Antonio Manuel, Marquis of Ne-Vunda

African(s), ambassador(s) or envoy(s), BIPOC, central person(s) of color, costume or fashion as a marker of racial or ethnic identity, figure(s) looking directly at the viewer, men of color, portrait(s), portrait(s)—male, Race, Roman installation/viewing context, Rome, Sub-Saharan African(s), weapon(s)

Francesco Caporale, “Antonio Manuel, Marquis of Ne-Vunda,” Race, Sexuality, and Gender in Early Modern Italian Art, accessed February 21, 2025, http://othersinearlymodernitaly.artinterp.org/omeka/items/show/195.

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