The Last Judgment

Title

The Last Judgment

Creator

Michelangelo Buonarroti

Source

Vatican City: Apostolic Palace, Sistine Chapel

Publisher

Pope Paul III Farnese

Date

1536–1541

Contributor

Dr. Adam Rudolphi

Format

painting

Type

Still Image

Original Format

fresco

Physical Dimensions

13.7 × 12 m

Files

Michelangelo,_Giudizio_Universale_31.jpg

Screen Shot 2018-10-09 at 10.09.39 AM.png

Tags

African(s), beards, BIPOC, boat(s) or ship(s), bodies of water, breasts, cisgender female central figure(s), cisgender female onlooker(s) or peripheral figure(s), cisgender male central figure(s), cisgender male onlooker or peripheral figure(s), column(s), figure(s) looking directly at the viewer, figure(s) seen from behind, Florence, gay, history—Biblical subject, history—Biblical subject—New Testament, intersectionality, LGBTQ+ artist, LGBTQ+ onlooker or peripheral figure(s), locations outside Italy, men of color, musical instrument(s), nudes, nudes—male, onlooker(s) or peripheral person(s) of color, person of color—indeterminate gender, portrait(s), portrait(s)—male, Race, Roman installation/viewing context, Rome, self-portraiture, sexual orientation minorities, subject location(s) outside Italy, violence, violence—torture, weapon(s), women and gender minorities

Citation

Michelangelo Buonarroti, “The Last Judgment,” Race, Sexuality, and Gender in Early Modern Italian Art, accessed February 22, 2025, http://othersinearlymodernitaly.artinterp.org/omeka/items/show/94.

The Last Judgment

Title

Creator

Source

Publisher

Date

Contributor

Format

Type

Original Format

Physical Dimensions

Files

Tags

Citation

Output Formats