Browse Items (61 total)

Tags: Bologna, Bolognese artist, cisgender female central figure(s), figure(s) looking directly at the viewer, figure(s) seen from behind, fruit, Gender, history—literary subject, jewelry, mythological creature(s), nudes, nudes—female, nudes—male, plant(s), putti, women and gender minorities

Tags: cisgender female central figure(s), figure(s) looking directly at the viewer, Florence, Florentine artist, Gender, history—literary subject, intersectionality, LGBTQ+ artist, mythological creature(s), plant(s), sexual orientation minorities, women and gender minorities

Tags: Bologna, cisgender male central figure(s), cisgender male onlooker or peripheral figure(s), cityscape, figure(s) looking directly at the viewer, figure(s) seen from behind, gay, history—literary subject, landscape, LGBTQ+ central figure(s), nudes, putti, servant(s) or slave(s), sexual orientation minorities, Sexuality, violence, weapon(s), winged figure(s)

Tags: ambassador(s) or envoy(s), Asian(s), BIPOC, central person(s) of color, cisgender male central figure(s), cisgender male onlooker or peripheral figure(s), costume or fashion as a marker of racial or ethnic identity, figure(s) looking directly at the viewer, history—Early Modern secular subject, men of color, onlooker(s) or peripheral person(s) of color, Parma, Persian(s), portrait(s), portrait(s)—male, Race, Roman installation/viewing context, Rome, Venice

Tags: ambassador(s) or envoy(s), Asian(s), beards, BIPOC, central person(s) of color, cisgender male central figure(s), costume or fashion as a marker of racial or ethnic identity, figure(s) looking directly at the viewer, history—Early Modern secular subject, Japanese, men of color, onlooker(s) or peripheral person(s) of color, Parma, portrait(s), portrait(s)—male, Race, Roman installation/viewing context, Rome, Venice

Tags: Asian(s), beards, BIPOC, central person(s) of color, cisgender male central figure(s), coat(s) of arms, costume or fashion as a marker of racial or ethnic identity, figure(s) looking directly at the viewer, flag(s), men of color, Ottoman Turk(s), Race, tent(s), Venice, violence, violence—battle scene(s), weapon(s)

Tags: bodies of water, cisgender female central figure(s), cisgender female onlooker(s) or peripheral figure(s), cisgender male onlooker or peripheral figure(s), cityscape, figure(s) looking directly at the viewer, Gender, history—ancient secular subject, history—literary subject, landscape, nudes, nudes—male, plant(s), putti, Roman subject, Rome, Rome in art, Siena, Sienese artist, Sienese installation/viewing context, Sienese patron, women and gender minorities

Tags: bodies of water, cisgender female onlooker(s) or peripheral figure(s), cisgender male central figure(s), cisgender male onlooker or peripheral figure(s), cityscape, figure(s) looking directly at the viewer, Gender, history—Biblical subject, history—Biblical subject—Old Testament, landscape, locations outside Italy, Siena, Sienese installation/viewing context, Sienese patron, subject location(s) outside Italy, violence, weapon(s), women and gender minorities

Tags: figure(s) looking directly at the viewer, Florence, Gender, history—literary subject, intersex, LGBTQ+ central figure(s), nudes, nudes—male, winged figure(s), women and gender minorities

Tags: figure(s) looking directly at the viewer, Florence, Florentine installation/viewing context, Gender, history—literary subject, intersex, LGBTQ+ central figure(s), nudes, nudes—androgynous, winged figure(s), women and gender minorities