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Tags: African(s), ambassador(s) or envoy(s), BIPOC, central person(s) of color, history—Early Modern secular subject, onlooker(s) or peripheral person(s) of color, portrait(s), portrait(s)—male, Race, Roman installation/viewing context, Roman patron, Rome, Sub-Saharan African(s)
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Tags: ambassador(s) or envoy(s), Asian(s), BIPOC, central person(s) of color, cisgender male central figure(s), cisgender male onlooker or peripheral figure(s), costume or fashion as a marker of racial or ethnic identity, figure(s) looking directly at the viewer, history—Early Modern secular subject, men of color, onlooker(s) or peripheral person(s) of color, Parma, Persian(s), portrait(s), portrait(s)—male, Race, Roman installation/viewing context, Rome, Venice
Tags: African(s), ambassador(s) or envoy(s), BIPOC, central person(s) of color, cisgender male central figure(s), history—Early Modern secular subject, men of color, Parma, portrait(s), portrait(s)—male, Race, Roman installation/viewing context, Rome, Sub-Saharan African(s), Venice, weapon(s)
Tags: ambassador(s) or envoy(s), Asian(s), beards, BIPOC, central person(s) of color, cisgender male central figure(s), costume or fashion as a marker of racial or ethnic identity, history—Early Modern secular subject, men of color, Parma, Persian(s), portrait(s), portrait(s)—male, Race, Roman installation/viewing context, Rome, Venice
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