Browse Items (4 total)
- Tags: history—Early Modern religious subject
Arrival in Rome of the Copts and Ethiopian Christians
Tags: African(s), ambassador(s) or envoy(s), beards, BIPOC, central person(s) of color, cisgender male central figure(s), cisgender male onlooker or peripheral figure(s), cityscape, costume or fashion as a marker of racial or ethnic identity, Egyptian(s)/Mamluk(s), Ethiopian(s), Florence, Florentine artist, history—Early Modern religious subject, men of color, onlooker(s) or peripheral person(s) of color, Race, Roman installation/viewing context, Rome, Rome in art, Venetian patron, Venice
Miracle of the True Cross at the Bridge of San Lorenzo
Tags: African(s), BIPOC, boat(s) or ship(s), bodies of water, cisgender female central figure(s), cisgender female onlooker(s) or peripheral figure(s), cisgender male onlooker or peripheral figure(s), cityscape, history—Early Modern religious subject, men of color, nudes, nudes—male, onlooker(s) or peripheral person(s) of color, plant(s), portrait(s), Race, self-portraiture, servant(s) or slave(s), Venetian artist, Venetian installation/viewing context, Venetian subject, Venice, Venice in art, women and gender minorities
Resurrection of Christ
Tags: animal(s), beards, BIPOC, cisgender male central figure(s), costume or fashion as a marker of racial or ethnic identity, flag(s), history—Biblical subject, history—Biblical subject—New Testament, history—Early Modern religious subject, indigenous American(s), landscape, locations outside Italy, men of color, onlooker(s) or peripheral person(s) of color, plant(s), portrait(s), portrait(s)—male, Race, Roman installation/viewing context, Rome, subject location(s) outside Italy, weapon(s)
Beheading of Niccolò di Tuldo
Tags: animal(s), beards, BIPOC, bisexual, cisgender female onlooker(s) or peripheral figure(s), cisgender male central figure(s), cisgender male onlooker or peripheral figure(s), cityscape, costume or fashion as a marker of racial or ethnic identity, figure(s) seen from behind, flag(s), fruit, gay, history—Early Modern religious subject, intersectionality, landscape, LGBTQ+ artist, men of color, nudes, nudes—male, onlooker(s) or peripheral person(s) of color, putti, sexual orientation minorities, Sexuality, Siena, Sienese installation/viewing context, violence, weapon(s), winged figure(s), women and gender minorities