Browse Items (41 total)

Tags: boat(s) or ship(s), bodies of water, Bolognese artist, breasts, cisgender female central figure(s), cityscape, landscape, lesbian(s), LGBTQ+ central figure(s), nudes, nudes—female, sexual orientation minorities, Sexuality, Urbinate artist

Tags: animal(s), beards, cisgender female central figure(s), cisgender male central figure(s), cityscape, Gender, landscape, portrait(s), portrait(s)—female, portrait(s)—male, weapon(s), woman artist, women and gender minorities

Tags: allegorical personification(s), animal(s), bodies of water, cisgender male central figure(s), cisgender male onlooker or peripheral figure(s), cityscape, column(s), figure(s) seen from behind, Florence, Florence in art, Florentine installation/viewing context, Florentine patron, fruit, history—Early Modern secular subject, musical instrument(s), Ottoman Turk(s), personification(s), plant(s), Race, violence, weapon(s), winged figure(s)

Tags: African(s), animal(s), beards, BIPOC, bodies of water, cisgender female central figure(s), cisgender female onlooker(s) or peripheral figure(s), cisgender male onlooker or peripheral figure(s), cityscape, coat(s) of arms, column(s), Gender, history—Biblical subject, history—Biblical subject—Old Testament, intersectionality, landscape, men of color, musical instrument(s), person of color—indeterminate gender, Siena, subject location(s) outside Italy

Tags: cisgender male central figure(s), cityscape, fruit, history—Early Christian religious subject, landscape, Mantua, nudes, nudes—male, plant(s), Sexuality, still life, violence, weapon(s)

Tags: Bologna, cisgender male central figure(s), cisgender male onlooker or peripheral figure(s), cityscape, figure(s) looking directly at the viewer, figure(s) seen from behind, gay, history—literary subject, landscape, LGBTQ+ central figure(s), nudes, putti, servant(s) or slave(s), sexual orientation minorities, Sexuality, violence, weapon(s), winged figure(s)

Tags: African(s), ambassador(s) or envoy(s), beards, BIPOC, central person(s) of color, cisgender male central figure(s), cisgender male onlooker or peripheral figure(s), cityscape, costume or fashion as a marker of racial or ethnic identity, Egyptian(s)/Mamluk(s), Ethiopian(s), Florence, Florentine artist, history—Early Modern religious subject, men of color, onlooker(s) or peripheral person(s) of color, Race, Roman installation/viewing context, Rome, Rome in art, Venetian patron, Venice

Tags: African(s), beards, BIPOC, cisgender female central figure(s), cisgender male onlooker or peripheral figure(s), cityscape, costume or fashion as a marker of racial or ethnic identity, figure(s) seen from behind, Gender, history—literary subject, intersectionality, landscape, locations outside Italy, men of color, onlooker(s) or peripheral person(s) of color, plant(s), Verona, Veronese artist, violence, weapon(s), women and gender minorities

Tags: bodies of water, cisgender female central figure(s), cisgender female onlooker(s) or peripheral figure(s), cisgender male onlooker or peripheral figure(s), cityscape, figure(s) looking directly at the viewer, Gender, history—ancient secular subject, history—literary subject, landscape, nudes, nudes—male, plant(s), putti, Roman subject, Rome, Rome in art, Siena, Sienese artist, Sienese installation/viewing context, Sienese patron, women and gender minorities

Tags: androgynous central figure(s), breasts, cisgender female central figure(s), cityscape, Gender, history—literary subject, jewelry, landscape, plant(s), putti, Siena, Sienese patron, women and gender minorities