Saints Cosmas and Damian

African(s), Asian(s), beards, BIPOC, book(s), cisgender female onlooker(s) or peripheral figure(s), cisgender male central figure(s), coat(s) of arms, Ethiopian(s), figure(s) looking directly at the viewer, history—Early Christian religious subject, locations outside Italy, men of color, metonymy, Moor(s), nudes, nudes—male, onlooker(s) or peripheral person(s) of color, person of color—indeterminate gender, Race, Rome, violence, weapon(s)

Master of the Rinuccini Chapel (Matteo di Pacino), “Saints Cosmas and Damian,” Race, Sexuality, and Gender in Early Modern Italian Art, accessed February 22, 2025, http://othersinearlymodernitaly.artinterp.org/omeka/items/show/74.

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