Browse Items (14 total)

Tags: BIPOC, Bolognese installation/viewing context, Bolognese patron, book(s), breasts, cisgender female onlooker(s) or peripheral figure(s), cisgender male onlooker or peripheral figure(s), figure(s) seen from behind, flag(s), history—Biblical subject, history—Biblical subject—New Testament, LGBTQ+ onlooker or peripheral figure(s), locations outside Italy, men of color, onlooker(s) or peripheral person(s) of color, sexual orientation minorities, Sexuality, subject location(s) outside Italy, violence, violence—torture, weapon(s), winged figure(s), women and gender minorities

Tags: animal(s), beards, cisgender female central figure(s), cisgender male central figure(s), cisgender male onlooker or peripheral figure(s), figure(s) seen from behind, Florence, Florentine patron, gay, history—Biblical subject, history—Biblical subject—New Testament, landscape, LGBTQ+ onlooker or peripheral figure(s), musical instrument(s), nudes, nudes—male, plant(s), sexual orientation minorities, Sexuality, subject location(s) outside Italy, women and gender minorities

Tags: beards, breasts, cisgender female onlooker(s) or peripheral figure(s), cisgender male central figure(s), cisgender male onlooker or peripheral figure(s), figure(s) seen from behind, Florence, gay, history—literary subject, history—medieval literary subject, landscape, LGBTQ+ central figure(s), LGBTQ+ onlooker or peripheral figure(s), locations outside Italy, non-Italian artist working in Italy, nudes, nudes—male, sexual orientation minorities, Sexuality, violence, women and gender minorities

Tags: animal(s), beards, bisexual, cisgender female central figure(s), cisgender female onlooker(s) or peripheral figure(s), cisgender male onlooker or peripheral figure(s), column(s), figure(s) looking directly at the viewer, gay, history—Biblical subject, history—Biblical subject—apocryphal, intersectionality, jewelry, LGBTQ+ artist, LGBTQ+ onlooker or peripheral figure(s), locations outside Italy, sexual orientation minorities, Sexuality, Siena, Sienese installation/viewing context, subject location(s) outside Italy, women and gender minorities

Tags: animal(s), beards, bisexual, breasts, cisgender female central figure(s), cisgender female onlooker(s) or peripheral figure(s), cisgender male central figure(s), female patronage, fruit, gay, history—literary subject, intersectionality, lesbian(s), LGBTQ+ artist, LGBTQ+ onlooker or peripheral figure(s), musical instrument(s), nudes, nudes—female, nudes—male, Parma, Parmesan artist, putti, sexual orientation minorities, Sexuality, violence, weapon(s), winged figure(s), women and gender minorities

Tags: cisgender female onlooker(s) or peripheral figure(s), cisgender male onlooker or peripheral figure(s), figure(s) seen from behind, Florence, Florentine artist, landscape, LGBTQ+ onlooker or peripheral figure(s), musical instrument(s), nudes, nudes—male, personification(s), portrait(s), portrait(s)—male, sexual orientation minorities, Sexuality

Tags: African(s), animal(s), BIPOC, bisexual, bodies of water, breasts, cisgender female central figure(s), cisgender female onlooker(s) or peripheral figure(s), cisgender male onlooker or peripheral figure(s), column(s), figure(s) seen from behind, gay, history—ancient secular subject, history—literary subject, intersectionality, landscape, LGBTQ+ artist, LGBTQ+ central figure(s), LGBTQ+ onlooker or peripheral figure(s), locations outside Italy, nudes, nudes—female, onlooker(s) or peripheral person(s) of color, person of color—indeterminate gender, plant(s), putti, Roman installation/viewing context, Rome, servant(s) or slave(s), sexual orientation minorities, Sexuality, Siena, Sienese patron, Sub-Saharan African(s), winged figure(s), women and gender minorities, women of color

Tags: animal(s), bisexual, cisgender female onlooker(s) or peripheral figure(s), cisgender male central figure(s), eunuch(s) or castrato/i, gay, Gender, history—literary subject, intersectionality, landscape, LGBTQ+ central figure(s), LGBTQ+ onlooker or peripheral figure(s), LGBTQ+ patronage, musical instrument(s), mythological creature(s), nudes, nudes—male, portrait(s), portrait(s)—male, Rome, sexual orientation minorities, women and gender minorities

Tags: African(s), beards, BIPOC, boat(s) or ship(s), bodies of water, breasts, cisgender female central figure(s), cisgender female onlooker(s) or peripheral figure(s), cisgender male central figure(s), cisgender male onlooker or peripheral figure(s), column(s), figure(s) looking directly at the viewer, figure(s) seen from behind, Florence, gay, history—Biblical subject, history—Biblical subject—New Testament, intersectionality, LGBTQ+ artist, LGBTQ+ onlooker or peripheral figure(s), locations outside Italy, men of color, musical instrument(s), nudes, nudes—male, onlooker(s) or peripheral person(s) of color, person of color—indeterminate gender, portrait(s), portrait(s)—male, Race, Roman installation/viewing context, Rome, self-portraiture, sexual orientation minorities, subject location(s) outside Italy, violence, violence—torture, weapon(s), women and gender minorities

Tags: beards, breasts, cisgender female onlooker(s) or peripheral figure(s), cisgender male central figure(s), cityscape, figure(s) seen from behind, Florence, Florentine patron, history—literary subject, intersectionality, landscape, lesbian(s), LGBTQ+ central figure(s), LGBTQ+ onlooker or peripheral figure(s), locations outside Italy, musical instrument(s), mythological creature(s), nudes, nudes—female, nudes—male, plant(s), sexual orientation minorities, Sexuality, women and gender minorities