Browse Items (8 total)
- Tags: violence—battle scene(s)
Confrontation of the Christian and Turkish Fleets in the Gulf of Lepanto
Tags: allegorical personification(s), animal(s), boat(s) or ship(s), bodies of water, book(s), cisgender male onlooker or peripheral figure(s), flag(s), history—Early Modern secular subject, Milan, Milanese patron, Ottoman Turk(s), personification(s), putti, Race, Roman installation/viewing context, Rome, violence, violence—battle scene(s), weapon(s), winged figure(s)
Defense of Piombino
Tags: beards, boat(s) or ship(s), bodies of water, cisgender male central figure(s), cisgender male onlooker or peripheral figure(s), figure(s) seen from behind, flag(s), Florence, Florentine installation/viewing context, Florentine patron, history—Early Modern secular subject, Ottoman Turk(s), Race, striped fabric, violence, violence—battle scene(s), weapon(s)
Battle of Lepanto
Tags: allegorical personification(s), beards, boat(s) or ship(s), bodies of water, cisgender male onlooker or peripheral figure(s), flag(s), history—Early Modern secular subject, Milan, Milanese patron, Ottoman Turk(s), personification(s), putti, Race, Roman installation/viewing context, Rome, violence, violence—battle scene(s), weapon(s), winged figure(s)
Sinan Pasha, captain general of the army of Mehmed III, Sultan of the Turks
Tags: Asian(s), beards, BIPOC, central person(s) of color, cisgender male central figure(s), coat(s) of arms, costume or fashion as a marker of racial or ethnic identity, figure(s) looking directly at the viewer, flag(s), men of color, Ottoman Turk(s), Race, tent(s), Venice, violence, violence—battle scene(s), weapon(s)
Story of Lucretia
Tags: African(s), BIPOC, cisgender female central figure(s), cisgender male onlooker or peripheral figure(s), cityscape, column(s), figure(s) seen from behind, Florence, gay, Gender, history—ancient secular subject, intersectionality, LGBTQ+ artist, men of color, musical instrument(s), onlooker(s) or peripheral person(s) of color, sexual orientation minorities, violence, violence—battle scene(s), weapon(s), women and gender minorities
Benedict Foretells the Destruction of Montecassino
Tags: African(s), animal(s), beards, BIPOC, bisexual, boat(s) or ship(s), bodies of water, cisgender male onlooker or peripheral figure(s), column(s), costume or fashion as a marker of racial or ethnic identity, figure(s) seen from behind, flag(s), gay, history—medieval religious subject, intersectionality, landscape, LGBTQ+ artist, men of color, plant(s), Race, sexual orientation minorities, Siena, striped fabric, tent(s), violence, violence—battle scene(s), weapon(s)
Cuttings from a Latin prose treatise on the Seven Vices (Tractatus de septem vitiis)
Tags: African(s), animal(s), Asian(s), BIPOC, boat(s) or ship(s), bodies of water, carpets, central person(s) of color, cisgender female onlooker(s) or peripheral figure(s), cityscape, costume or fashion as a marker of racial or ethnic identity, Egyptian(s)/Mamluk(s), flag(s), Genoa, Genoese installation/viewing context, genre subject or scene, history—allegory, history—Early Modern secular subject, jewelry, landscape, locations outside Italy, men of color, Mongol(s)/Tatar(s), musical instrument(s), onlooker(s) or peripheral person(s) of color, person of color—indeterminate gender, Race, servant(s) or slave(s), still life, violence, violence—battle scene(s)
The Battle of the Horatii and Curiatii
Tags: African(s), animal(s), Asian(s), BIPOC, cisgender female onlooker(s) or peripheral figure(s), costume or fashion as a marker of racial or ethnic identity, fruit, history—ancient secular subject, intersectionality, landscape, men of color, onlooker(s) or peripheral person(s) of color, person of color—indeterminate gender, plant(s), Race, Roman installation/viewing context, Rome, servant(s) or slave(s), violence, violence—battle scene(s), weapon(s), women and gender minorities, women of color