Triumph after the Victory over Pisa

allegorical personification(s), animal(s), bodies of water, cisgender male central figure(s), cisgender male onlooker or peripheral figure(s), cityscape, column(s), figure(s) seen from behind, Florence, Florence in art, Florentine installation/viewing context, Florentine patron, fruit, history—Early Modern secular subject, musical instrument(s), Ottoman Turk(s), personification(s), plant(s), Race, violence, weapon(s), winged figure(s)

Giorgio Vasari, “Triumph after the Victory over Pisa,” Race, Sexuality, and Gender in Early Modern Italian Art, accessed February 22, 2025, http://othersinearlymodernitaly.artinterp.org/omeka/items/show/397.

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