Blackamoor of Zanzibar

African(s), BIPOC, central person(s) of color, cisgender male central figure(s), costume or fashion as a marker of racial or ethnic identity, men of color, non-Italian artist working in Italy, nudes, nudes—male, Race, Sub-Saharan African(s), Venetian artist, Venice, weapon(s)

Cesare Vecellio and Christoph Krieger (Cristoforo Guerra), “Blackamoor of Zanzibar,” Race, Sexuality, and Gender in Early Modern Italian Art, accessed February 21, 2025, http://othersinearlymodernitaly.artinterp.org/omeka/items/show/332.

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