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Tags: African(s), BIPOC, central person(s) of color, cisgender male central figure(s), costume or fashion as a marker of racial or ethnic identity, men of color, Moor(s), non-Italian artist working in Italy, Race, striped fabric, Venetian artist, Venice, weapon(s)
Tags: African(s), beards, BIPOC, boat(s) or ship(s), bodies of water, cisgender male onlooker or peripheral figure(s), cityscape, coat(s) of arms, figure(s) seen from behind, flag(s), Florence, gay, history—ancient secular subject, intersectionality, jewelry, landscape, locations outside Italy, men of color, metonymy, Moor(s), nudes, nudes—male, onlooker(s) or peripheral person(s) of color, person of color—indeterminate gender, plant(s), Race
Tags: African(s), beards, BIPOC, book(s), central person(s) of color, figure(s) looking directly at the viewer, men of color, Moor(s), patron of color, portrait(s), portrait(s)—male, Race, Rome, Venetian artist, Venice
Tags: African(s), Asian(s), BIPOC, Florence, Florentine artist, Florentine patron, men of color, Moor(s), nudes, nudes—male, onlooker(s) or peripheral person(s) of color, Ottoman Turk(s), Race, servant(s) or slave(s)
Tags: African(s), Asian(s), BIPOC, indigenous American(s), men of color, Moor(s), nudes, nudes—male, onlooker(s) or peripheral person(s) of color, Race, Roman installation/viewing context, Rome
Tags: African(s), BIPOC, central person(s) of color, men of color, Moor(s), nudes, nudes—male, Race, Roman installation/viewing context, Rome
Tags: African(s), animal(s), BIPOC, central person(s) of color, cisgender male central figure(s), costume or fashion as a marker of racial or ethnic identity, Florence, men of color, Moor(s), Race, weapon(s)
Tags: beards, BIPOC, book(s), cisgender female central figure(s), cisgender male central figure(s), Ethiopian(s), figure(s) seen from behind, Florence, Florentine installation/viewing context, Florentine patron, history—Biblical subject, history—Early Christian religious subject, locations outside Italy, men of color, Moor(s), Race, subject location(s) outside Italy, violence, violence—torture, women and gender minorities
Tags: African(s), Asian(s), beards, BIPOC, book(s), cisgender female onlooker(s) or peripheral figure(s), cisgender male central figure(s), coat(s) of arms, Ethiopian(s), figure(s) looking directly at the viewer, history—Early Christian religious subject, locations outside Italy, men of color, metonymy, Moor(s), nudes, nudes—male, onlooker(s) or peripheral person(s) of color, person of color—indeterminate gender, Race, Rome, violence, weapon(s)
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