Browse Items (12 total)

Tags: African(s), ambassador(s) or envoy(s), BIPOC, central person(s) of color, history—Early Modern secular subject, onlooker(s) or peripheral person(s) of color, portrait(s), portrait(s)—male, Race, Roman installation/viewing context, Roman patron, Rome, Sub-Saharan African(s)

Tags: African(s), ambassador(s) or envoy(s), beards, BIPOC, central person(s) of color, cisgender male central figure(s), cisgender male onlooker or peripheral figure(s), cityscape, costume or fashion as a marker of racial or ethnic identity, Egyptian(s)/Mamluk(s), Ethiopian(s), Florence, Florentine artist, history—Early Modern religious subject, men of color, onlooker(s) or peripheral person(s) of color, Race, Roman installation/viewing context, Rome, Rome in art, Venetian patron, Venice

Tags: ambassador(s) or envoy(s), Asian(s), BIPOC, central person(s) of color, cisgender male central figure(s), cisgender male onlooker or peripheral figure(s), costume or fashion as a marker of racial or ethnic identity, figure(s) looking directly at the viewer, history—Early Modern secular subject, men of color, onlooker(s) or peripheral person(s) of color, Parma, Persian(s), portrait(s), portrait(s)—male, Race, Roman installation/viewing context, Rome, Venice

Tags: African(s), ambassador(s) or envoy(s), BIPOC, central person(s) of color, cisgender male central figure(s), history—Early Modern secular subject, men of color, Parma, portrait(s), portrait(s)—male, Race, Roman installation/viewing context, Rome, Sub-Saharan African(s), Venice, weapon(s)

Tags: ambassador(s) or envoy(s), Asian(s), beards, BIPOC, central person(s) of color, cisgender male central figure(s), costume or fashion as a marker of racial or ethnic identity, history—Early Modern secular subject, men of color, Parma, Persian(s), portrait(s), portrait(s)—male, Race, Roman installation/viewing context, Rome, Venice

Tags: ambassador(s) or envoy(s), Asian(s), beards, BIPOC, central person(s) of color, cisgender male central figure(s), costume or fashion as a marker of racial or ethnic identity, figure(s) looking directly at the viewer, history—Early Modern secular subject, Japanese, men of color, onlooker(s) or peripheral person(s) of color, Parma, portrait(s), portrait(s)—male, Race, Roman installation/viewing context, Rome, Venice

Tags: African(s), ambassador(s) or envoy(s), BIPOC, central person(s) of color, costume or fashion as a marker of racial or ethnic identity, figure(s) looking directly at the viewer, men of color, portrait(s), portrait(s)—male, Race, Roman installation/viewing context, Rome, Sub-Saharan African(s), weapon(s)

Tags: African(s), allegorical personification(s), ambassador(s) or envoy(s), animal(s), beards, BIPOC, central person(s) of color, cisgender female onlooker(s) or peripheral figure(s), cityscape, history—Early Modern secular subject, men of color, portrait(s), portrait(s)—male, Race, Rome, Rome in art, Sub-Saharan African(s), weapon(s), women and gender minorities

Tags: African(s), ambassador(s) or envoy(s), animal(s), beards, BIPOC, book(s), cityscape, column(s), costume or fashion as a marker of racial or ethnic identity, history—medieval religious subject, homosocial behavior, jewelry, locations outside Italy, onlooker(s) or peripheral person(s) of color, Race, Roman installation/viewing context, Rome, striped fabric, weapon(s)

Tags: African(s), ambassador(s) or envoy(s), beards, BIPOC, boat(s) or ship(s), bodies of water, book(s), carpets, cisgender male onlooker or peripheral figure(s), cityscape, column(s), figure(s) seen from behind, flag(s), history—Early Modern secular subject, landscape, locations outside Italy, men of color, onlooker(s) or peripheral person(s) of color, plant(s), portrait(s), portrait(s)—male, Race, Siena, Sienese installation/viewing context, Sienese patron, striped fabric