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Tags: African(s), ambassador(s) or envoy(s), BIPOC, central person(s) of color, history—Early Modern secular subject, onlooker(s) or peripheral person(s) of color, portrait(s), portrait(s)—male, Race, Roman installation/viewing context, Roman patron, Rome, Sub-Saharan African(s)
Tags: African(s), ambassador(s) or envoy(s), BIPOC, central person(s) of color, cisgender male central figure(s), history—Early Modern secular subject, men of color, Parma, portrait(s), portrait(s)—male, Race, Roman installation/viewing context, Rome, Sub-Saharan African(s), Venice, weapon(s)
Tags: African(s), BIPOC, central person(s) of color, cisgender male central figure(s), costume or fashion as a marker of racial or ethnic identity, men of color, non-Italian artist working in Italy, nudes, nudes—male, Race, Sub-Saharan African(s), Venetian artist, Venice, weapon(s)
Tags: African(s), ambassador(s) or envoy(s), BIPOC, central person(s) of color, costume or fashion as a marker of racial or ethnic identity, figure(s) looking directly at the viewer, men of color, portrait(s), portrait(s)—male, Race, Roman installation/viewing context, Rome, Sub-Saharan African(s), weapon(s)
Tags: African(s), allegorical personification(s), ambassador(s) or envoy(s), animal(s), beards, BIPOC, central person(s) of color, cisgender female onlooker(s) or peripheral figure(s), cityscape, history—Early Modern secular subject, men of color, portrait(s), portrait(s)—male, Race, Rome, Rome in art, Sub-Saharan African(s), weapon(s), women and gender minorities
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Tags: African(s), androgynous central figure(s), beards, BIPOC, central person(s) of color, costume or fashion as a marker of racial or ethnic identity, men of color, non-Italian artist working in Italy, Race, Sub-Saharan African(s), Venetian artist, Venice, weapon(s)
Tags: African(s), Milan, Race, still life, Sub-Saharan African(s)
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