Saint George and the Princess

animal(s), Asian(s), beards, BIPOC, boat(s) or ship(s), bodies of water, cisgender female central figure(s), cisgender male central figure(s), cityscape, costume or fashion as a marker of racial or ethnic identity, figure(s) looking directly at the viewer, history—Early Christian religious subject, locations outside Italy, Mongol(s)/Tatar(s), onlooker(s) or peripheral person(s) of color, Pisa, Pisan artist, plant(s), portrait(s), portrait(s)—male, Race, Verona, Veronese installation/viewing context, Veronese patron, violence, women and gender minorities

Antonio di Puccio Pisani, called Pisanello, “Saint George and the Princess,” Race, Sexuality, and Gender in Early Modern Italian Art, accessed February 22, 2025, http://othersinearlymodernitaly.artinterp.org/omeka/items/show/65.

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