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Tags: carpets, cisgender female central figure(s), cisgender female onlooker(s) or peripheral figure(s), figure(s) looking directly at the viewer, Gender, jewelry, landscape, plant(s), portrait(s), portrait(s)—female, servant(s) or slave(s), still life, woman artist, women and gender minorities
Tags: African(s), ambassador(s) or envoy(s), beards, BIPOC, boat(s) or ship(s), bodies of water, book(s), carpets, cisgender male onlooker or peripheral figure(s), cityscape, column(s), figure(s) seen from behind, flag(s), history—Early Modern secular subject, landscape, locations outside Italy, men of color, onlooker(s) or peripheral person(s) of color, plant(s), portrait(s), portrait(s)—male, Race, Siena, Sienese installation/viewing context, Sienese patron, striped fabric
Tags: African(s), animal(s), Asian(s), BIPOC, boat(s) or ship(s), bodies of water, carpets, central person(s) of color, cisgender female onlooker(s) or peripheral figure(s), cityscape, costume or fashion as a marker of racial or ethnic identity, Egyptian(s)/Mamluk(s), flag(s), Genoa, Genoese installation/viewing context, genre subject or scene, history—allegory, history—Early Modern secular subject, jewelry, landscape, locations outside Italy, men of color, Mongol(s)/Tatar(s), musical instrument(s), onlooker(s) or peripheral person(s) of color, person of color—indeterminate gender, Race, servant(s) or slave(s), still life, violence, violence—battle scene(s)
Tags: bisexual, book(s), carpets, eunuch(s) or castrato/i, gay, genre subject or scene, LGBTQ+ artist, LGBTQ+ central figure(s), Milan, musical instrument(s), Rome, sexual orientation minorities, Sexuality, still life
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