Perseus Freeing Andromeda

African(s), beards, BIPOC, bodies of water, breasts, cisgender female central figure(s), cisgender female onlooker(s) or peripheral figure(s), cisgender male onlooker or peripheral figure(s), cityscape, costume or fashion as a marker of racial or ethnic identity, Ethiopian(s), Florence, history—literary subject, intersectionality, jewelry, landscape, locations outside Italy, men of color, musical instrument(s), nudes, nudes—female, onlooker(s) or peripheral person(s) of color, person of color—indeterminate gender, plant(s), Race, servant(s) or slave(s), weapon(s), women and gender minorities, women of color

Piero di Cosimo, “Perseus Freeing Andromeda,” Race, Sexuality, and Gender in Early Modern Italian Art, accessed February 22, 2025, http://othersinearlymodernitaly.artinterp.org/omeka/items/show/176.

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