Browse Items (20 total)
- Tags: personification(s)
Triumph after the Victory over Pisa
Tags: allegorical personification(s), animal(s), bodies of water, cisgender male central figure(s), cisgender male onlooker or peripheral figure(s), cityscape, column(s), figure(s) seen from behind, Florence, Florence in art, Florentine installation/viewing context, Florentine patron, fruit, history—Early Modern secular subject, musical instrument(s), Ottoman Turk(s), personification(s), plant(s), Race, violence, weapon(s), winged figure(s)
Confrontation of the Christian and Turkish Fleets in the Gulf of Lepanto
Tags: allegorical personification(s), animal(s), boat(s) or ship(s), bodies of water, book(s), cisgender male onlooker or peripheral figure(s), flag(s), history—Early Modern secular subject, Milan, Milanese patron, Ottoman Turk(s), personification(s), putti, Race, Roman installation/viewing context, Rome, violence, violence—battle scene(s), weapon(s), winged figure(s)
Battle of Lepanto
Tags: allegorical personification(s), beards, boat(s) or ship(s), bodies of water, cisgender male onlooker or peripheral figure(s), flag(s), history—Early Modern secular subject, Milan, Milanese patron, Ottoman Turk(s), personification(s), putti, Race, Roman installation/viewing context, Rome, violence, violence—battle scene(s), weapon(s), winged figure(s)
World Map surrounded by allegories of the Four Continents
Tags: African(s), Asian(s), BIPOC, bodies of water, cisgender female onlooker(s) or peripheral figure(s), figure(s) looking directly at the viewer, history—allegory, indigenous American(s), jewelry, landscape, locations outside Italy, maps, onlooker(s) or peripheral person(s) of color, personification(s), putti, Race, Roman patron, Rome, women of color
Fall of Phaeton
Tags: animal(s), beards, breasts, cisgender female onlooker(s) or peripheral figure(s), cisgender male central figure(s), Florence, gay, history—literary subject, LGBTQ+ artist, LGBTQ+ patronage, nudes, nudes—male, personification(s), Rome, sexual orientation minorities, Sexuality, violence, women and gender minorities
Paolo Capranica
Tags: cisgender female onlooker(s) or peripheral figure(s), cisgender male onlooker or peripheral figure(s), figure(s) seen from behind, Florence, Florentine artist, landscape, LGBTQ+ onlooker or peripheral figure(s), musical instrument(s), nudes, nudes—male, personification(s), portrait(s), portrait(s)—male, sexual orientation minorities, Sexuality
Minerva Expelling the Vices from the Garden of Virtue
Tags: allegorical personification(s), bodies of water, breasts, cisgender female central figure(s), cisgender female onlooker(s) or peripheral figure(s), female patronage, Ferrara, fruit, Gender, history—allegory, intersex, jewelry, landscape, Mantua, Mantuan installation/viewing context, nudes, nudes—female, nudes—male, Padua, Paduan artist, personification(s), plant(s), putti, violence, weapon(s), winged figure(s), women and gender minorities
Allegory of Virtues
Tags: African(s), allegorical personification(s), BIPOC, cisgender female central figure(s), cisgender female onlooker(s) or peripheral figure(s), female patronage, Ferrara, Gender, history—allegory, intersectionality, landscape, Mantua, Mantuan installation/viewing context, mixed ancestry, musical instrument(s), nudes, onlooker(s) or peripheral person(s) of color, personification(s), plant(s), putti, winged figure(s), women and gender minorities, women of color