisgender male onlooker or peripheral figure(s), cityscape, column(s), figure(s) seen from behind, Florence, Florence in art, Florentine installation/viewing context, Florentine patron, fruit, history—Early Modern secular subject, musical instrument(s), Ottoman Turk(s), personification(s), plant(s), Race, violence, weapon(s), winged figure(s)

Tags: African(s), animal(s), beards, BIPOC, bodies of water, cisgender female central figure(s), cisgender female onlooker(s) or peripheral figure(s), cisgender male onlooker or peripheral figure(s), cityscape, coat(s) of arms, column(s), Gender, history—Biblical subject, history—Biblical subject—Old Testament, intersectionality, landscape, men of color, musical instrument(s), person of color—indeterminate gender, Siena, subject location(s) outside Italy

Tags: animal(s), beards, cisgender female central figure(s), cisgender female onlooker(s) or peripheral figure(s), cisgender male central figure(s), cisgender male onlooker or peripheral figure(s), column(s), costume or fashion as a marker of racial or ethnic identity, Ferrara, Ferrarese artist, figure(s) seen from behind, Gender, history—Biblical subject, history—Biblical subject—Old Testament, intersectionality, jewelry, putti, subject location(s) outside Italy

Tags: African(s), beards, BIPOC, central person(s) of color, cisgender female central figure(s), cisgender male central figure(s), cisgender male onlooker or peripheral figure(s), column(s), costume or fashion as a marker of racial or ethnic identity, history—Early Christian religious subject, intersectionality, jewelry, landscape, men of color, plant(s), Race, Verona, Veronese artist, violence, weapon(s), women and gender minorities

Tags: cisgender female onlooker(s) or peripheral figure(s), cisgender male central figure(s), cisgender male onlooker or peripheral figure(s), cityscape, column(s), Gender, history—ancient secular subject, history—literary subject, landscape, nudes, nudes—male, putti, Roman subject, Siena, Sienese installation/viewing context, Sienese patron, weapon(s), winged figure(s), women and gender minorities

Tags: animal(s), beards, bisexual, cisgender female central figure(s), cisgender female onlooker(s) or peripheral figure(s), cisgender male onlooker or peripheral figure(s), column(s), figure(s) looking directly at the viewer, gay, history—Biblical subject, history—Biblical subject—apocryphal, intersectionality, jewelry, LGBTQ+ artist, LGBTQ+ onlooker or peripheral figure(s), locations outside Italy, sexual orientation minorities, Sexuality, Siena, Sienese installation/viewing context, subject location(s) outside Italy, women and gender minorities

Tags: cisgender female onlooker(s) or peripheral figure(s), cisgender male onlooker or peripheral figure(s), coat(s) of arms, column(s), female patronage, Ferrara, figure(s) seen from behind, Gender, history—literary subject, landscape, Mantua, nudes, nudes—male, putti, Urbino, winged figure(s), women and gender minorities

Tags: animal(s), beards, cisgender female central figure(s), cisgender female onlooker(s) or peripheral figure(s), cisgender male central figure(s), cisgender male onlooker or peripheral figure(s), column(s), figure(s) looking directly at the viewer, figure(s) seen from behind, Gender, history—Biblical subject, history—Biblical subject—Old Testament, intersectionality, landscape, locations outside Italy, plant(s), servant(s) or slave(s), subject location(s) outside Italy, women and gender minorities

Tags: beards, Bologna, Bolognese artist, cisgender female onlooker(s) or peripheral figure(s), cisgender male central figure(s), cisgender male onlooker or peripheral figure(s), column(s), costume or fashion as a marker of racial or ethnic identity, figure(s) looking directly at the viewer, Gender, history—Biblical subject, landscape, locations outside Italy, nudes, nudes—male, portrait(s), portrait(s)—female, self-portraiture, subject location(s) outside Italy, woman artist, women and gender minorities