Resurrection of Christ

animal(s), beards, BIPOC, cisgender male central figure(s), costume or fashion as a marker of racial or ethnic identity, flag(s), history—Biblical subject, history—Biblical subject—New Testament, history—Early Modern religious subject, indigenous American(s), landscape, locations outside Italy, men of color, onlooker(s) or peripheral person(s) of color, plant(s), portrait(s), portrait(s)—male, Race, Roman installation/viewing context, Rome, subject location(s) outside Italy, weapon(s)

Bernardo di Betto, called Pinturicchio, “Resurrection of Christ,” Race, Sexuality, and Gender in Early Modern Italian Art, accessed February 22, 2025, http://othersinearlymodernitaly.artinterp.org/omeka/items/show/66.

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