Browse Items (11 total)

Tags: African(s), animal(s), beards, BIPOC, bodies of water, cisgender female central figure(s), cisgender female onlooker(s) or peripheral figure(s), cisgender male onlooker or peripheral figure(s), cityscape, coat(s) of arms, column(s), Gender, history—Biblical subject, history—Biblical subject—Old Testament, intersectionality, landscape, men of color, musical instrument(s), person of color—indeterminate gender, Siena, subject location(s) outside Italy

Tags: Asian(s), beards, BIPOC, central person(s) of color, cisgender male central figure(s), coat(s) of arms, costume or fashion as a marker of racial or ethnic identity, figure(s) looking directly at the viewer, flag(s), men of color, Ottoman Turk(s), Race, tent(s), Venice, violence, violence—battle scene(s), weapon(s)

Tags: cisgender female onlooker(s) or peripheral figure(s), cisgender male onlooker or peripheral figure(s), coat(s) of arms, column(s), female patronage, Ferrara, figure(s) seen from behind, Gender, history—literary subject, landscape, Mantua, nudes, nudes—male, putti, Urbino, winged figure(s), women and gender minorities

Tags: African(s), beards, BIPOC, boat(s) or ship(s), bodies of water, cisgender male onlooker or peripheral figure(s), cityscape, coat(s) of arms, figure(s) seen from behind, flag(s), Florence, gay, history—ancient secular subject, intersectionality, jewelry, landscape, locations outside Italy, men of color, metonymy, Moor(s), nudes, nudes—male, onlooker(s) or peripheral person(s) of color, person of color—indeterminate gender, plant(s), Race

Tags: coat(s) of arms, Florence, Florentine installation/viewing context, Florentine patron, Florentine subject, Gender, women and gender minorities

Tags: beards, BIPOC, book(s), cisgender female central figure(s), cisgender male onlooker or peripheral figure(s), coat(s) of arms, column(s), costume or fashion as a marker of racial or ethnic identity, figure(s) seen from behind, flag(s), men of color, nudes, nudes—male, onlooker(s) or peripheral person(s) of color, Ottoman Turk(s), portrait(s), portrait(s)—male, putti, Race, Venetian installation/viewing context, Venice, winged figure(s), women and gender minorities

Tags: African(s), beards, BIPOC, central person(s) of color, coat(s) of arms, costume or fashion as a marker of racial or ethnic identity, Ethiopian(s), jewelry, men of color, Race, Urbino

Tags: Asian(s), BIPOC, central person(s) of color, coat(s) of arms, costume or fashion as a marker of racial or ethnic identity, jewelry, landscape, men of color, Persian(s), portrait(s), portrait(s)—male, Race, Venice

Tags: allegorical personification(s), animal(s), breasts, cisgender female central figure(s), cityscape, coat(s) of arms, figure(s) looking directly at the viewer, Gender, history—allegory, history—literary subject, landscape, nudes, nudes—female, nudes—male, plant(s), putti, Venice, violence, winged figure(s), women and gender minorities

Tags: African(s), Asian(s), beards, BIPOC, book(s), cisgender female onlooker(s) or peripheral figure(s), cisgender male central figure(s), coat(s) of arms, Ethiopian(s), figure(s) looking directly at the viewer, history—Early Christian religious subject, locations outside Italy, men of color, metonymy, Moor(s), nudes, nudes—male, onlooker(s) or peripheral person(s) of color, person of color—indeterminate gender, Race, Rome, violence, weapon(s)