Browse Items (6 total)
- Tags: Mongol(s)/Tatar(s)
Crucifixion
Tags: animal(s), Asian(s), beards, BIPOC, cisgender female onlooker(s) or peripheral figure(s), cisgender male onlooker or peripheral figure(s), costume or fashion as a marker of racial or ethnic identity, figure(s) seen from behind, flag(s), history—Biblical subject, history—Biblical subject—New Testament, locations outside Italy, men of color, Mongol(s)/Tatar(s), nudes, nudes—male, onlooker(s) or peripheral person(s) of color, Race, striped fabric, subject location(s) outside Italy, violence, weapon(s), winged figure(s), women and gender minorities
Cuttings from a Latin prose treatise on the Seven Vices (Tractatus de septem vitiis)
Tags: African(s), animal(s), Asian(s), BIPOC, boat(s) or ship(s), bodies of water, carpets, central person(s) of color, cisgender female onlooker(s) or peripheral figure(s), cityscape, costume or fashion as a marker of racial or ethnic identity, Egyptian(s)/Mamluk(s), flag(s), Genoa, Genoese installation/viewing context, genre subject or scene, history—allegory, history—Early Modern secular subject, jewelry, landscape, locations outside Italy, men of color, Mongol(s)/Tatar(s), musical instrument(s), onlooker(s) or peripheral person(s) of color, person of color—indeterminate gender, Race, servant(s) or slave(s), still life, violence, violence—battle scene(s)
Stefaneschi Triptych
Tags: animal(s), Asian(s), beards, BIPOC, book(s), cisgender male central figure(s), costume or fashion as a marker of racial or ethnic identity, figure(s) seen from behind, flag(s), Florence, Florentine artist, history—Biblical subject, history—Biblical subject—apocryphal, men of color, meta-images, Mongol(s)/Tatar(s), onlooker(s) or peripheral person(s) of color, Race, Roman installation/viewing context, Rome, subject location(s) outside Italy, violence, winged figure(s)
Timur/Tamalane
Tags: Asian(s), BIPOC, central person(s) of color, cisgender male central figure(s), costume or fashion as a marker of racial or ethnic identity, Florence, Florentine installation/viewing context, Florentine patron, men of color, Mongol(s)/Tatar(s), portrait(s), portrait(s)—male, Race, striped fabric
Saint George and the Princess
Tags: animal(s), Asian(s), beards, BIPOC, boat(s) or ship(s), bodies of water, cisgender female central figure(s), cisgender male central figure(s), cityscape, costume or fashion as a marker of racial or ethnic identity, figure(s) looking directly at the viewer, history—Early Christian religious subject, locations outside Italy, Mongol(s)/Tatar(s), onlooker(s) or peripheral person(s) of color, Pisa, Pisan artist, plant(s), portrait(s), portrait(s)—male, Race, Verona, Veronese installation/viewing context, Veronese patron, violence, women and gender minorities