Miracle of the True Cross at the Bridge of San Lorenzo

African(s), BIPOC, boat(s) or ship(s), bodies of water, cisgender female central figure(s), cisgender female onlooker(s) or peripheral figure(s), cisgender male onlooker or peripheral figure(s), cityscape, history—Early Modern religious subject, men of color, nudes, nudes—male, onlooker(s) or peripheral person(s) of color, plant(s), portrait(s), Race, self-portraiture, servant(s) or slave(s), Venetian artist, Venetian installation/viewing context, Venetian subject, Venice, Venice in art, women and gender minorities

Gentile Bellini, “Miracle of the True Cross at the Bridge of San Lorenzo,” Race, Sexuality, and Gender in Early Modern Italian Art, accessed February 22, 2025, http://othersinearlymodernitaly.artinterp.org/omeka/items/show/152.

• atom
• dcmes-xml
• json
• omeka-xml