Browse Items (4 total)

Tags: BIPOC, Bolognese installation/viewing context, Bolognese patron, book(s), breasts, cisgender female onlooker(s) or peripheral figure(s), cisgender male onlooker or peripheral figure(s), figure(s) seen from behind, flag(s), history—Biblical subject, history—Biblical subject—New Testament, LGBTQ+ onlooker or peripheral figure(s), locations outside Italy, men of color, onlooker(s) or peripheral person(s) of color, sexual orientation minorities, Sexuality, subject location(s) outside Italy, violence, violence—torture, weapon(s), winged figure(s), women and gender minorities

Tags: African(s), beards, BIPOC, cisgender male central figure(s), cisgender male onlooker or peripheral figure(s), column(s), figure(s) seen from behind, Florence, Florentine artist, history—Biblical subject, history—Biblical subject—New Testament, locations outside Italy, men of color, Padua, Paduan installation/viewing context, Paduan patron, Race, striped fabric, subject location(s) outside Italy, violence, violence—torture, weapon(s)

Tags: African(s), beards, BIPOC, boat(s) or ship(s), bodies of water, breasts, cisgender female central figure(s), cisgender female onlooker(s) or peripheral figure(s), cisgender male central figure(s), cisgender male onlooker or peripheral figure(s), column(s), figure(s) looking directly at the viewer, figure(s) seen from behind, Florence, gay, history—Biblical subject, history—Biblical subject—New Testament, intersectionality, LGBTQ+ artist, LGBTQ+ onlooker or peripheral figure(s), locations outside Italy, men of color, musical instrument(s), nudes, nudes—male, onlooker(s) or peripheral person(s) of color, person of color—indeterminate gender, portrait(s), portrait(s)—male, Race, Roman installation/viewing context, Rome, self-portraiture, sexual orientation minorities, subject location(s) outside Italy, violence, violence—torture, weapon(s), women and gender minorities

Tags: beards, BIPOC, book(s), cisgender female central figure(s), cisgender male central figure(s), Ethiopian(s), figure(s) seen from behind, Florence, Florentine installation/viewing context, Florentine patron, history—Biblical subject, history—Early Christian religious subject, locations outside Italy, men of color, Moor(s), Race, subject location(s) outside Italy, violence, violence—torture, women and gender minorities