Benedict Receives Maurus and Placidus

African(s), animal(s), beards, BIPOC, bisexual, bodies of water, cisgender male onlooker or peripheral figure(s), cityscape, column(s), costume or fashion as a marker of racial or ethnic identity, figure(s) seen from behind, gay, history—medieval religious subject, intersectionality, LGBTQ+ artist, men of color, plant(s), Race, sexual orientation minorities, Siena, striped fabric, weapon(s)

Giovanni Antonio Bazzi, called Sodoma, “Benedict Receives Maurus and Placidus,” Race, Sexuality, and Gender in Early Modern Italian Art, accessed February 22, 2025, http://othersinearlymodernitaly.artinterp.org/omeka/items/show/158.

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