Browse Items (8 total)

Tags: African(s), ambassador(s) or envoy(s), beards, BIPOC, central person(s) of color, cisgender male central figure(s), cisgender male onlooker or peripheral figure(s), cityscape, costume or fashion as a marker of racial or ethnic identity, Egyptian(s)/Mamluk(s), Ethiopian(s), Florence, Florentine artist, history—Early Modern religious subject, men of color, onlooker(s) or peripheral person(s) of color, Race, Roman installation/viewing context, Rome, Rome in art, Venetian patron, Venice

Tags: African(s), beards, BIPOC, bodies of water, breasts, cisgender female central figure(s), cisgender female onlooker(s) or peripheral figure(s), cisgender male onlooker or peripheral figure(s), cityscape, costume or fashion as a marker of racial or ethnic identity, Ethiopian(s), Florence, history—literary subject, intersectionality, jewelry, landscape, locations outside Italy, men of color, musical instrument(s), nudes, nudes—female, onlooker(s) or peripheral person(s) of color, person of color—indeterminate gender, plant(s), Race, servant(s) or slave(s), weapon(s), women and gender minorities, women of color

Tags: African(s), beards, BIPOC, central person(s) of color, coat(s) of arms, costume or fashion as a marker of racial or ethnic identity, Ethiopian(s), jewelry, men of color, Race, Urbino

Tags: African(s), beards, BIPOC, central person(s) of color, cisgender male central figure(s), Ethiopian(s), Florence, Florentine installation/viewing context, Florentine patron, jewelry, men of color, portrait(s), portrait(s)—male, Race

Tags: African(s), BIPOC, central person(s) of color, cisgender male central figure(s), costume or fashion as a marker of racial or ethnic identity, Ethiopian(s), Florence, Florentine installation/viewing context, Florentine patron, indigenous American(s), jewelry, men of color, Race, striped fabric

Tags: beards, BIPOC, book(s), cisgender female central figure(s), cisgender male central figure(s), Ethiopian(s), figure(s) seen from behind, Florence, Florentine installation/viewing context, Florentine patron, history—Biblical subject, history—Early Christian religious subject, locations outside Italy, men of color, Moor(s), Race, subject location(s) outside Italy, violence, violence—torture, women and gender minorities

Tags: African(s), Asian(s), beards, BIPOC, book(s), cisgender female onlooker(s) or peripheral figure(s), cisgender male central figure(s), coat(s) of arms, Ethiopian(s), figure(s) looking directly at the viewer, history—Early Christian religious subject, locations outside Italy, men of color, metonymy, Moor(s), nudes, nudes—male, onlooker(s) or peripheral person(s) of color, person of color—indeterminate gender, Race, Rome, violence, weapon(s)

Tags: African(s), ambassador(s) or envoy(s), beards, BIPOC, central person(s) of color, cisgender male central figure(s), costume or fashion as a marker of racial or ethnic identity, Ethiopian(s), history—Early Modern secular subject, men of color, Parma, Race, Roman installation/viewing context, Rome, Venice