Beheading of Niccolò di Tuldo

animal(s), beards, BIPOC, bisexual, cisgender female onlooker(s) or peripheral figure(s), cisgender male central figure(s), cisgender male onlooker or peripheral figure(s), cityscape, costume or fashion as a marker of racial or ethnic identity, figure(s) seen from behind, flag(s), fruit, gay, history—Early Modern religious subject, intersectionality, landscape, LGBTQ+ artist, men of color, nudes, nudes—male, onlooker(s) or peripheral person(s) of color, putti, sexual orientation minorities, Sexuality, Siena, Sienese installation/viewing context, violence, weapon(s), winged figure(s), women and gender minorities

Giovanni Antonio Bazzi, called Sodoma, “Beheading of Niccolò di Tuldo,” Race, Sexuality, and Gender in Early Modern Italian Art, accessed February 22, 2025, http://othersinearlymodernitaly.artinterp.org/omeka/items/show/18.

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