Arrival in Rome of the Copts and Ethiopian Christians

African(s), ambassador(s) or envoy(s), beards, BIPOC, central person(s) of color, cisgender male central figure(s), cisgender male onlooker or peripheral figure(s), cityscape, costume or fashion as a marker of racial or ethnic identity, Egyptian(s)/Mamluk(s), Ethiopian(s), Florence, Florentine artist, history—Early Modern religious subject, men of color, onlooker(s) or peripheral person(s) of color, Race, Roman installation/viewing context, Rome, Rome in art, Venetian patron, Venice

Antonio Averlino, called Filarete, “Arrival in Rome of the Copts and Ethiopian Christians,” Race, Sexuality, and Gender in Early Modern Italian Art, accessed February 21, 2025, http://othersinearlymodernitaly.artinterp.org/omeka/items/show/339.

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