Browse Items (10 total)

Tags: African(s), beards, BIPOC, central person(s) of color, cisgender female central figure(s), cisgender male central figure(s), cisgender male onlooker or peripheral figure(s), column(s), costume or fashion as a marker of racial or ethnic identity, history—Early Christian religious subject, intersectionality, jewelry, landscape, men of color, plant(s), Race, Verona, Veronese artist, violence, weapon(s), women and gender minorities

Tags: cisgender male central figure(s), cityscape, fruit, history—Early Christian religious subject, landscape, Mantua, nudes, nudes—male, plant(s), Sexuality, still life, violence, weapon(s)

Tags: cisgender female central figure(s), cisgender female onlooker(s) or peripheral figure(s), column(s), Gender, history—Biblical subject, history—Biblical subject—New Testament, history—Early Christian religious subject, jewelry, nudes, nudes—male, Parma, Parmesan artist, Parmesan patron, subject location(s) outside Italy, women and gender minorities

Tags: animal(s), beards, BIPOC, book(s), central person(s) of color, cisgender female central figure(s), cisgender male central figure(s), cisgender male onlooker or peripheral figure(s), column(s), costume or fashion as a marker of racial or ethnic identity, figure(s) looking directly at the viewer, figure(s) seen from behind, Gender, history—Early Christian religious subject, intersectionality, jewelry, landscape, men of color, onlooker(s) or peripheral person(s) of color, Ottoman Turk(s), plant(s), portrait(s), portrait(s)—female, portrait(s)—male, Roman installation/viewing context, Rome, weapon(s), women and gender minorities

Tags: African(s), BIPOC, bisexual, central person(s) of color, Florence, Florentine patron, history—Early Christian religious subject, intersectionality, LGBTQ+ artist, men of color, mixed ancestry, patron of color, portrait(s), portrait(s)—male, Race, sexual orientation minorities

Tags: beards, BIPOC, book(s), cisgender female central figure(s), cisgender male central figure(s), Ethiopian(s), figure(s) seen from behind, Florence, Florentine installation/viewing context, Florentine patron, history—Biblical subject, history—Early Christian religious subject, locations outside Italy, men of color, Moor(s), Race, subject location(s) outside Italy, violence, violence—torture, women and gender minorities

Tags: African(s), Asian(s), beards, BIPOC, book(s), cisgender female onlooker(s) or peripheral figure(s), cisgender male central figure(s), coat(s) of arms, Ethiopian(s), figure(s) looking directly at the viewer, history—Early Christian religious subject, locations outside Italy, men of color, metonymy, Moor(s), nudes, nudes—male, onlooker(s) or peripheral person(s) of color, person of color—indeterminate gender, Race, Rome, violence, weapon(s)

Tags: animal(s), Asian(s), beards, BIPOC, boat(s) or ship(s), bodies of water, cisgender female central figure(s), cisgender male central figure(s), cityscape, costume or fashion as a marker of racial or ethnic identity, figure(s) looking directly at the viewer, history—Early Christian religious subject, locations outside Italy, Mongol(s)/Tatar(s), onlooker(s) or peripheral person(s) of color, Pisa, Pisan artist, plant(s), portrait(s), portrait(s)—male, Race, Verona, Veronese installation/viewing context, Veronese patron, violence, women and gender minorities

Tags: asexual, Bologna, Bolognese artist, cisgender male central figure(s), eunuch(s) or castrato/i, gay, history—Early Christian religious subject, landscape, LGBTQ+ artist, nudes, nudes—male, plant(s), sexual orientation minorities, Sexuality, transgender, violence, weapon(s), women and gender minorities

Tags: animal(s), bisexual, bodies of water, cisgender male central figure(s), gay, history—Early Christian religious subject, landscape, LGBTQ+ artist, nudes, nudes—male, plant(s), sexual orientation minorities, Sexuality, Siena, violence, winged figure(s)