Persian Embassy

ambassador(s) or envoy(s), Asian(s), BIPOC, central person(s) of color, cisgender male central figure(s), cisgender male onlooker or peripheral figure(s), costume or fashion as a marker of racial or ethnic identity, figure(s) looking directly at the viewer, history—Early Modern secular subject, men of color, onlooker(s) or peripheral person(s) of color, Parma, Persian(s), portrait(s), portrait(s)—male, Race, Roman installation/viewing context, Rome, Venice

Carlo Saraceni, Giovanni Lanfranco, Agostino Tassi, and assistants, “Persian Embassy,” Race, Sexuality, and Gender in Early Modern Italian Art, accessed February 21, 2025, http://othersinearlymodernitaly.artinterp.org/omeka/items/show/338.

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