Wedding of Alexander and Roxanna

African(s), animal(s), BIPOC, bisexual, bodies of water, breasts, cisgender female central figure(s), cisgender female onlooker(s) or peripheral figure(s), cisgender male onlooker or peripheral figure(s), column(s), figure(s) seen from behind, gay, history—ancient secular subject, history—literary subject, intersectionality, landscape, LGBTQ+ artist, LGBTQ+ central figure(s), LGBTQ+ onlooker or peripheral figure(s), locations outside Italy, nudes, nudes—female, onlooker(s) or peripheral person(s) of color, person of color—indeterminate gender, plant(s), putti, Roman installation/viewing context, Rome, servant(s) or slave(s), sexual orientation minorities, Sexuality, Siena, Sienese patron, Sub-Saharan African(s), winged figure(s), women and gender minorities, women of color

Giovanni Antonio Bazzi, called Sodoma, “Wedding of Alexander and Roxanna,” Race, Sexuality, and Gender in Early Modern Italian Art, accessed February 21, 2025, http://othersinearlymodernitaly.artinterp.org/omeka/items/show/160.

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