Cupid Carving His Bow

androgynous central figure(s), bisexual, book(s), cisgender male central figure(s), figure(s) looking directly at the viewer, figure(s) seen from behind, history—literary subject, LGBTQ+ artist, nudes, nudes—male, Parma, Parmesan artist, Parmesan patron, putti, sexual orientation minorities, Sexuality, violence, weapon(s), winged figure(s)

Girolamo Francesco Maria Mazzola, called Parmigianino, “Cupid Carving His Bow,” Race, Sexuality, and Gender in Early Modern Italian Art, accessed April 3, 2025, http://othersinearlymodernitaly.artinterp.org/omeka/items/show/25.

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