Deposition from the Cross

beards, bisexual, bodies of water, cisgender female onlooker(s) or peripheral figure(s), cisgender male central figure(s), coat(s) of arms, costume or fashion as a marker of racial or ethnic identity, figure(s) seen from behind, gay, history—Biblical subject, history—Biblical subject—New Testament, landscape, LGBTQ+ artist, locations outside Italy, nudes, nudes—male, sexual orientation minorities, Sexuality, Siena, Sienese installation/viewing context, subject location(s) outside Italy, violence, weapon(s), women and gender minorities

Giovanni Antonio Bazzi, called Sodoma, “Deposition from the Cross,” Race, Sexuality, and Gender in Early Modern Italian Art, accessed February 22, 2025, http://othersinearlymodernitaly.artinterp.org/omeka/items/show/19.

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